Skip to main content

The Priory Publishing Press Collection

"The Priory Publishing Press: A Timeless Collection of Artistic Masterpieces" Step into the enchanting world of The Priory Publishing Press

Background imageThe Priory Publishing Press Collection: In Manus Tuas Domine!, 1879, (1918). Artist: Briton Riviere

In Manus Tuas Domine!, 1879, (1918). Artist: Briton Riviere
In Manus Tuas Domine!, 1879, (1918). Painting held at the Manchester City Galleries, Manchester. From Bibbys Annual 1918, edited by Joseph Bibby. [The Priory Publishing Press, Liverpool, 1917]

Background imageThe Priory Publishing Press Collection: Silver Favourites, c1903, (1918). Artist: Sir Lawrence Alma-Tadema

Silver Favourites, c1903, (1918). Artist: Sir Lawrence Alma-Tadema
Silver Favourites, c1903, (1918). Painting held at the Manchester City Galleries, Manchester. From Bibbys Annual 1918, edited by Joseph Bibby. [The Priory Publishing Press, Liverpool, 1917]

Background imageThe Priory Publishing Press Collection: Loch Lomond, 1847, (1918)

Loch Lomond, 1847, (1918). Painting held at the Manchester City Galleries, Manchester. From Bibbys Annual 1918, edited by Joseph Bibby. [The Priory Publishing Press, Liverpool, 1917]

Background imageThe Priory Publishing Press Collection: A Modern Oil Seed Crushing Plant, c1918, (1918). Artist: Gunning King

A Modern Oil Seed Crushing Plant, c1918, (1918). Artist: Gunning King
A Modern Oil Seed Crushing Plant, c1918, (1918). From Bibbys Annual 1918, edited by Joseph Bibby. [The Priory Publishing Press, Liverpool, 1917]

Background imageThe Priory Publishing Press Collection: Marguerites, c1900, (1918). Artist: Conrad Kiesel

Marguerites, c1900, (1918). Artist: Conrad Kiesel
Marguerites, c1900, (1918). Painting held at the Manchester City Galleries, Manchester. From Bibbys Annual 1918, edited by Joseph Bibby. [The Priory Publishing Press, Liverpool, 1917]

Background imageThe Priory Publishing Press Collection: Florence, 1839, (1918). Artist: James Baker Pyne

Florence, 1839, (1918). Artist: James Baker Pyne
Florence, 1839, (1918). Painting held at the Manchester City Galleries, Manchester. From Bibbys Annual 1918, edited by Joseph Bibby. [The Priory Publishing Press, Liverpool, 1917]

Background imageThe Priory Publishing Press Collection: J. A. Seddon, c1918, (1918). Artist: J Russell & Sons

J. A. Seddon, c1918, (1918). Artist: J Russell & Sons
J. A. Seddon, c1918, (1918). James Andrew Seddon (1868-1939), British trade unionist and politician. Originally a member of the Labour Party

Background imageThe Priory Publishing Press Collection: Cromwell on His Farm, 1874, (1918). Artist: Ford Madox Brown

Cromwell on His Farm, 1874, (1918). Artist: Ford Madox Brown
Cromwell on His Farm, 1874, (1918). Painting held at the Lady Lever Art Gallery, Liverpool. From Bibbys Annual 1918, edited by Joseph Bibby. [The Priory Publishing Press, Liverpool, 1917]

Background imageThe Priory Publishing Press Collection: Winter, c1870, (1918). Artist: Anton Mauve

Winter, c1870, (1918). Artist: Anton Mauve
Winter, c1870, (1918). Painting held at the Manchester Art Gallery, Manchester. From Bibbys Annual 1918, edited by Joseph Bibby. [The Priory Publishing Press, Liverpool, 1917]

Background imageThe Priory Publishing Press Collection: The Bird Cage, c1900, (1918). Artist: Edward Stott

The Bird Cage, c1900, (1918). Artist: Edward Stott
The Bird Cage, c1900, (1918). Painting held at the Manchester City Galleries, Manchester. From Bibbys Annual 1918, edited by Joseph Bibby. [The Priory Publishing Press, Liverpool, 1917]

Background imageThe Priory Publishing Press Collection: The Happy Man Found, 1918, (1918). Artist: Edmund Joseph Sullivan

The Happy Man Found, 1918, (1918). Artist: Edmund Joseph Sullivan
The Happy Man Found, 1918, (1918). From Bibbys Annual 1918, edited by Joseph Bibby. [The Priory Publishing Press, Liverpool, 1917]

Background imageThe Priory Publishing Press Collection: The Hermit Visits The Caliph, 1918, (1918). Artist: Edmund Joseph Sullivan

