Testament Collection (#10)

The Entombment of Christ (fresco)
938053 The Entombment of Christ (fresco) by Giotto, Ambrogio Bondone (c.1266-1337) (school of); Monastero di Sant Antonio, Polesine, Italy; eGiuliano Valsecchi; Italian, out of copyright

Detail of Raising of the Son of Theophilus and St Peter Enthroned (fresco)
956976 Detail of Raising of the Son of Theophilus and St Peter Enthroned (fresco) by Lippi, Filippino (c.1457-1504); Chiesa di Santa Maria del Carmine, Florence

Nativity scene from the Journey of the Magi Cycle, Bolognini Chapel, c
938086 Nativity scene from the Journey of the Magi Cycle, Bolognini Chapel, c.1420 (fresco) by Modena, Giovanni da (fl.1409-56); San Petronio, Bologna, Italy; eGiuliano Valsecchi; Italian

The Departure of the Children of Israel from Egypt (engraving)
818782 The Departure of the Children of Israel from Egypt (engraving) by Roberts, David (1796-1864) (after); Private Collection; (add.info.: The Departure of the Children of Israel from Egypt)

Detail of the Ceiling, Baptistery, Florence (mosaic)
875179 Detail of the Ceiling, Baptistery, Florence (mosaic) by Italian School, (13th century); Baptistery, Florence, Italy; eGiuliano Valsecchi; Italian, out of copyright

MS 39-1950 f. 26r The Annunciation and Annunciation to the Shepherds, 1464 (gold
876442 MS 39-1950 f.26r The Annunciation and Annunciation to the Shepherds, 1464 (gold, silver & coloured ink on parchment) by French School, (15th century); Fitzwilliam Museum

Deborah, Hebrew prophetess who delivered her people from Jabin, King of Canaan
531266 Deborah, Hebrew prophetess who delivered her people from Jabin, King of Canaan, and his general Sisera, singing her song of triumph. Judges 5:1. 13th century BC

Study for the Entombment, c. 1617-18 (pen & ink over chalks with wash & gouache on paper)
449368 Study for the Entombment, c.1617-18 (pen & ink over chalks with wash & gouache on paper) by Dyck, Anthony van (1599-1641); 25.2x21.7 cm; eThe Devonshire Collections

Leonardo da Vincis Last Supper (red & black chalks on paper)
449302 Leonardo da Vincis Last Supper (red & black chalks on paper) by Soutman, Pieter Claesz (c.1580-1657); 26x50.6 cm; eThe Devonshire Collections

The Annunciation, c. 1432 (tempera on panel)
580561 The Annunciation, c.1432 (tempera on panel) by Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455); 195x158 cm; Basilica di S. Maria delle Grazie, S. Giovanni Valdarno; Alinari

Adoration of the Shepherds, 1510 (oil on canvas)
3248482 Adoration of the Shepherds, 1510 (oil on canvas) by Piombo, Sebastiano del (S. Luciani) (c.1485-1547); 124.2x161.3 cm; Fitzwilliam Museum, University of Cambridge

The Death of Absalom

Annunciation, Detail from the Capital frieze, West Front
2962133 Annunciation, Detail from the Capital frieze, West Front, Chartres Cathedral (stone) by French School; French, out of copyright

The Agony in the Garden, 1524 (oil on canvas)
2630254 The Agony in the Garden, 1524 (oil on canvas) by Garofalo, Benvenuto Tisi da (1481-1559); 119.4x152.5 cm; Birmingham Museums and Art Gallery; Italian, out of copyright

The Annunciation, c. 1380 (tempera & oil with gold on wood)
3036932 The Annunciation, c.1380 (tempera & oil with gold on wood) by Netherlandish School, (14th century); 35.2x26.5 cm; Cleveland Museum of Art, OH

The Coronation of the Virgin with the Trinity, c. 1400 (oil on panel)
3036931 The Coronation of the Virgin with the Trinity, c.1400 (oil on panel) by Master of Rubielos de Mora (fl.1410); 144.6x91.4 cm; Cleveland Museum of Art, OH, USA; Gift of the Hanna Fund; Spanish

