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The Woman Collection (#8)

"The Woman: A Multifaceted Portrait of Strength, Beauty, and Resilience" This captivating black and white photograph captures the essence of "Worker and Kolkhoz Woman

Background imageThe Woman Collection: Madame Arthur Fontaine, 1901 (pastel on paper)

Madame Arthur Fontaine, 1901 (pastel on paper)
7262355 Madame Arthur Fontaine, 1901 (pastel on paper) by Redon, Odilon (1840-1916); 72.4x57.2 cm; Metropolitan Museum of Art, New York, USA; (add.info.: by Odilon Redon (1840-1916))

Background imageThe Woman Collection: Pierette, 1927 (pastel on pulpboard)

Pierette, 1927 (pastel on pulpboard)
7262427 Pierette, 1927 (pastel on pulpboard) by Barney, Alice Pike (1857-1931); 35.6x27.9 cm; American Art Museum, Smithsonian Institute, USA; (add.info.: by Alice Pike Barney (1857-1931))

Background imageThe Woman Collection: Peasant Mother and Child, c. 1894 (drypoint and aquatint)

Peasant Mother and Child, c. 1894 (drypoint and aquatint)
7262405 Peasant Mother and Child, c.1894 (drypoint and aquatint) by Cassatt, Mary Stevenson (1844-1926); 48.6x39.1 cm; Metropolitan Museum of Art, New York

Background imageThe Woman Collection: Nossen, 1839 (engraving)

Nossen, 1839 (engraving)
7262295 Nossen, 1839 (engraving) by Unknown Artist, (19th century); 10.2x15.3 cm; Private Collection; (add.info.: Captions Nossen and Aus d. Kunstanst. D. Bibliogr. Instit. In Hildbh)

Background imageThe Woman Collection: Karlskrona, 1839 (engraving)

Karlskrona, 1839 (engraving)
7262277 Karlskrona, 1839 (engraving) by Unknown Artist, (19th century); 11.4x15.5 cm; Private Collection; (add.info.: Captions Carlscrona and Aus d. Kunstanst. D. Bibliogr. Instit. In Hildbh)

Background imageThe Woman Collection: Napoleon depicted as the Beast of the Revelation, 1808 (engraving)

Napoleon depicted as the Beast of the Revelation, 1808 (engraving)
7262214 Napoleon depicted as the Beast of the Revelation, 1808 (engraving) by Rowlandson, Thomas (1756-1827); Bromley Museum, Orpington

Background imageThe Woman Collection: The Enchantress, 1912 (Watercolour)

The Enchantress, 1912 (Watercolour)
7261491 The Enchantress, 1912 (Watercolour) by Browne, Gordon Frederick (1858-1932); 23x56 cm; Maidstone Museum and Art Gallery, Kent, UK; (add.info.: The Enchantress)

Background imageThe Woman Collection: The Empire of Flora, 17th century (Watercolour)

The Empire of Flora, 17th century (Watercolour)
7261604 The Empire of Flora, 17th century (Watercolour) by French School, (17th century); 20.5x28.1 cm; Maidstone Museum and Art Gallery, Kent, UK; (add.info.: The Empire of Flora)

Background imageThe Woman Collection: Dutch interior, 1630-85 (Chalk)

Dutch interior, 1630-85 (Chalk)
7261593 Dutch interior, 1630-85 (Chalk) by Ostade, Adriaen Jansz. van (1610-85) (attr. to); 26.5x19.7 cm; Maidstone Museum and Art Gallery, Kent, UK; (add.info.: Dutch interior)

Background imageThe Woman Collection: Lady Rose Weigall, 1888 (Chalk)

Lady Rose Weigall, 1888 (Chalk)
7261525 Lady Rose Weigall, 1888 (Chalk) by Weigall, Henry Jr. (1829-1925); 49x36 cm; Maidstone Museum and Art Gallery, Kent, UK; (add.info.: Chalk drawing)

Background imageThe Woman Collection: Nymphaeum, sculpture

Nymphaeum, sculpture
6336789 Nymphaeum, sculpture by Italian School, (16th century); Villa Barbaro, Maser, Veneto, Italy; (add.info.: Villa Barbaro, Maser, Veneto, Italy); © Mark Edward Smith

Background imageThe Woman Collection: Lady at the Mirror, c. 1520 (oil on canvas)