The Hermit Visits The Caliph, 1918, (1918). Artist: Edmund Joseph Sullivan
The Hermit Visits The Caliph, 1918, (1918). From Bibbys Annual 1918, edited by Joseph Bibby. [The Priory Publishing Press, Liverpool, 1917]

Background imageThe Priory Publishing Press Collection: Perseus and Andromeda, 1891, (1918). Artist: Frederic Leighton

Perseus and Andromeda, 1891, (1918). Artist: Frederic Leighton
Perseus and Andromeda, 1891, (1918). Painting held at the Walker Art Gallery, Liverpool. From Bibbys Annual 1918, edited by Joseph Bibby. [The Priory Publishing Press, Liverpool, 1917]

Background imageThe Priory Publishing Press Collection: Heidelberg-Sunset, c1840, (1918). Artist: JMW Turner

Heidelberg-Sunset, c1840, (1918). Artist: JMW Turner
Heidelberg-Sunset, c1840, (1918). Painting held at the Manchester City Galleries, Manchester. From Bibbys Annual 1918, edited by Joseph Bibby. [The Priory Publishing Press, Liverpool, 1917]

Background imageThe Priory Publishing Press Collection: The Three Paths, 1918, (1918). Artist: Gunning King

The Three Paths, 1918, (1918). Artist: Gunning King
The Three Paths, 1918, (1918). The picture symbolises the three human paths of heart, mind and body. From Bibbys Annual 1918, edited by Joseph Bibby. [The Priory Publishing Press, Liverpool, 1917]

Background imageThe Priory Publishing Press Collection: The Letter Home, c1917, (1918). Artist: Gunning King

The Letter Home, c1917, (1918). Artist: Gunning King
The Letter Home, c1916, (1918). From Bibbys Annual 1918, edited by Joseph Bibby. [The Priory Publishing Press, Liverpool, 1917]

Background imageThe Priory Publishing Press Collection: We Come Up Through Many Slaveries Into Freedom, c1918, (1918). Artist: Edmund Joseph Sullivan

We Come Up Through Many Slaveries Into Freedom, c1918, (1918). Artist: Edmund Joseph Sullivan
We Come Up Through Many Slaveries Into Freedom, c1918, (1918). The title is a quote from The Hive by Will Levington Comfort published in 1918. From Bibbys Annual 1918, edited by Joseph Bibby

Background imageThe Priory Publishing Press Collection: The Retreat from Moscow, 1911, (1918). Artist: Stephen Baghot De La Bere

The Retreat from Moscow, 1911, (1918). Artist: Stephen Baghot De La Bere
The Retreat from Moscow, 1911, (1918). Painting held at the Lady Lever Art Gallery, Liverpool. From Bibbys Annual 1918, edited by Joseph Bibby. [The Priory Publishing Press, Liverpool, 1917]



For sale as Licensed Images

Choose your image, Select your licence and Download the media

"The Priory Publishing Press: A Timeless Collection of Artistic Masterpieces" Step into the enchanting world of The Priory Publishing Press, where art and literature intertwine to create a captivating experience. Established in 1879 with the motto "In Manus Tuas Domine. " (Into Your Hands, O Lord. ), this esteemed publishing house has been dedicated to preserving and sharing the beauty of visual arts for over a century. Among its vast collection, one can find remarkable works that have stood the test of time. Take, for instance, "Silver Favourites" by Sir Lawrence Alma-Tadema, a mesmerizing depiction from c1903 that transports you to an era filled with elegance and opulence. Or immerse yourself in the breathtaking scenery captured in "Loch Lomond, " painted by an unknown artist in 1847 but preserved meticulously until its publication in 1918. It also celebrates industrial progress through artistry. Discover "A Modern Oil Seed Crushing Plant, " created around 1918 by Gunning King, which showcases both technical innovation and artistic prowess. This unique blend of creativity and industry is emblematic of The Priory's commitment to capturing diverse facets of human existence. From delicate floral arrangements like Conrad Kiesel's "Marguerites" from c1900 to stunning landscapes such as James Baker Pyne's portrayal of Florence in 1839 – each artwork tells a story that transcends time. Even portraits like J. A Seddon's self-portrait from around 1918 provide glimpses into the lives and personalities behind these masterful creations. The Priory Publishing Press doesn't limit itself solely to paintings; it embraces various forms of artistic expression. Ford Madox Brown's evocative piece titled "Cromwell on His Farm" takes us back to historical events while Anton Mauve's serene painting called "Winter" invites us into a tranquil snowy landscape.