King David weeping and praying for the life of his sick child
3057872 King David weeping and praying for the life of his sick child, and then accepting with fortitude the childs death, c.1896 (stained glass) by Burne-Jones

Esther and Ahasuerus, c. 1460-1485 (wool and silk)
3061086 Esther and Ahasuerus, c. 1460-1485 (wool and silk) by Flemish School, (15th century); 342.3x325.1 cm; Minneapolis Institute of Arts, MN, USA; eMinneapolis Institute of Art; Gift of Mrs. C.J

Annunciation to the Shepherds, from a Book of Hours, c. 1485 (vellum)
2644957 Annunciation to the Shepherds, from a Book of Hours, c.1485 (vellum) by Master of Guillaume Lambert (fl.1475-85); 18x11.6 cm; Free Library of Philadelphia; eFree Library of Philadelphia;

Christ expelling the moneychangers from the temple, c. 1519 (engraving)
1262526 Christ expelling the moneychangers from the temple, c.1519 (engraving) by Altdorfer, Albrecht (c.1480-1538); 6.3x4.3 cm; Fitzwilliam Museum, University of Cambridge

St. Helena digs to find the True Cross, from the Legend of the True Cross Cycle by Agnolo Gaddi
1272574 St. Helena digs to find the True Cross, from the Legend of the True Cross Cycle by Agnolo Gaddi, chapel of the Basilica of Santa Croce, Florence, c.1380 (fresco) by Gaddi

Will made by a Theban lady named Naunakhte, distributing her property among the children
AMQ107883 Will made by a Theban lady named Naunakhte, distributing her property among the children of her two marriages, Hieratic inscription

The Creation of Eve, panel from the Porta Magna, c. 1430 (marble)
ALI239367 The Creation of Eve, panel from the Porta Magna, c.1430 (marble) by Quercia, Jacopo della (c.1372-1438); San Petronio, Bologna, Italy; Alinari

A Flaw in the Will (oil on canvas)
WAG13343 A Flaw in the Will (oil on canvas) by Morris, Philip Richard (1838-1902); 92.7x139.7 cm; Wolverhampton Art Gallery, West Midlands, UK; eWolverhampton Art Gallery; English, out of copyright

Epistle of St Paul to the Romans, double-folio illustration from
VEN1630564 Epistle of St Paul to the Romans, double-folio illustration from Bible de Borso d Este, 1455-61 (vellum) by Crivelli, Taddeo (fl.1451-79); Biblioteca Estense, Modena, Emilia-Romagna

Column capital depicting The Annunciation to the Shepherds
LRI3057143 Column capital depicting The Annunciation to the Shepherds, L Abbaye Saint-Pierrre de Moissac (stone) by French School; Luisa Ricciarini; French, out of copyright

Nativity (oil on canvas)
LRI956791 Nativity (oil on canvas) by Romanino, Girolamo (c.1485-c.1566); Pinacoteca Tosio Martinengo, Brescia, Italy; Luisa Ricciarini; Italian, out of copyright

St. Benedict and a Hermit (oil on canvas)
693025 St. Benedict and a Hermit (oil on canvas) by Viani, Domenico Maria (1668-1711); 207x150 cm; Private Collection; (add.info.: Benedict of Nursia (Italian)

Madonna and Child, c. 1525-30 (oil on panel)
5863956 Madonna and Child, c.1525-30 (oil on panel) by Massys or Metsys, Quentin (c.1466-1530) (workshop of); 75x63 cm; Mauritshuis, The Hague

Little Women - Laurie witnessing Amys will
Little Women by Louisa May Alcott - Laurie witnessing Amys will. 1880

Christs Descent into Limbo (oil on vellum on panel)
BAG46136 Christs Descent into Limbo (oil on vellum on panel) by Bellini, Giovanni (c.1430-1516); 52x37.4 cm; Bristol Museum and Art Gallery, UK; eBristol Museums, Galleries & Archives; Italian

Heli Y Samuel (engraving)
816352 Heli Y Samuel (engraving) by Copley, John Singleton (1738-1815) (after); Private Collection; (add.info.: Eli and Samuel)

