Skip to main content

Symbolised Collection (#2)

"Symbolised: Unveiling the Hidden Meanings in Art and History" Step into a world where every stroke of a brush, every line on a canvas

Background imageSymbolised Collection: Napoleon gallops on Ambition, a horse with wings on its feet over the globe, 1814 (engraving)

Napoleon gallops on Ambition, a horse with wings on its feet over the globe, 1814 (engraving)
7262245 Napoleon gallops on Ambition, a horse with wings on its feet over the globe, 1814 (engraving) by Heath, William (1795-1840); Bromley Museum, Orpington

Background imageSymbolised Collection: BONEY AND HIS NEW WIFE or a Quarrel about-Nothing!! 1810 (engraving)

BONEY AND HIS NEW WIFE or a Quarrel about-Nothing!! 1810 (engraving)
7262213 BONEY AND HIS NEW WIFE or a Quarrel about-Nothing!! 1810 (engraving) by Tegg, Thomas (1776-1845); Bromley Museum, Orpington, UK; (add.info.: BONEY AND HIS NEW WIFE or a Quarrel about-Nothing!)

Background imageSymbolised Collection: NAPOLEON -MAKE PEACE WITH !! 1813 (engraving)

NAPOLEON -MAKE PEACE WITH !! 1813 (engraving)
7262204 NAPOLEON -MAKE PEACE WITH !! 1813 (engraving) by German School, (19th century); Bromley Museum, Orpington, UK; (add.info.: NAPOLEON -MAKE PEACE WITH !)

Background imageSymbolised Collection: DUTCH NIGHTMARE or the fraternal hug returned with a Dutch squeeze, 1813 (engraving)

DUTCH NIGHTMARE or the fraternal hug returned with a Dutch squeeze, 1813 (engraving)
7262241 DUTCH NIGHTMARE or the fraternal hug returned with a Dutch squeeze, 1813 (engraving) by Rowlandson, Thomas (1756-1827); Bromley Museum, Orpington

Background imageSymbolised Collection: THE TYRANT OF THE CONTINENT IS FALLEN, 19th century (engraving)

THE TYRANT OF THE CONTINENT IS FALLEN, 19th century (engraving)
7262219 THE TYRANT OF THE CONTINENT IS FALLEN, 19th century (engraving) by Rowlandson, Thomas (1756-1827); Bromley Museum, Orpington, UK; (add.info.: THE TYRANT OF THE CONTINENT IS FALLEN)

Background imageSymbolised Collection: AN ATTEMPT TO UNDERMINE JOHN BULL or WORKING THROUGH THE GLOBE. 1803 (engraving)

AN ATTEMPT TO UNDERMINE JOHN BULL or WORKING THROUGH THE GLOBE. 1803 (engraving)
7262210 AN ATTEMPT TO UNDERMINE JOHN BULL or WORKING THROUGH THE GLOBE. 1803 (engraving) by Roberts, Piercy (fl.1791-1828); Bromley Museum, Orpington

Background imageSymbolised Collection: THE RIVAL ACCOUCHEURS OR WHO SHALL DELIVER EUROPE 1800 (engraving)

THE RIVAL ACCOUCHEURS OR WHO SHALL DELIVER EUROPE 1800 (engraving)
7262194 THE RIVAL ACCOUCHEURS OR WHO SHALL DELIVER EUROPE 1800 (engraving) by Cruikshank, Isaac (1756-1811); Bromley Museum, Orpington

Background imageSymbolised Collection: THE CORSICAN MUNCHAUSEN -HUMMING THE LADS OF PARIS. 1813 (engraving)

THE CORSICAN MUNCHAUSEN -HUMMING THE LADS OF PARIS. 1813 (engraving)
7262193 THE CORSICAN MUNCHAUSEN -HUMMING THE LADS OF PARIS. 1813 (engraving) by Rowlandson, Thomas (1756-1827) (after); Bromley Museum, Orpington

Background imageSymbolised Collection: France invites the Genius of Painting to transmit to future generations the story of French