Lady at the Mirror, c. 1520 (oil on canvas)
XAM66734 Lady at the Mirror, c.1520 (oil on canvas) by Romano, Giulio (1492-1546); 111x92 cm; Pushkin Museum, Moscow, Russia

Background imageThe Woman Collection: A gypsy water-carrier of Seville, 1854 (oil on canvas)

A gypsy water-carrier of Seville, 1854 (oil on canvas)
7261466 A gypsy water-carrier of Seville, 1854 (oil on canvas) by Phillip, John (1817-67); 38.5 x 32.1 cm; Private Collection; Photo © Christies Images

Background imageThe Woman Collection: Mrs John Charles, widow of Lieutenant Charles, 1810-65 (Watercolour)

Mrs John Charles, widow of Lieutenant Charles, 1810-65 (Watercolour)
7261538 Mrs John Charles, widow of Lieutenant Charles, 1810-65 (Watercolour) by Pretty, Edward (1792-1865); 19x16 cm; Maidstone Museum and Art Gallery, Kent, UK; (add.info.: Mrs John Charles)

Background imageThe Woman Collection: The Woman clothed with the Sun, 16th century (Ink)

The Woman clothed with the Sun, 16th century (Ink)
7261584 The Woman clothed with the Sun, 16th century (Ink) by Straet, Jan van der (Giovanni Stradano) (1523-1605); 27x36.3 cm; Maidstone Museum and Art Gallery, Kent

Background imageThe Woman Collection: A Drowsy Sot, 1756-1827 (Watercolour)

A Drowsy Sot, 1756-1827 (Watercolour)
7261405 A Drowsy Sot, 1756-1827 (Watercolour) by Rowlandson, Thomas (1756-1827); 12.7x9 cm; Maidstone Museum and Art Gallery, Kent

Background imageThe Woman Collection: Silhouettes, 1830 (Watercolour)

Silhouettes, 1830 (Watercolour)
7261322 Silhouettes, 1830 (Watercolour) by Edouart, Augustin Amant Constant Fidele (1789-1861); Maidstone Museum and Art Gallery, Kent, UK; (add.info.: Watercolour drawing)

Background imageThe Woman Collection: Portrait of Marie Louise of Habsburg Lorraine, Imperatrice of France (oil on canvas)

Portrait of Marie Louise of Habsburg Lorraine, Imperatrice of France (oil on canvas)
XEE5027189 Portrait of Marie Louise of Habsburg Lorraine, Imperatrice of France (oil on canvas) by Borghesi, Giovanni Battista (1790-1846); 252 x 192 cm; Galleria Nazionale, Parma, Emilia-Romagna

Background imageThe Woman Collection: Reclining nude on a riverbank (oil on canvas)

Reclining nude on a riverbank (oil on canvas)
XPG366324 Reclining nude on a riverbank (oil on canvas) by Benner, Emmanuel (1836-96); Private Collection; (add.info.: by Emmanuel Benner (1836-96))

Background imageThe Woman Collection: Charles Emmanuel II, Duke of Savoy and his family, 1666 (oil on canvas)

Charles Emmanuel II, Duke of Savoy and his family, 1666 (oil on canvas)
BAL44970 Charles Emmanuel II, Duke of Savoy and his family, 1666 (oil on canvas) by Dauphin, Charles (c.1620-77); 299x300 cm; Prado, Madrid, Spain; (add.info.: Charles Emmanuel II (1634-1675))

Background imageThe Woman Collection: The Sower, c. 1575 (oil on canvas)

The Sower, c. 1575 (oil on canvas)
XAM65692 The Sower, c.1575 (oil on canvas) by Bassano, Francesco (Francesco da Ponte) (1549-92); 30x40 cm; Kunsthistorisches Museum, Vienna

Background imageThe Woman Collection: In The Meadow, 1842-75 (Watercolour)

In The Meadow, 1842-75 (Watercolour)
7261394 In The Meadow, 1842-75 (Watercolour) by Pinwell, George John (1842-75); 11.2x14.5 cm; Maidstone Museum and Art Gallery, Kent, UK; (add.info.: In The Meadow; Watercolour; Pinwell)

Background imageThe Woman Collection: Lambs, Nantucket, 1874 (oil on board)

