Tempera Collection (page 8)

Four Saints in a Historiated Initial "P" from a Choirbook or Antiphonal, 1460/80

Theodor von Hörmann painting in Taormina, 1894. Creator: Josef Engelhart
Theodor von Hormann painting in Taormina, 1894

Mountain path in the Beskids, 1902. Creator: Hugo Baar
Mountain path in the Beskids, 1902

Dune landscape in Brittany, around 1910. Creator: Marie Egner
Dune landscape in Brittany, around 1910

Cleopatra, undated. (c1910s) Creator: Franz von Matsch
Cleopatra, undated. (c1910s)

The interior of St. Peter's Church in Vienna, c1900. Creator: Alfred Edler von Pflugl
The interior of St. Peter's Church in Vienna, c1900

The sacristy of the university church in Vienna, 1901. Creator: Alfred Edler von Pflugl
The sacristy of the university church in Vienna, 1901

Mary Stuart, undated. (c1910s) Creator: Franz von Matsch
Mary Stuart, undated. (c1910s)

Leaf from a Psalter with Historiated Initial (B): King David, c. 1450. Creator: Unknown
Leaf from a Psalter with Historiated Initial (B): King David, c. 1450

The picturesque fresco of Jesus Christ on a bright red background

Renaissance Art. Italy. Sandro Botticelli (1445-1510). Venus and Mars, c. 1483. Detail of Venus. Tempera on panel. National Gallery. London. England. UK

Pieta from Book of Hours, MS 92 f.18v, Western France, 1490-1510 (pen & ink with tempera on parchment)
8374206 Pieta from Book of Hours, MS 92 f.18v, Western France, 1490-1510 (pen & ink with tempera on parchment) by French School, (15th-16th century); 22.8 x 14.8 cm; Fitzwilliam Museum

Annunciation from Book of Hours, MS 92 f.27r, Western France, 1490-1510 (pen & ink with tempera on parchment)
8374249 Annunciation from Book of Hours, MS 92 f.27r, Western France, 1490-1510 (pen & ink with tempera on parchment) by French School, (15th-16th century); 22.8 x 14.8 cm; Fitzwilliam Museum

Carrying of the Cross from Book of Hours, MS 92 f.57r, Western France, 1490-1510 (pen & ink with tempera on parchment)
8374175 Carrying of the Cross from Book of Hours, MS 92 f.57r, Western France, 1490-1510 (pen & ink with tempera on parchment) by French School

Madonna and Child, ca. 1480. Creator: Carlo Crivelli
Madonna and Child, ca. 1480

The Annunciation, ca. 1485-92. Creator: Sandro Botticelli
The Annunciation, ca. 1485-92

Leaf from a Gospel Book with Four Standing Evangelists, 1290-1330. Creator: Unknown
Leaf from a Gospel Book with Four Standing Evangelists, 1290-1330. The Four Evangelists are Matthew, Mark, Luke, and John

Madonna and Child Enthroned with Two Donors, ca. 1360-65. Creator: Lorenzo Veneziano
Madonna and Child Enthroned with Two Donors, ca. 1360-65

Saint Michael, 1450-1500. Creator: Master of Belmonte
Saint Michael, 1450-1500

The Chess Players, ca. 1475. Creator: Liberale da Verona
The Chess Players, ca. 1475

The Creation of the World and the Expulsion from Paradise, 1445. Creator: Giovanni di Paolo
The Creation of the World and the Expulsion from Paradise, 1445

The Adoration of the Magi, ca. 1460. Creator: Giovanni di Paolo
The Adoration of the Magi, ca. 1460

Queen Nefertari being led by Isis, ca. 1279-1213 B. C. Creator: Charles Wilkinson
Queen Nefertari being led by Isis, ca. 1279-1213 B.C

Leaf from a Gradual: Initial (M) with St. Andrew (recto), c. 1480. This leaf was excised from a volume of a large set of choral books known to have been commissioned by Bartolomeo delle Rovere for

Pallas and the Centaur, c1480-1485, (1937). Creator: Sandro Botticelli
Pallas and the Centaur, c1480-1485, (1937). Mythological scene, the goddess Pallas Athene holding a centaur by the hair. Painting in the Uffizi Gallery, Florence

Detail from the Adoration of the Magi with self portrait of Botticelli, 1475, (1937). Part of a nativity scene, with the artist depicting himself at right wearing a yellow cloak

The Madonna of Humility, c1430. Artist: Fra Angelico
The Madonna of Humility, c1430. The painting is part of the Mellon Collection, National Gallery of Art, Washington DC. From Masterpieces of Painting, edited by Huntington Cairns and John Walker

Ivory, Apes and Peacocks (The Queen of Sheba), c1909. Artist: John Duncan
Ivory, Apes and Peacocks (The Queen of Sheba), c1909. Painting held at the Glasgow Museums, Glasgow. From The Studio Volume 80. [London Offices of the Studio, London, 1920]

The Transfiguration of Jesus, Russian icon, early 16th century. According to the Bible, the Transfiguration of Christ was an event where Jesus became radiant and spoke with the Prophets Moses

The Virgin of Vladimir, Byzantine icon, early 12th century. Found in the collection of the State Tretyakov Gallery, Moscow