France invites the Genius of Painting to transmit to future generations the story of French conquests
XIR347328 France invites the Genius of Painting to transmit to future generations the story of French conquests and the victories of her armies, c.1800 (gouache) by Lesueur, P. A

Background imageSymbolised Collection: Allegory of the Revolution of 1789, 1796 (oil on canvas)

Allegory of the Revolution of 1789, 1796 (oil on canvas)
XIR371998 Allegory of the Revolution of 1789, 1796 (oil on canvas) by Wilbaut, Jacques (1729-1806); 139x127 cm; Musee de la Ville de Paris, Musee Carnavalet, Paris

Background imageSymbolised Collection: Calligraphic title page with vignette of woman emerging from a p 1928 (print)

Calligraphic title page with vignette of woman emerging from a p 1928 (print)
7237129 Calligraphic title page with vignette of woman emerging from a p 1928 (print) by Barbier, Georges (1882-1932); Private Collection; (add.info)

Background imageSymbolised Collection: Triumphal entry of Henri IV in Paris (March 22, 1594), 1627-1630 (oil on canvas)

Triumphal entry of Henri IV in Paris (March 22, 1594), 1627-1630 (oil on canvas)
7260239 Triumphal entry of Henri IV in Paris (March 22, 1594), 1627-1630 (oil on canvas) by Rubens, Peter Paul (1577-1640); 380x692 cm; Galleria degli Uffizi, Florence, Tuscany

Background imageSymbolised Collection: Satirical engraving of the Eternal Masquerade, 18th century. 1906 (lithograph)

Satirical engraving of the Eternal Masquerade, 18th century. 1906 (lithograph)
7236890 Satirical engraving of the Eternal Masquerade, 18th century. 1906 (lithograph) by Guerard, Nicolas (18th century); Private Collection; (add.info)

Background imageSymbolised Collection: Frontispiece of Novel L Astree by Honore d Urfe (engraving)

Frontispiece of Novel L Astree by Honore d Urfe (engraving)
1728866 Frontispiece of Novel L Astree by Honore d Urfe (engraving) by French School; (add.info.: Frontispiece of novel " L Astree" by Honore d Urfe (1557-1625) : Celadon

Background imageSymbolised Collection: Allegorical figure of Rome instructed by Time and Minerva. 1796 (engraving)

Allegorical figure of Rome instructed by Time and Minerva. 1796 (engraving)
7236763 Allegorical figure of Rome instructed by Time and Minerva. 1796 (engraving) by Labrousse, L.F. (fl.1796); Private Collection; (add.info)

Background imageSymbolised Collection: Coats of arms, helms, coronets of nobility. 1763 (engraving)

Coats of arms, helms, coronets of nobility. 1763 (engraving)
7236023 Coats of arms, helms, coronets of nobility. 1763 (engraving) by Benard, Robert (fl.1734); Private Collection; (add.info.: Coats of arms of religious ranks, helms, coronets of nobility)

Background imageSymbolised Collection: Marble statue of the Roman goddess Flora with garland. 1779 (engraving)

Marble statue of the Roman goddess Flora with garland. 1779 (engraving)
7237431 Marble statue of the Roman goddess Flora with garland. 1779 (engraving) by Cannetti, Giovanni Battista (1750-1810); Private Collection; (add.info.: Marble statue of Flora with garland)

Background imageSymbolised Collection: Statue of Flora, Roman goddess of flowers and spring. 1779 (engraving)

Statue of Flora, Roman goddess of flowers and spring. 1779 (engraving)
7237410 Statue of Flora, Roman goddess of flowers and spring. 1779 (engraving) by Cannetti, Giovanni Battista (1750-1810); Private Collection; (add.info.: Statue of Flora, Roman goddess of flowers)

Background imageSymbolised Collection: Coats of arms of kings, queens and emperors. 1763 (engraving)

Coats of arms of kings, queens and emperors. 1763 (engraving)
7236025 Coats of arms of kings, queens and emperors. 1763 (engraving) by Benard, Robert (fl.1734); Private Collection; (add.info.: Coats of arms with crests and supporters of kings)

Background imageSymbolised Collection: Examples of heraldic terms describing a coat of arms. 1763 (engraving)

