Tempera Collection (#96)

Philosophy Instructing Boethius on the Role of God; Coetivy Master (Henri de Vulcop?), French, active about 1450 - 1485; Paris, France, Europe; about 1460 - 1470; Tempera colors, gold leaf

Equestrian Combat with Lance; Fiore Furlan dei Liberi da Premariacco, Italian, about 1340/1350 - before 1450; about 1410; Tempera colors, gold leaf, silver leaf

Madonna and Child; Master of St. Cecilia, Italian, active about 1290 - 1320; 1290 - 1295; Tempera and gold leaf on panel; Panel (with engaged frame): 105.4 x 79.4 x 7 cm (41 1/2 x 31 1/4 x 2 3/4 in.)

Still Life with Bowl of Citrons; Giovanna Garzoni, Italian, 1600 - 1670; Italy, Europe; late 1640s; Tempera on vellum; Unframed: 27.6 x 35.6 cm (10 7/8 x 14 in.)

Unarmed Combat; Fiore Furlan dei Liberi da Premariacco, Italian, about 1340/1350 - before 1450; about 1410; Tempera colors, gold leaf, silver leaf

Combat with Rondel and Dagger; Fiore Furlan dei Liberi da Premariacco, Italian, about 1340/1350 - before 1450; about 1410; Tempera colors, gold leaf, silver leaf

Four Allegorical Figures; Fiore Furlan dei Liberi da Premariacco, Italian, about 1340/1350 - before 1450; about 1410; Tempera colors, gold leaf, silver leaf

Aiming Points on the Body; Fiore Furlan dei Liberi da Premariacco, Italian, about 1340/1350 - before 1450; about 1410; Tempera colors, gold leaf, silver leaf

Combat with Dagger and Sword; Fiore Furlan dei Liberi da Premariacco, Italian, about 1340/1350 - before 1450; about 1410; Tempera colors, gold leaf, silver leaf

Four Figures with Swords; Fiore Furlan dei Liberi da Premariacco, Italian, about 1340/1350 - before 1450; about 1410; Tempera colors, gold leaf, silver leaf

Combat with Dagger; Fiore Furlan dei Liberi da Premariacco, Italian, about 1340/1350 - before 1450; about 1410; Tempera colors, gold leaf, silver leaf

Combat with Dagger and Staff; Unknown; Venice, Italy, Europe; about 1410; Tempera colors, gold leaf, silver leaf, and ink on parchment; Leaf: 27.9 x 20.6 cm (11 x 8 1/8 in.)

Combat with Sword, Staff, and Lance; Fiore Furlan dei Liberi da Premariacco, Italian, about 1340/1350 - before 1450; about 1410; Tempera colors, gold leaf, silver leaf

Combat with Lance; Fiore Furlan dei Liberi da Premariacco, Italian, about 1340/1350 - before 1450; about 1410; Tempera colors, gold leaf, silver leaf

Combat with Sword; Fiore Furlan dei Liberi da Premariacco, Italian, about 1340/1350 - before 1450; about 1410; Tempera colors, gold leaf, silver leaf

Combat with Implements; Fiore Furlan dei Liberi da Premariacco, Italian, about 1340/1350 - before 1450; about 1410; Tempera colors, gold leaf, silver leaf

Equestrian Combat with Sword; Fiore Furlan dei Liberi da Premariacco, Italian, about 1340/1350 - before 1450; about 1410; Tempera colors, gold leaf, silver leaf

Combat with Pollaxe; Fiore Furlan dei Liberi da Premariacco, Italian, about 1340/1350 - before 1450; about 1410; Tempera colors, gold leaf, silver leaf

Equestrian Combat with Lance and Sword; Fiore Furlan dei Liberi da Premariacco, Italian, about 1340/1350 - before 1450; about 1410; Tempera colors, gold leaf, silver leaf

Combat against an Equestrian Opponent with Lance; Fiore Furlan dei Liberi da Premariacco, Italian, about 1340/1350 - before 1450; about 1410; Tempera colors, gold leaf, silver leaf

Two Horses; Fiore Furlan dei Liberi da Premariacco, Italian, about 1340/1350 - before 1450; about 1410; Tempera colors, gold leaf, silver leaf

Unarmed Equestrian Combat; Fiore Furlan dei Liberi da Premariacco, Italian, about 1340/1350 - before 1450; about 1410; Tempera colors, gold leaf, silver leaf

Equestrian Combat with Sword and Unarmed Equestrian Combat; Fiore Furlan dei Liberi da Premariacco, Italian, about 1340/1350 - before 1450; about 1410; Tempera colors, gold leaf, silver leaf

Equestrian Combat with Lance and Dagger; Fiore Furlan dei Liberi da Premariacco, Italian, about 1340/1350 - before 1450; about 1410; Tempera colors, gold leaf, silver leaf

Euryalus Sends His First Letter to Lucretia; Unknown; France, Europe; about 1460 - 1470; Tempera colors, gold leaf, gold paint, and ink on parchment; Leaf: 17.6 x 11.4 cm (6 15/16 x 4 1/2 in.)

Young Men and Women Outdoors; Unknown; France, Europe; about 1460 - 1470; Tempera colors, gold leaf, gold paint, and ink on parchment; Leaf: 17.6 x 11.4 cm (6 15/16 x 4 1/2 in.)

An Emperor at Court; Unknown; France, Europe; about 1460 - 1470; Tempera colors, gold leaf, gold paint, and ink on parchment; Leaf: 17.6 x 11.4 cm (6 15/16 x 4 1/2 in.)

The French King at Court; Unknown; France, Europe; about 1460 - 1470; Tempera colors, gold leaf, gold paint, and ink on parchment; Leaf: 17.6 x 11.4 cm (6 15/16 x 4 1/2 in.)

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"Exploring the Richness of Tempera: From Evening Church to Salcombe, Devon" Discover the captivating world of tempera, a versatile and timeless medium that has been used by artists throughout history. In Samuel Palmer's "Evening Church, 1830, " we are transported to a serene scene where warm hues blend harmoniously with delicate brushstrokes. Embark on "The Road to the West" as you delve into Our Lady of Vladimir, an ancient icon dating back to the 12th century. This masterpiece was carefully moved through time, preserving its ethereal beauty for generations to come. In "The Mournes, " experience the breathtaking landscapes rendered in tempera. The meticulous strokes capture nature's grandeur while evoking a sense of tranquility and awe-inspiring beauty. Step into Fra Angelico's world with his iconic piece "The Annunciation. " With each stroke meticulously applied using tempera, this masterpiece transports us back in time and immerses us in divine serenity. Peter Bruegel the Elder's "Triumph of Death" showcases his mastery over tempera on panel. The intricate details bring this haunting composition to life, leaving viewers captivated by its macabre allure. Travel back centuries with a French manuscript leaf from ca. 1280-1300 depicting The Book of Nehemias. Each vibrant pigment tells a story as it adorns delicate parchment pages with exquisite precision. Paolo Uccello's epic battle scene in "The Battle of San Romano" mesmerizes viewers through his skillful use of tempera. Every stroke conveys movement and intensity, capturing the essence of war like never before. Antonio Canova immortalized grace and beauty in his work "The Graces and Venus. " Through masterful application paint, he brings these mythological figures to life with remarkable realism. Fra Angelico once again enchants us with his "Annunciation Altarpiece.