The Connoisseur Collection (#5)

A Bunkindo Colour-Print of a Dutch Ship with descriptive text, c1800, (1936). From The Connoisseur, Vol. 98, edited by H. Granville Fell. [International Studio, London, 1936]

An Oak Court Cupboard of James Is Reign, c1615, (1936). From The Connoisseur, Vol. 98, edited by H. Granville Fell. [International Studio, London, 1936]

A Knight with his Jousting Helmet, 1554-1558, (1936). Artist: Giovanni Battista Moroni
A Knight with his Jousting Helmet, 1554-1558, (1936). Held in the National Gallery, London. From The Connoisseur, Vol. 98, edited by H. Granville Fell. [International Studio, London, 1936]

Bronze Yu, c3rd century BC to 3rd century AD, (1936). Found in the Eumorfopoulos Collection, London. From The Connoisseur, Vol. 98, edited by H. Granville Fell. [International Studio, London, 1936]

Red and Gold Lacquer Cabinet, c1695, (1936). From The Connoisseur, Vol. 98, edited by H. Granville Fell. [International Studio, London, 1936]

Porcelain Mug, c1770, (1936). Artist: John de Lanauze
Porcelain Mug, c1770, (1936). Housed at British Museum collections, London. From The Connoisseur, Vol. 98, edited by H. Granville Fell. [International Studio, London, 1936]

Portrait of Mrs. Awse, 1767, (1936). Artist: Thomas Gainsborough
Portrait of Mrs. Awse, 1767, (1936). From The Connoisseur, Vol. 98, edited by H. Granville Fell. [International Studio, London, 1936]

A Red Lacquer Cabinet, c1685, (1936). From The Connoisseur, Vol. 98, edited by H. Granville Fell. [International Studio, London, 1936]

The Arms of Thomas Watton, c1900, (1936). Part of the east window decoration of Grays Inn Hall, dated 1559. From The Connoisseur, Vol. 98, edited by H. Granville Fell

Portion of a Japanese Folding Screen of the Keicho Period, c1600, (1936). From The Connoisseur, Vol. 98, edited by H. Granville Fell. [International Studio, London, 1936]

John Wesley, (1703-1791), c18th century, (1936). From The Connoisseur, Vol. 98, edited by H. Granville Fell. [International Studio, London, 1936]

The Marquess of Buckingham, (1753-1813), c19th century, (1936)
The Marquess of Buckingham (1753-1813), c19th century, (1936). From The Connoisseur, Vol. 98, edited by H. Granville Fell. [International Studio, London, 1936]

Horatio, Lord Nelson Modelled by De Vaere, 19th century, (1936). Artist: John De Vaere
Horatio, Lord Nelson Modelled by De Vaere, 19th century, (1936). From The Connoisseur, Vol. 98, edited by H. Granville Fell. [International Studio, London, 1936]

Arms of Sir Reginald Bray, K. G. c1900, (1936)
Arms of Sir Reginald Bray, K.G. c1900, (1936). From The Connoisseur, Vol. 98, edited by H. Granville Fell. [International Studio, London, 1936]

The Airthrey Gold Globe Cup: South German, c1560-1565, (1936). From The Connoisseur, Vol. 98, edited by H. Granville Fell. [International Studio, London, 1936]

Wine Jar: Ming Dynasty, c1500, (1936). Held by the Eumorfopoulos Collection, London. From The Connoisseur, Vol. 97, edited by H. Granville Fell. [International Studio, London, 1936]

A Very Rare Pier Glass of c1720 in frame decorated with Red Lacquer, c1720, (1936). From The Connoisseur, Vol. 97, edited by H. Granville Fell. [International Studio, London, 1936]

Portrait of a Young Girl, c1490, (1936). Artist: Ambrogio de Predis
Portrait of a Young Girl, c1490, (1936). The portrait is ascribed to Beatrice D Este (1475-1497) at her wedding to Ludovico Sforza (1452-1508), Duke of Milan. From The Connoisseur, Vol

The Calthorpe Purse, c1900, (1936). A heraldic purse made around 1540 to commemorate the second marriage of Sir Henry Parker to Elizabeth Calthorpe, daughter of Sir Philip Calthorpe