Examples of heraldic terms describing a coat of arms. 1763 (engraving)
7236012 Examples of heraldic terms describing a coat of arms. 1763 (engraving) by Benard, Robert (fl.1734); Private Collection; (add.info.: Examples of heraldic terms describing a coat of arms)

Background imageSymbolised Collection: Statue of the River Nile leaning on a sphinx, 1779 (engraving)

Statue of the River Nile leaning on a sphinx, 1779 (engraving)
7237401 Statue of the River Nile leaning on a sphinx, 1779 (engraving) by Cannetti, Giovanni Battista (1750-1810); Private Collection; (add.info)

Background imageSymbolised Collection: Francois Fradin, 1535 (two-color print)

Francois Fradin, 1535 (two-color print)
7259467 Francois Fradin, 1535 (two-color print) by French School, (16th century); 11.7x8.7 cm; Private Collection; (add.info.: Printers mark of French printer and bookseller Francois Fradin (fl)

Background imageSymbolised Collection: Sash badges of orders of chivalry. 1763 (engraving)

Sash badges of orders of chivalry. 1763 (engraving)
7236036 Sash badges of orders of chivalry. 1763 (engraving) by Benard, Robert (fl.1734); Private Collection; (add.info.: Sash badges of orders of chivalry)

Background imageSymbolised Collection: Coats of arms of the French dignitaries, 18th century. 1763 (engraving)

Coats of arms of the French dignitaries, 18th century. 1763 (engraving)
7236033 Coats of arms of the French dignitaries, 18th century. 1763 (engraving) by Benard, Robert (fl.1734); Private Collection; (add.info.: Coats of arms of French dignitaries, 18th century)

Background imageSymbolised Collection: Pennant with 32 quarters. 1763 (engraving)

Pennant with 32 quarters. 1763 (engraving)
7236032 Pennant with 32 quarters. 1763 (engraving) by Benard, Robert (fl.1734); Private Collection; (add.info.: Pennant with 32 quarters. Pennon de 32 quartiers)

Background imageSymbolised Collection: Coats of arms of French dignitaries. 1763 (engraving)

Coats of arms of French dignitaries. 1763 (engraving)
7236030 Coats of arms of French dignitaries. 1763 (engraving) by Benard, Robert (fl.1734); Private Collection; (add.info.: Coats of arms of French dignitaries)

Background imageSymbolised Collection: Coats of arms of republics, dukes, admirals, etc. 1763 (engraving)

Coats of arms of republics, dukes, admirals, etc. 1763 (engraving)
7236029 Coats of arms of republics, dukes, admirals, etc. 1763 (engraving) by Benard, Robert (fl.1734); Private Collection; (add.info.: Coats of arms of republics, dukes, admirals, etc)

Background imageSymbolised Collection: Sash badges of orders of chivalry. 1763 (engraving)

Sash badges of orders of chivalry. 1763 (engraving)
7236026 Sash badges of orders of chivalry. 1763 (engraving) by Benard, Robert (fl.1734); Private Collection; (add.info.: Sash badges of orders of chivalry)

Background imageSymbolised Collection: Coats of arms of kings, emperors and sultans. 1763 (engraving)

Coats of arms of kings, emperors and sultans. 1763 (engraving)
7236024 Coats of arms of kings, emperors and sultans. 1763 (engraving) by Benard, Robert (fl.1734); Private Collection; (add.info.: Coats of arms of kings, emperors and sultans)

Background imageSymbolised Collection: Coats of arms of religious ranks. 1763 (engraving)

Coats of arms of religious ranks. 1763 (engraving)
7236022 Coats of arms of religious ranks. 1763 (engraving) by Benard, Robert (fl.1734); Private Collection; (add.info.: Coats of arms of religious ranks)

Background imageSymbolised Collection: Coats of arms with crests and supporters. 1763 (engraving)

Coats of arms with crests and supporters. 1763 (engraving)
7236035 Coats of arms with crests and supporters. 1763 (engraving) by Benard, Robert (fl.1734); Private Collection; (add.info.: Coats of arms with crests and supporters)