Lambs, Nantucket, 1874 (oil on board)
7262385 Lambs, Nantucket, 1874 (oil on board) by Johnson, Eastman (1824-1906); 48.2--39.6 cm; National Gallery of Art, Washington DC, USA; (add.info.: Eastman Johnson (1824-1906))

Background imageThe Woman Collection: Mademoiselle Duthe, 1776 (oil on canvas)

Mademoiselle Duthe, 1776 (oil on canvas)
7262377 Mademoiselle Duthe, 1776 (oil on canvas) by Perin-Salbreux, Lie Louis (1753-1817); 55.2x46 cm; Musee Des Beaux-Arts, Reims, France; (add.info.: Lie Louis Perin-Salbreux (1753-1817))

Background imageThe Woman Collection: Couple in front of a jewellery shop (oil on canvas)

Couple in front of a jewellery shop (oil on canvas)
7262353 Couple in front of a jewellery shop (oil on canvas) by Beraud, Jean (1849-1935); 32.5x40.5 cm; Private Collection; (add.info.: by Jean Beraud (1849-1935))

Background imageThe Woman Collection: Flying Maiden with Patta, 1740-99 (Ink, Watercolour)

Flying Maiden with Patta, 1740-99 (Ink, Watercolour)
7261607 Flying Maiden with Patta, 1740-99 (Ink, Watercolour) by Major, Thomas (1714-99); 31.5x19.5 cm; Maidstone Museum and Art Gallery, Kent, UK; (add.info.: Flying Maiden with Patta)

Background imageThe Woman Collection: Agnes, from The School for Wives by Moliere, 1875 (coloured engraving)

Agnes, from The School for Wives by Moliere, 1875 (coloured engraving)
1728994 Agnes, from The School for Wives by Moliere, 1875 (coloured engraving) by French School, (19th century)

Background imageThe Woman Collection: Detail of The Harvest, (Moses receives the Ten Commandments), 1576 (oil on canvas)

Detail of The Harvest, (Moses receives the Ten Commandments), 1576 (oil on canvas)
XAM65690 Detail of The Harvest, (Moses receives the Ten Commandments), 1576 (oil on canvas) by Bassano, Francesco (Francesco da Ponte) (1549-92); Kunsthistorisches Museum, Vienna

Background imageThe Woman Collection: Portrait of a Woman Seated at a Table, c. 1896 (w / c, white and red tempera over graphite)

Portrait of a Woman Seated at a Table, c. 1896 (w / c, white and red tempera over graphite)
7262384 Portrait of a Woman Seated at a Table, c.1896 (w/c, white and red tempera over graphite) by Houghton, Will (1816-1916); 30.5x23.8 cm; Metropolitan Museum of Art, New York

Background imageThe Woman Collection: Three theatrical figures: King Lear, Cordelia, and Maid, 17th century (Chalk)

Three theatrical figures: King Lear, Cordelia, and Maid, 17th century (Chalk)
7261579 Three theatrical figures: King Lear, Cordelia, and Maid, 17th century (Chalk) by French School, (17th century); 19.5x32 cm; Maidstone Museum and Art Gallery, Kent

Background imageThe Woman Collection: Mary Queen of Scots, 1805 (Watercolour)

Mary Queen of Scots, 1805 (Watercolour)
7261514 Mary Queen of Scots, 1805 (Watercolour) by English School, (18th century); Maidstone Museum and Art Gallery, Kent, UK; (add.info.: Mary Queen of Scots)

Background imageThe Woman Collection: Sunset, Boston, 1895-96 (pastel on paper)

Sunset, Boston, 1895-96 (pastel on paper)
7262380 Sunset, Boston, 1895-96 (pastel on paper) by Prendergast, Maurice Brazil (1858/9-1924); 50.8x27.9 cm; Private Collection; (add.info.: by Maurice Brazil Prendergast (1858/9-1924))

Background imageThe Woman Collection: George Barbier illustration

George Barbier illustration
7261234 George Barbier illustration. by Barbier, Georges (1882-1932); Private Collection; (add.info.: Le Langage des Fleurs. The Language of Flowers)

Background imageThe Woman Collection: Soiree at the Duchess Anna Amalia of Saxe-Weimar, c. 1795 (w / c)

