Tapestries Collection (#3)

Flemis tapestry. Series The History of Thebe (De geschiedenis van Thebe-La Historia de Tebas)
7208908 Flemis tapestry. Series The History of Thebe (De geschiedenis van Thebe-La Historia de Tebas): Tidio and Polyneses (Tideus en Polineikes, Tidio y Polineces). Ca 1490-1500

History of Saint Piat and Saint Eleuthere, also called tapestry of Arras. Ordered from canon Toussaint Prier
7208808 History of Saint Piat and Saint Eleuthere, also called tapestry of Arras. Ordered from canon Toussaint Prier, chaplain of the duke of Burgundy, late 14th-early 15th century. 22m x 2m

History of Saint Piat and Saint Eleuthere, also called tapestry of Arras. Ordered from canon Toussaint Prier
7208807 History of Saint Piat and Saint Eleuthere, also called tapestry of Arras. Ordered from canon Toussaint Prier, chaplain of the duke of Burgundy, late 14th-early 15th century. 22m x 2m

History of Saint Piat and Saint Eleuthere, also called tapestry of Arras. Ordered from canon Toussaint Prier
7208805 History of Saint Piat and Saint Eleuthere, also called tapestry of Arras. Ordered from canon Toussaint Prier, chaplain of the duke of Burgundy, late 14th-early 15th century. 22m x 2m

History of Saint Piat and Saint Eleuthere, also called tapestry of Arras. Ordered from canon Toussaint Prier
7208804 History of Saint Piat and Saint Eleuthere, also called tapestry of Arras. Ordered from canon Toussaint Prier, chaplain of the duke of Burgundy, late 14th-early 15th century. 22m x 2m

History of Saint Piat and Saint Eleuthere, also called tapestry of Arras. Ordered from canon Toussaint Prier
7208795 History of Saint Piat and Saint Eleuthere, also called tapestry of Arras. Ordered from canon Toussaint Prier, chaplain of the duke of Burgundy

The castle (Chateau d'Angers). The museum of tapestries. The tapestry (La Tenture de l'Apocalypse)
7207366 The castle (Chateau d'Angers). The museum of tapestries. The tapestry (La Tenture de l'Apocalypse). Cartons of the painter Hennequin de Bruges, atelier Nicolas Bataille. First piece

The castle (Chateau d'Angers). The museum of tapestries. The tapestry (La Tenture de l'Apocalypse)
7207364 The castle (Chateau d'Angers). The museum of tapestries. The tapestry (La Tenture de l'Apocalypse). Cartons of the painter Hennequin de Bruges, atelier Nicolas Bataille. First piece

Cathedral Chapter Museum (Museu Capitular). Tapestry said of the creation (Tapis de la Creacio). 11th century
7207358 Cathedral Chapter Museum (Museu Capitular). Tapestry said of the creation (Tapis de la Creacio). 11th century.; Museo Capitular de la Catedral de Girona, Catalonia

Collegiate church ("Parochiekerk Sint-Walburga"). Interior. Tapestry. Verdure from Oudenaarde
7209745 Collegiate church ("Parochiekerk Sint-Walburga"). Interior. Tapestry. Verdure from Oudenaarde. Scene with lovers in a garden

History of Saint Piat and Saint Eleuthere, also called tapestry of Arras. Ordered from canon Toussaint Prier
7209623 History of Saint Piat and Saint Eleuthere, also called tapestry of Arras. Ordered from canon Toussaint Prier, chaplain of the duke of Burgundy, late 14th-early 15th century. 22m x 2m

History of Saint Piat and Saint Eleuthere, also called tapestry of Arras. Ordered from canon Toussaint Prier
7209613 History of Saint Piat and Saint Eleuthere, also called tapestry of Arras. Ordered from canon Toussaint Prier, chaplain of the duke of Burgundy, late 14th-early 15th century. 22m x 2m

History of Saint Piat and Saint Eleuthere, also called tapestry of Arras. Ordered from canon Toussaint Prier
7209606 History of Saint Piat and Saint Eleuthere, also called tapestry of Arras. Ordered from canon Toussaint Prier, chaplain of the duke of Burgundy, late 14th-early 15th century. 22m x 2m

History of Saint Piat and Saint Eleuthere, also called tapestry of Arras. Ordered from canon Toussaint Prier
7209599 History of Saint Piat and Saint Eleuthere, also called tapestry of Arras. Ordered from canon Toussaint Prier, chaplain of the duke of Burgundy, late 14th-early 15th century. 22m x 2m