Background imageSymbolised Collection: Knights in armour with helmet, crest and mantling. 1763 (engraving)

Knights in armour with helmet, crest and mantling. 1763 (engraving)
7236019 Knights in armour with helmet, crest and mantling. 1763 (engraving) by Benard, Robert (fl.1734); Private Collection; (add.info.: Knights in armour for a tournament with helmet)

Background imageSymbolised Collection: Examples of heraldic terms describing a coat of arms. 1763 (engraving)

Examples of heraldic terms describing a coat of arms. 1763 (engraving)
7236011 Examples of heraldic terms describing a coat of arms. 1763 (engraving) by Benard, Robert (fl.1734); Private Collection; (add.info.: Examples of heraldic terms describing a coat of arms)

Background imageSymbolised Collection: Statue of the Tiber River, with oar and cornucopia, Louvre. 1779 (engraving)

Statue of the Tiber River, with oar and cornucopia, Louvre. 1779 (engraving)
7237414 Statue of the Tiber River, with oar and cornucopia, Louvre. 1779 (engraving) by Cannetti, Giovanni Battista (1750-1810); Private Collection; (add.info.: Statue of the Tiber River)

Background imageSymbolised Collection: Porphyry statue of the goddess Roma triumphans. 1779 (engraving)

Porphyry statue of the goddess Roma triumphans. 1779 (engraving)
7237411 Porphyry statue of the goddess Roma triumphans. 1779 (engraving) by Cannetti, Giovanni Battista (1750-1810); Private Collection; (add.info.: Porphyry statue of the goddess Roma triumphans)

Background imageSymbolised Collection: Examples of heraldic terms describing a coat of arms. 1763 (engraving)

Examples of heraldic terms describing a coat of arms. 1763 (engraving)
7236047 Examples of heraldic terms describing a coat of arms. 1763 (engraving) by Benard, Robert (fl.1734); Private Collection; (add.info.: Examples of heraldic terms describing a coat of arms)

Background imageSymbolised Collection: Examples of heraldic terms describing a coat of arms. 1763 (engraving)

Examples of heraldic terms describing a coat of arms. 1763 (engraving)
7236021 Examples of heraldic terms describing a coat of arms. 1763 (engraving) by Benard, Robert (fl.1734); Private Collection; (add.info.: Examples of heraldic terms describing a coat of arms)

Background imageSymbolised Collection: Examples of heraldic terms describing a coat of arms. 1763 (engraving)

Examples of heraldic terms describing a coat of arms. 1763 (engraving)
7236020 Examples of heraldic terms describing a coat of arms. 1763 (engraving) by Benard, Robert (fl.1734); Private Collection; (add.info.: Examples of heraldic terms describing a coat of arms)

Background imageSymbolised Collection: Statue of Buddha in the Enclosure of the Sacred Tree (engraving)

Statue of Buddha in the Enclosure of the Sacred Tree (engraving)
1731156 Statue of Buddha in the Enclosure of the Sacred Tree (engraving) by Bar, Alexandre de (1821-1901); (add.info.: Grandidier)

Background imageSymbolised Collection: 1803 (engraving)

1803 (engraving)
7233715, 1803 (engraving) by Schellenberg, Johann Rudolf (1740-1806); (add.info.: The skeleton of Death, Freund Hans, guides a quack doctor to his death, 18th century)

Background imageSymbolised Collection: The skeleton of Death brings a lottery number to a gambler, 18th, 1803 (engraving)

The skeleton of Death brings a lottery number to a gambler, 18th, 1803 (engraving)
7233703 The skeleton of Death brings a lottery number to a gambler, 18th, 1803 (engraving) by Schellenberg, Johann Rudolf (1740-1806); (add.info.: The skeleton of Death, Freund Hans)

Background imageSymbolised Collection: The skeleton of Death with the author and artist, 18th century. 1803 (engraving)

The skeleton of Death with the author and artist, 18th century. 1803 (engraving)
7233716 The skeleton of Death with the author and artist, 18th century. 1803 (engraving) by Schellenberg, Johann Rudolf (1740-1806); (add.info.: The skeleton of Death, Freund Hans)