Nebuchadnezzar, 1795 (tempera, pen & ink and w / c on paper)
828832 Nebuchadnezzar, 1795 (tempera, pen & ink and w/c on paper) by Blake, William (1757-1827); 43x60.3 cm; Minneapolis Institute of Arts, MN

MS 39-1950 f. 60v-61r The Visitation (gold, silver & coloured ink on parchment)
876214 MS 39-1950 f.60v-61r The Visitation (gold, silver & coloured ink on parchment) by French School, (15th century); Fitzwilliam Museum, University of Cambridge

Detail of The Descent from the Cross, Capellone degli Spagnoli
875235 Detail of The Descent from the Cross, Capellone degli Spagnoli, 1365-67 (fresco) by Andrea di Bonaiuto (Andrea da Firenze) (fl.1343-77); Museo di Santa Maria Novella, Florence

Descent from the Cross, Capellone degli Spagnoli, 1365-67 (fresco)
875231 Descent from the Cross, Capellone degli Spagnoli, 1365-67 (fresco) by Andrea di Bonaiuto (Andrea da Firenze) (fl.1343-77); Museo di Santa Maria Novella, Florence

Fragments of sculptures from the Nativity (marble)
875105 Fragments of sculptures from the Nativity (marble) by Arnolfo di Cambio (c.1245-1310); Santa Maria Maggiore, Rome, Italy; eGiuliano Valsecchi; Italian, out of copyright

Daniel, Jonah and Habakuk, Choir, clerestory, south side (stained glass)
694080 Daniel, Jonah and Habakuk, Choir, clerestory, south side (stained glass) by French School; Basilique Saint-Remi, Reims, France; French, out of copyright

Tintoretto, Italian artist, with detail from painting
Tintoretto (Jacopo Robusti, c1518-1594), Italian artist of the Venetian School, with a detail from his painting of Christ feeding the Five Thousand (The Miracle of the Loaves and Fishes)

Moses breaking the Tablets, by Parmigianino
Moses breaking the Tablets, detail from a fresco in the Shrine of Santa Maria della Steccata, Parma, Italy, by Parmigianino, or Girolamo Francesco Maria Mazzola (1503-1540)

Coronation of the Virgin, by Fra Angelico da Fiesole
Coronation of the Virgin (now in the Louvre, Paris), by Fra Angelico da Fiesole (c1395-1455), Italian renaissance artist, with a portrait of the artist below. Date: circa 1434-5

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"Testament: A Tapestry of Divine Encounters and Unbreakable Bonds" In the depths of history, a testament was written. It spoke of love, faith, and unwavering devotion. From the moment Jesus turned to Peter, entrusting him with a sacred mission, to the Supper at Emmaus where hearts were set ablaze by divine presence - these stories became threads woven into the fabric of our souls. The friendship shared between David and Jonathan stood as a testament to loyalty and brotherhood amidst adversity. As Moses held his hands high in prayer during battle, it symbolized an unyielding trust in God's power. And when Jesus embraced children with open arms, he left behind an everlasting testament to compassion and innocence. Through the First Passover's miraculous deliverance from bondage and Samson's strength against all odds, we witnessed extraordinary events that shaped our understanding of faith. The captivating illustrations in "Stories of the Old Testament" by Pauline Baynes brought these ancient tales to life for generations young and old. As we gaze upon the majestic statue of St Peter standing tall within Basilica di San Giovanni in Laterano, we are reminded of his unwavering dedication as one who carried forth Christ's message throughout time. Ruth and Naomi exemplified loyalty beyond blood ties - their bond serving as a testament to enduring love even through hardships. When Jesus appeared before Mary after his resurrection or when Ezekiel prophesied divine revelations - each encounter etched itself into humanity's collective memory as testaments to miracles both seen and unseen. These hints scattered across time serve as reminders that testimonies are not mere words on paper but living legacies passed down through generations. They illuminate our path towards spiritual enlightenment while connecting us intimately with those who came before us. Let us cherish this tapestry of encounters - for within its intricate weave lies wisdom gained from ages past; a testament that transcends time itself.