Saint John the Baptist in Meditation, circa 1495, by Bosch
Hieronymus Bosch (1450-1516). Netherlandish painter. Saint John the Baptist in Meditation, circa 1495. Detail. Lazaro Galdiano Museum. Madrid. Spain

Saint John the Baptist in Meditation, by Hieronymus Bosch
Hieronymus Bosch (1450-1516). Netherlandish painter. Saint John the Baptist in Meditation, circa 1495. Lazaro Galdiano Museum. Madrid. Spain

Saint Michael the Archangel with Two Donors. Circle of Juan Rius (documented between 1457-1482) and Domingo Ram (documented between 1462-1496). circa 1465-1480. Aragonese School

Triptych of Virgin and Child with Musician Angels
Juan Hispalense (active 1400-1430). Triptych of Virgin and Child with Musician Angels. Castilian School, circa 1400-1410. Lazaro Galdiano Museum. Madrid. Spain

Large Tree Outside Houses
A tempera painting of a large, well balanced tree, standing tall outside the front gardens of some red roofed houses. Date: circa 1921

The Channel Crossing
A tempera painting of some figures tightly fixing themselves to seats and rails of a boat, travelling across the Channel Crossing, on a somewhat turbulent sea. Date: circa 1920

Ballet Dancer
This tempera painting gives a view, looking down at a solitary ballet dancer on stage, mid performance, wearing a pink dress, posing on one leg. Date: circa 1920

Fantasia
A colourful tempera painting depicting a jolly festival of clowns and dancers during the night, bright lanterns are hanging all around. Date: circa 1918

The Peacemakers
This tempera painting shows a ransacked area, where some military men are holding a blonde haired woman captive, with the proprietor sat at the table with a rope around his neck. Date: circa 1918

Saint George. Russian School. 19th century. Tempera and gold on wood. Museum of Pilgrimage and Santiago. Santiago de Compostela, Galicia, Spain. Date: 2019

Fresco depicting an archangel with sword. Detail. Porch of the southern entrance. Cathedral of Faras. 12th-13th centuries. Faras Gallery. National Museum. Warsaw. Poland. Date: 2018

A Sailing Vessel
Tempera painting showing a large sailing vessel, accompanied with a much smaller one of similar style, possibly in Cornwall, but not definite. Date: circa 1931

Female Buccaneer
Tempera portrait painting of a female buccaneer, with a confident expression, wearign a traditional hat. Date: circa 1931

Holy Travellers
Tempera painting depicting two women on their knees, praying, with a man stood behind them. This painting was exhibited at The Whitechapel Gallery. Date: circa 1930

Gothic. Altarpiece of Saint Mary Magdalene from Perella. By Bernat Martorell. Barcelona. Tempera on Wood. 1437-1452. From the Church of Santa Magdalena in Perella, Sant Joan de les Abadesses

The Path to Calvary (detail), 15th century (tempera on wood)
CUL4938772 The Path to Calvary (detail), 15th century (tempera on wood) by Bernat, Martin (1445-1503) & Ximenez, Miguel (fl.1466-1505); Museo Provincial de Bellas Artes, Zaragoza

Saint Helena, 15th century (tempera on wood)
CUL4938833 Saint Helena, 15th century (tempera on wood) by Bernat, Martin (1445-1503) & Ximenez, Miguel (fl.1466-1505); (add.info.: Saint Helene - HELENA, Saint (ca. 247-330)

Act II, first scene and third act, stage equipment: The Chariot of Armida for Armida by G. Rossini
6283536 Act II, first scene and third act, stage equipment: The Chariot of Armida for Armida by G. Rossini. 1952 (pencile and tempera on a canvas board) by Savinio, Alberto (Chirico)

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"Exploring the Richness of Tempera: From Evening Church to Salcombe, Devon" Discover the captivating world of tempera, a versatile and timeless medium that has been used by artists throughout history. In Samuel Palmer's "Evening Church, 1830, " we are transported to a serene scene where warm hues blend harmoniously with delicate brushstrokes. Embark on "The Road to the West" as you delve into Our Lady of Vladimir, an ancient icon dating back to the 12th century. This masterpiece was carefully moved through time, preserving its ethereal beauty for generations to come. In "The Mournes, " experience the breathtaking landscapes rendered in tempera. The meticulous strokes capture nature's grandeur while evoking a sense of tranquility and awe-inspiring beauty. Step into Fra Angelico's world with his iconic piece "The Annunciation. " With each stroke meticulously applied using tempera, this masterpiece transports us back in time and immerses us in divine serenity. Peter Bruegel the Elder's "Triumph of Death" showcases his mastery over tempera on panel. The intricate details bring this haunting composition to life, leaving viewers captivated by its macabre allure. Travel back centuries with a French manuscript leaf from ca. 1280-1300 depicting The Book of Nehemias. Each vibrant pigment tells a story as it adorns delicate parchment pages with exquisite precision. Paolo Uccello's epic battle scene in "The Battle of San Romano" mesmerizes viewers through his skillful use of tempera. Every stroke conveys movement and intensity, capturing the essence of war like never before. Antonio Canova immortalized grace and beauty in his work "The Graces and Venus. " Through masterful application paint, he brings these mythological figures to life with remarkable realism. Fra Angelico once again enchants us with his "Annunciation Altarpiece.