Background imageSymbolised Collection: The Ascension of the Prophet Elijah and scenes from his life, 17th century (oil on wood)

The Ascension of the Prophet Elijah and scenes from his life, 17th century (oil on wood)
7216449 The Ascension of the Prophet Elijah and scenes from his life, 17th century (oil on wood) by Poulakis, Theodore (1622-1692); Byzantine Museum, Athens

Background imageSymbolised Collection: A Soviet propaganda plate, painted with the profile of Lenin 1922 (porcelain)

A Soviet propaganda plate, painted with the profile of Lenin 1922 (porcelain)
1195631 A Soviet propaganda plate, painted with the profile of Lenin 1922 (porcelain) by Adamovich, Mikhail (1884-1947) (after); 25.2 (diam) cm; Private Collection; (add.info)

Background imageSymbolised Collection: The skeleton of Death attacking a beggar. 1792. 1926 (engraving)

The skeleton of Death attacking a beggar. 1792. 1926 (engraving)
7234871 The skeleton of Death attacking a beggar. 1792. 1926 (engraving) by Chodowiecki, Daniel Nikolaus (1726-1801); Private Collection; (add.info.: The skeleton of Death attacking a beggar)

Background imageSymbolised Collection: Men and women look at a Memento Mori, 18th century. 1803 (engraving)

Men and women look at a Memento Mori, 18th century. 1803 (engraving)
7233717 Men and women look at a Memento Mori, 18th century. 1803 (engraving) by Schellenberg, Johann Rudolf (1740-1806); (add.info.: Men and women look at a Memento Mori)

Background imageSymbolised Collection: The skeleton of Death grabs a woman at a ball, 18th century. 1803 (engraving)

The skeleton of Death grabs a woman at a ball, 18th century. 1803 (engraving)
7233714 The skeleton of Death grabs a woman at a ball, 18th century. 1803 (engraving) by Schellenberg, Johann Rudolf (1740-1806); (add.info.: The skeleton of Death, Freund Hans)

Background imageSymbolised Collection: The skeleton of Death in a moonlight duel, 18th century. 1803 (engraving)

The skeleton of Death in a moonlight duel, 18th century. 1803 (engraving)
7233711 The skeleton of Death in a moonlight duel, 18th century. 1803 (engraving) by Schellenberg, Johann Rudolf (1740-1806); (add.info.: The skeleton of Death, Freund Hans)




For sale as Licensed Images

Choose your image, Select your licence and Download the media

"Symbolised: Unveiling the Hidden Meanings in Art and History" Step into a world where every stroke of a brush, every line on a canvas, and every engraving carries profound symbolism. From the elegance of the Hispano-Suiza Car in 1932 to the mesmerizing Allegory of Music painted in 1649, these works transport us to realms beyond their mere physical existence. Intriguingly, Zeus takes flight as an eagle in an enchanting 18th-century engraving, reminding us of his majestic power. Meanwhile, "The Corsican bloodhound pursued by the Russian bear" captivates our imagination with its gripping illustration from 1895—a symbolic representation of Napoleon Bonaparte's relentless pursuit. Delving deeper into this realm of symbols, we encounter Death personified. In one chilling scene from an 18th-century engraving titled "The skeleton of Death murdering a bookseller, " mortality confronts knowledge itself. A haunting vignette depicts a man hanging from a gibbet alongside a skeletal figure—an eerie reminder that life is fleeting. But not all encounters with Death are gruesome; sometimes they carry social commentary. An intriguing engraving from 1792 portrays The skeleton of Death whipping a prostitute with cat-o-nine-tails—a stark depiction highlighting societal vices and moral decay. As we turn through history's pages further still, Volume 2 of Deaths Doings reveals its title page engraved in 1827—beckoning us to explore more tales entwined with mortality's touch. And who can forget Francisco Goya's masterpiece? "The execution of May 3rd" immortalizes heroism amidst tragedy—an oil painting that forever etches bravery onto our collective memory. Yet even artists themselves are not spared from death's embrace. Domenico Morelli meets his untimely demise captured vividly in color lithography—the passing away of Italy's greatest contemporary artist, forever commemorated.