Tapestries Collection (#67)

Tapestry Covers - G. F. Smith (London) Limited advert, 1919. From The British Printer Vol. XXXII. [Raithby, Lawrence & Co. Ltd, London and Leicester, 1919]

Tapestry Hangings, 1893. Artist: Robert Dudley
Tapestry Hangings, 1893. Gifts presented to Alexandra of Denmark on the occasion of her marriage to the future Edward VII

Walnut Settee with Soho Tapestry, c1730, (1929)
Walnut Settee with Soho Tapestry, c1730, 1730, (1929).From Exhibition of English Decorative Art at Lansdowne House. [The Collector, London, 1929]

The Queens Bedchamber, c1916. Artist: George Sheringham
The Queens Bedchamber, c1916. From The Studio Volume 68. [London Offices of the Studio, London, 1916]

Audience Chamber, Windsor Castle, c1917. The Queens Audience Chamber. [Valentine & Sons Ltd, Dundee And London, c1917]

The Grand Reception Room, Windsor Castle, c1899, (1901). Artist: Eyre & Spottiswoode
The Grand Reception Room, Windsor Castle, c1899, (1901). The Grand Reception Room, Windsor Castle, decorated in the style of Louis XV, the walls are hung with six pieces of Gobelin tapestry

Detail of English Crewel Work Bed-Curtain, c1680. Artist: Abigail Pett
Detail of English Crewel Work Bed-Curtain, c1680. A section of a bed hanging produced in England between 1680-1700 by Abigail Pett

Arras Tapestry at Stanmore Hall, 1898-9. The Holy Grail or San Graal tapestries are a set of six tapestries depicting scenes from the legend of King Arthur and the quest for the Holy Grail

Florence. Adam and Eve after the Fall, Brussels Tapestry, 1548, (20th century) Artists: Pieter Coecke van Aelst
Florence. Adam and Eve after the Fall, Brussels Tapestry, 1548, (20th century). In the gallery of the Accademia, Florence. Design attributed to Pieter Coecke van Aelst, ca

Norwegian Tapestry from Gudbrandsdal, dated 1620s. Solomon and Sheba. (Lettering at top appears reversed). At Museum of Applied Arts, Oslo

Costume / Early C16Th
Figures taken from tapestries depicting clothing of the early 16th century. Both the front and back views are given. Date: early 16th century

Froissart / Presenting
JEAN FROISSART French chronicler presenting his letters from Guy, Count de Blois, to Gaston Phoebus, Count de Foix, at the latters Palace of Orthez Date: CIRCA 1337 - CIRCA 1410

Interior, Palace of Ansembourg, Liege, Belgium
Interior, Palace of Ansembourg (now a museum), Liege, Belgium, dating back to the 18th century. Date: circa 1910

COLBERT, Jean-Baptiste (1619-1683). French statesman. Visit of Jean-Baptiste Colbert to Gobelins. Presentation of tapestries on the history of Alexander after cartoons by Charles Lebrun

Virtues win to Vices. Prophet Zechariah
Crucifixion and Virtues win the battle to Vices. ca. 1510. Cloth number 7 of the series known as Redemption of Man or Vices and Virtues. Detail of the prophet Zechariah. Manufacturing in Brussels

The Number of the Beast. Apocalypse of Angers
BATAILLE, Nicolas (14th c.). The Number of the Beast. 1375 - 1382. Fifth scene of the tapestry number 4 of the series Apocalypse of Angers commissioned by Louis I, Duke of Anjou

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"The Bayeux Tapestry: A Historical Masterpiece Depicting the Battle of Hastings" Step back in time with the iconic Bayeux Tapestry, a remarkable work of art that chronicles one of history's most pivotal moments – the Battle of Hastings. Created between 1066 and 1077, this tapestry transports us to Normandy, France, where King Harold's foot soldiers stand valiantly armed with spears and battle axes. As we delve deeper into its intricate details, we witness the death of King Harold himself. The tapestry captures the heart-wrenching moment when an arrow finds its mark in his eye, forever etching this tragic event into our collective memory. But it is not just war that unfolds before our eyes; scenes of preparation for battle also grace this magnificent textile. We see craftsmen building ships with meticulous care as they ready themselves for impending conflict. Their dedication and skill are evident in every stitch. The clash between Norman cavalry and Harolds' steadfast foot soldiers forming a shield wall is another captivating scene depicted on this historical masterpiece. It showcases both bravery and strategy amidst chaos and turmoil. While the Bayeux Tapestry stands as an exceptional example from medieval Europe, it is not alone in its significance. Diego Velasquez's "Las Hilanderas" (The Spinners), painted in 1657 but recreated around 1934, offers another glimpse into the world of tapestries. This Spanish artwork beautifully portrays women engrossed in their craft while highlighting their importance within society. Returning to the Bayeux Tapestry itself, we witness William steering his ship amidst an invasion fleet using a signal lantern on mast and stern – a symbol of leadership guiding them towards victory or defeat. Even celestial events find their place within these woven threads; crowds point excitedly at Halleys Comet illuminating February 1066 skies above Normandy – perhaps seen as a sign of impending change and upheaval.