History of Saint Piat and Saint Eleuthere, also called tapestry of Arras. Ordered from canon Toussaint Prier
7209598 History of Saint Piat and Saint Eleuthere, also called tapestry of Arras. Ordered from canon Toussaint Prier, chaplain of the duke of Burgundy, late 14th-early 15th century. 22m x 2m

History of Saint Piat and Saint Eleuthere, also called tapestry of Arras. Ordered from canon Toussaint Prier
7209596 History of Saint Piat and Saint Eleuthere, also called tapestry of Arras. Ordered from canon Toussaint Prier, chaplain of the duke of Burgundy, late 14th-early 15th century. 22m x 2m

History of Saint Piat and Saint Eleuthere, also called tapestry of Arras. Ordered from canon Toussaint Prier
7209591 History of Saint Piat and Saint Eleuthere, also called tapestry of Arras. Ordered from canon Toussaint Prier, chaplain of the duke of Burgundy, late 14th-early 15th century. 22m x 2m

History of Saint Piat and Saint Eleuthere, also called tapestry of Arras. Ordered from canon Toussaint Prier
7209577 History of Saint Piat and Saint Eleuthere, also called tapestry of Arras. Ordered from canon Toussaint Prier, chaplain of the duke of Burgundy

History of Saint Piat and Saint Eleuthere, also called tapestry of Arras. Ordered from canon Toussaint Prier
7209574 History of Saint Piat and Saint Eleuthere, also called tapestry of Arras. Ordered from canon Toussaint Prier, chaplain of the duke of Burgundy

History of Saint Piat and Saint Eleuthere, also called tapestry of Arras. Ordered from canon Toussaint Prier
7209572 History of Saint Piat and Saint Eleuthere, also called tapestry of Arras. Ordered from canon Toussaint Prier, chaplain of the duke of Burgundy

History of Saint Piat and Saint Eleuthere, also called tapestry of Arras. Ordered from canon Toussaint Prier
7209571 History of Saint Piat and Saint Eleuthere, also called tapestry of Arras. Ordered from canon Toussaint Prier, chaplain of the duke of Burgundy

Flemish tapestry. Hannibals brother Hasdrubal taken prisoner by the Roman
7209530 Flemish tapestry. Hannibals brother Hasdrubal taken prisoner by the Roman (Hannibals broer Hasdrubal gevangen genomen door de Romeinen). Atelier of Oudenaarde. 347x407cm

Flemish tapestry. Suzanna and the elder (Suzanna en de ouderlingen). Atelier of Oudenaarde. 254x220cm
7209529 Flemish tapestry. Suzanna and the elder (Suzanna en de ouderlingen). Atelier of Oudenaarde. 254x220cm. Inv (82968)-2 00003.; 254x220 cm; MOU Museum, Oudenaarde, Oost-Vlaanderen

Wartburg, antependium altarpiece, mid-19th century Eisenach, Thuringia, Germany, Europe
7281477 Wartburg, antependium altarpiece, mid-19th century Eisenach, Thuringia, Germany, Europe; Sammlungen auf der Wartburg, Eisenach, Germany; (add.info.: Wartburg, antependium altarpiece)

Galleries with animals or Gallery of espaliers. Manufactured in silk and wool in unknown workshop
CUL4906733 Galleries with animals or Gallery of espaliers. Manufactured in silk and wool in unknown workshop, 295 x 454 cm (17th century)

Galleries with animals or Gallery of espaliers. Manufactured in silk and wool in unknown workshop
CUL4906706 Galleries with animals or Gallery of espaliers. Manufactured in silk and wool in unknown workshop, 303 x 455 cm (17th century)

Redemption of Man or Vices and Virtues, c.1510 (tapestry)
CUL4903696 Redemption of Man or Vices and Virtues, c.1510 (tapestry); 420x798 cm; Burgos Cathedral, Burgos, Spain; (add.info.: Crucifixion and Virtues win the battle to Vices. ca. 1510)

The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier
CUL4903097 The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier, c.1471 - 1475 (tapestry) by Grenier

The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier
CUL4902818 The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier, c.1471 - 1475 (tapestry) by Grenier

The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier
CUL4902649 The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier, c.1471 - 1475 (tapestry) by Grenier

The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier
CUL4902631 The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier, c.1471 - 1475 (tapestry) by Grenier

The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier
CUL4902280 The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier, c.1471 - 1475 (tapestry) by Grenier

The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier
CUL4900620 The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier, c.1471 - 1475 (tapestry) by Grenier

The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier
CUL4901692 The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier, c.1471 - 1475 (tapestry) by Grenier