Pegwell Bay, Ramsgate, c1800, (1936). Artists: Unknown, James Ward
Pegwell Bay, Ramsgate, c1800, (1936). Housed at the Victoria & Albert Museum, London. From The Connoisseur, Vol. 97, edited by H. Granville Fell. [International Studio, London, 1936]

A Queen Anne Settee Upholstered in Petit Point, c1900, (1936). From The Connoisseur, Vol. 97, edited by H. Granville Fell. [International Studio, London, 1936]

Copper Engraving by Rafael Schiamirossi, illustrating The Lunge, 1610, (1936). Artist: Rafael Schiamirossi
Copper Engraving by Rafael Schiamirossi, illustrating The Lunge, 1610, (1936). The illustration is part of the treatise Gran Simulacro dell arte e dell uso della scherma

Agrippa Instructing His Pupils Mathematically, 1553, (1936). The frontespiece of the Treatise on the Science of Arms with Philosophical Dialogue by Camillo Agrippa, published in 1553

Portrait of Giacomo Di Grassi, showing weapons the use of which he taught his pupils, 1575, (1936). Giacomo di Grassi was an Italian fencing master

Seated Figure of a Lohan - T Ang Dynasty, c7th to 10th century AD, (1936). The Tang dynasty was preceded by the Sui dynasty and followed by the Five Dynasties and Ten Kingdoms period

Bronze Ho (Wine Vessel) - Shang-Yin Dynasty, c1766 to 1122 BC, (1936). The Tang dynasty was preceded by the Sui dynasty and followed by the Five Dynasties and Ten Kingdoms period

Storming of Ciudad Rodrigo, January 19, 1813, 1813 (1909). Artist: Thomas Sutherland
Storming of Ciudad Rodrigo, January 19, 1813, 1813 (1909). After William Heath (1794-1840). From British Military Prints, by Ralph Nevill. [The Connoisseur, London, 1909]

Battle of Quatre Bras, June 16, 1815, 1815 (1909). Artist: Thomas Sutherland
Battle of Quatre Bras, June 16, 1815, 1815 (1909). After William Heath (1794-1840). From British Military Prints, by Ralph Nevill. [The Connoisseur, London, 1909]

Officer, 2nd Regiment Life Guards (Waterloo Period), 1812-1815 (1909). Artist: Joseph Constantine Stadler
Officer, 2nd Regiment Life Guards (Waterloo Period), 1812-1815 (1909). After Charles Hamilton Smith (1776-1859). From British Military Prints, by Ralph Nevill. [The Connoisseur, London, 1909]

Piper, 42nd Royal Highlanders, c19th century, (1909). After B. Clayton (born c1805). From British Military Prints, by Ralph Nevill. [The Connoisseur, London, 1909]

Piper, 93rd Sutherland Highlanders, c19th century (1909). After B. Clayton (born c1805). From British Military Prints, by Ralph Nevill. [The Connoisseur, London, 1909]

Battle of Nivelle, November 10, 1813, 1815 (1909). Artist: Thomas Sutherland
Battle of Nivelle, November 10, 1813, 1815 (1909). After William Heath (1794-1840). From British Military Prints, by Ralph Nevill. [The Connoisseur, London, 1909]

Officers and Gentlemen of the Bloomsbury & Inns of Court Volunteers, 1780-1820, (1909). Artist: Charles Tomkins
Officers and Gentlemen of the Bloomsbury & Inns of Court Volunteers, 1780-1820, (1909). To Lieut. Coll. Cox, From British Military Prints, by Ralph Nevill. [The Connoisseur, London, 1909]

Portrait representation of uniform inscribed by proprietor, 1780-1820, (1909). Artist: Charles Tomkins
Portrait representation of uniform inscribed by proprietor, 1780-1820, (1909). To Lieut. Coll. Burgess, the Officers and Gentlemen of the Pendennis Artillery Volunteers

General Doyle, c1860, (1909). Artist: William Say
General Doyle, c1850, (1909). After Allan Ramsay (1713-1784). From British Military Prints, by Ralph Nevill. [The Connoisseur, London, 1909]

Attack on the Road to Bayonne, December 13, 1813, c1813 (1909). Artist: Thomas Sutherland
Attack on the Road to Bayonne, December 13, 1813, c1813 (1909). After William Heath (1794-1840). From British Military Prints, by Ralph Nevill. [The Connoisseur, London, 1909]