The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier
CUL4901678 The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier, c.1471 - 1475 (tapestry) by Grenier

The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier
CUL4901616 The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier, c.1471 - 1475 (tapestry) by Grenier

The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier
CUL4901232 The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier, c.1471 - 1475 (tapestry) by Grenier

The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier
CUL4900596 The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier, c.1471 - 1475 (tapestry) by Grenier

The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier
CUL4900409 The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier, c.1471 - 1475 (tapestry) by Grenier

The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier
CUL4900320 The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier, c.1471 - 1475 (tapestry) by Grenier

The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier
CUL4900303 The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier, c.1471 - 1475 (tapestry) by Grenier

The Only True Likeness of Our Saviour (engraving)
8653510 The Only True Likeness of Our Saviour (engraving) by Delaroche, Hippolyte (Paul) (1797-1856) (after); Private Collection; (add.info.: The Only True Likeness of Our Saviour)

Laomedon refuses the Argonauts access to Troy, tapestry, 15th century
AIS5382165 Laomedon refuses the Argonauts access to Troy, tapestry, 15th century; Musee de la Tapisserie, Tournai, Belgium; (add.info.: Laomedon (second mythical king of Troy)

Tapestry. Tournai. The history of Abraham (Histoire d'Abraham)
7209829 Tapestry. Tournai. The history of Abraham (Histoire d'Abraham).; Musee de la Tapisserie, Tournai, Belgium; (add.info.: Musee de la tapisserie (TAMAT), Tournai, Hainaut

Tapestry. Tournai. Sinned Soul, the deer (L'Ame Pecheresse Le Cerf)
7209826 Tapestry. Tournai. Sinned Soul, the deer (L'Ame Pecheresse Le Cerf).; Musee de la Tapisserie, Tournai, Belgium; (add.info.: Musee de la tapisserie (TAMAT), Tournai, Hainaut

Tapestry. Tournai. The battle of Roncevaux (La Bataille de Roncevaux). Wool and silk. Third quart 15th century
7209815 Tapestry. Tournai. The battle of Roncevaux (La Bataille de Roncevaux). Wool and silk. Third quart 15th century. 250x180cm.; 250x180 cm; Musee de la Tapisserie, Tournai

Cathedral (Cathedrale Notre-Dame). Tapestry
7209752 Cathedral (Cathedrale Notre-Dame). Tapestry.; Cathedrale de Notre-Dame, Tournai, Belgium; (add.info.: Cathedrale Notre-Dame, Tournai, Hainaut, Belgium); © Paul Maeyaert

Collegiate church (Sint-Walburgakerk). Interior. Tapestry. Verdure from Oudenaarde. Wood landscape
7207231 Collegiate church (Sint-Walburgakerk). Interior. Tapestry. Verdure from Oudenaarde. Wood landscape. End 17th-begin 18th century

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"The Bayeux Tapestry: A Historical Masterpiece Depicting the Battle of Hastings" Step back in time with the iconic Bayeux Tapestry, a remarkable work of art that chronicles one of history's most pivotal moments – the Battle of Hastings. Created between 1066 and 1077, this tapestry transports us to Normandy, France, where King Harold's foot soldiers stand valiantly armed with spears and battle axes. As we delve deeper into its intricate details, we witness the death of King Harold himself. The tapestry captures the heart-wrenching moment when an arrow finds its mark in his eye, forever etching this tragic event into our collective memory. But it is not just war that unfolds before our eyes; scenes of preparation for battle also grace this magnificent textile. We see craftsmen building ships with meticulous care as they ready themselves for impending conflict. Their dedication and skill are evident in every stitch. The clash between Norman cavalry and Harolds' steadfast foot soldiers forming a shield wall is another captivating scene depicted on this historical masterpiece. It showcases both bravery and strategy amidst chaos and turmoil. While the Bayeux Tapestry stands as an exceptional example from medieval Europe, it is not alone in its significance. Diego Velasquez's "Las Hilanderas" (The Spinners), painted in 1657 but recreated around 1934, offers another glimpse into the world of tapestries. This Spanish artwork beautifully portrays women engrossed in their craft while highlighting their importance within society. Returning to the Bayeux Tapestry itself, we witness William steering his ship amidst an invasion fleet using a signal lantern on mast and stern – a symbol of leadership guiding them towards victory or defeat. Even celestial events find their place within these woven threads; crowds point excitedly at Halleys Comet illuminating February 1066 skies above Normandy – perhaps seen as a sign of impending change and upheaval.