Presenting New Colours to the 93rd Highlanders, Oct. 7th, 1834, 1834 (1909). After Henry Martens (c1790-1868). From British Military Prints, by Ralph Nevill. [The Connoisseur, London, 1909]

The Cavalry Charge at Balaclava, 1854 (1909). After Edward Morin (1824-1882). From British Military Prints, by Ralph Nevill. [The Connoisseur, London, 1909]

Review of the 1st Life Guards and 8th Hussars, June 4th, 1842, 1842 (1909). Artist: James Henry Lynch
Review of the 1st Life Guards and 8th Hussars, June 4th, 1842, 1842 (1909). After Michael Angelo Hayes R. H. A. (1820-1877). From British Military Prints, by Ralph Nevill

Bombardment of Sebastopol, 1854 (1909). After J. Thomas. From British Military Prints, by Ralph Nevill. [The Connoisseur, London, 1909]

Showing the Difference Between The Man and the Officer, 1830-1840, (1909). Artist: William Heath
Showing the Difference Between The Man and the Officer, 1830-1840, (1909). From British Military Prints, by Ralph Nevill. [The Connoisseur, London, 1909]

The 10th (Or the Prince of Waless Own) Regiment of Light Dragoons, 1800 (1909). From British Military Prints, by Ralph Nevill. [The Connoisseur, London, 1909]

Royal Artillery Mounted Rockett Corps, 1812-1815 (1909). Artist: Joseph Constantine Stadler
Royal Artillery Mounted Rockett Corps, 1812-1815 (1909). After Charles Hamilton Smith (1776-1859). From British Military Prints, by Ralph Nevill. [The Connoisseur, London, 1909]

George Augustus Elliot (Lord Heathfield), Governor of Gibraltar, 1788 (1909). Artist: Francesco Bartolozzi
George Augustus Elliot (Lord Heathfield), Governor of Gibraltar, 1788 (1909). After Antonio Poggi (active 1776-1800). From British Military Prints, by Ralph Nevill. [The Connoisseur, London, 1909]

His Royal Highness Prince Albert, Colonel of the 11th Hussars, 19th century, (1909). After John Brandard (1812-1863). From British Military Prints, by Ralph Nevill. [The Connoisseur, London, 1909]

Gentleman, the 7th (Royal Fusiliers) 1742, 1742 (1909). From British Military Prints, by Ralph Nevill. [The Connoisseur, London, 1909]

Private, Grenadier Guards (1760), 1760 (1909). From British Military Prints, by Ralph Nevill. [The Connoisseur, London, 1909]

Third Regiment of Foot (1799), 1799 (1909). From British Military Prints, by Ralph Nevill. [The Connoisseur, London, 1909]

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"The Connoisseur: A Journey Through Art and History" Step into the world of art and immerse yourself in the masterpieces that have shaped our cultural heritage. From the grandeur of Henry Raeburn's "The Macnab, 1802" to the intensity of Victor Marie Picot's "Fencing Match Between Mademoiselle La Chevaliere D Eon De Beaumont and Monsieur De Saint George, " each stroke tells a story. Journey through time with JMW Turner as he captures the ethereal beauty of Portsmouth in c1824-5 and transports you to Hastings in the 19th century. His skillful brushwork brings these coastal scenes to life, evoking a sense of tranquility amidst crashing waves. Delve into history with Joseph Highmore's portrait of Mary Rossam, painted in c1734. Her gaze speaks volumes, hinting at a hidden narrative waiting to be discovered. And Edward Robert Hughes' dream-like depiction of "Dream Idyll (A Valkyrie)" takes us on an enchanting journey where reality merges with fantasy. Paul de la Roche invites us into his interpretation of "The Young Princes in the Tower, 1831. " The mystery surrounding their fate is palpable as we witness their innocence frozen in time. Meanwhile, Sir Joshua Reynolds' portrayal of "Master Hare" showcases his mastery over capturing human expression and emotion. Henry Edridge invites us to stroll down Rue De La Grosse Horloge, Rouen, in 1821. The intricate details transport us back to a bygone era filled with charm and elegance. And George Romney immortalizes Lady Hamilton as the Goddess of Health, radiating vitality and grace. As we explore John Inigo Richards' depiction of Orpington from 1768 or admire Lord Bateman at Shobdon Court Hereford captured by an unknown artist in 1910, we become connoisseurs ourselves.