Soiree at the Duchess Anna Amalia of Saxe-Weimar, c. 1795 (w / c)
3493731 Soiree at the Duchess Anna Amalia of Saxe-Weimar, c.1795 (w/c) by Kraus, Georg Melchior (1737-1806); Zentralbibliothek, Weimar, Germany; (add.info.: H.Meyer, Frau von Fritsch, Goethe)

Background imageThe Woman Collection: Peasant leading her cow and sheep to the fields, 1863 (pastel)

Peasant leading her cow and sheep to the fields, 1863 (pastel)
BRM347373 Peasant leading her cow and sheep to the fields, 1863 (pastel) by Millet, Jean-Francois (1814-75); Private Collection

Background imageThe Woman Collection: Young Woman in a Boat (Lise Trehot), 1850

Young Woman in a Boat (Lise Trehot), 1850
3359555 Young Woman in a Boat (Lise Trehot), 1850 by Renoir, Pierre Auguste (1841-1919); (add.info.: Painting titled Young Woman in a Boat (Lise Trehot) by Pierre-Auguste Renoir (1841-1919)

Background imageThe Woman Collection: The Promenade (oil on canvas)

The Promenade (oil on canvas)
7262379 The Promenade (oil on canvas) by Paulsen, Fritz (1838-98); 94.2x120.3 cm; Private Collection; (add.info.: Fritz Paulsen (1838-98))

Background imageThe Woman Collection: In the fullness of summer (oil on canvas)

In the fullness of summer (oil on canvas)
7262356 In the fullness of summer (oil on canvas) by Downing, Delapoer (fl.1885-1902); 84x65.5 cm; Private Collection; (add.info.: by Delapoer Downing (fl.1885-1902))

Background imageThe Woman Collection: Place de la Concorde, c. 1872 (oil on canvas)

Place de la Concorde, c. 1872 (oil on canvas)
7262354 Place de la Concorde, c.1872 (oil on canvas) by Pallares Allustante, Joaquin (1853-1935); 27.6x40 cm; Private Collection; (add.info.: by Joaquin Pallares Allustante (1853-1935))

Background imageThe Woman Collection: The Card Game, 1870-90 (oil on panel)

The Card Game, 1870-90 (oil on panel)
7262166 The Card Game, 1870-90 (oil on panel) by Charlemont, Eduard (1848-1906); 124.5x93 cm; Private Collection; (add.info.: Artist)

Background imageThe Woman Collection: Landscape with woman and track, 1810-65 (Pencil)

Landscape with woman and track, 1810-65 (Pencil)
7261658 Landscape with woman and track, 1810-65 (Pencil) by Pretty, Edward (1792-1865); Maidstone Museum and Art Gallery, Kent, UK; (add.info.: Landscape with woman and track)

Background imageThe Woman Collection: Young woman in pseudo 18th century dress, 1876 (Watercolour)

Young woman in pseudo 18th century dress, 1876 (Watercolour)
7261637 Young woman in pseudo 18th century dress, 1876 (Watercolour) by Little, Robert W. (1854-1944); 45x36.6 cm; Maidstone Museum and Art Gallery, Kent

Background imageThe Woman Collection: Full length classically draped female standing by a tree, being scaled by a snake

Full length classically draped female standing by a tree, being scaled by a snake, 1780-1800 (Pencil)
7261627 Full length classically draped female standing by a tree, being scaled by a snake, 1780-1800 (Pencil) by Head, Guy (1753-1800); 22.2x18 cm; Maidstone Museum and Art Gallery, Kent

Background imageThe Woman Collection: At Nottingham (back of stone buildings with woman, dog and garden roller), 1810-65 (Watercolour)

At Nottingham (back of stone buildings with woman, dog and garden roller), 1810-65 (Watercolour)
7261606 At Nottingham (back of stone buildings with woman, dog and garden roller), 1810-65 (Watercolour) by Pretty, Edward (1792-1865); 30x45 cm; Maidstone Museum and Art Gallery, Kent

Background imageThe Woman Collection: Rural scene, 1769-1859 (Watercolour)

Rural scene, 1769-1859 (Watercolour)
7261539 Rural scene, 1769-1859 (Watercolour) by Ward, James (1769-1859); 34.5x28.5 cm; Maidstone Museum and Art Gallery, Kent, UK; (add.info.: Rural scene)

Background imageThe Woman Collection: Portrait of a lady, after Sebastiano Del Piombo, 1879 (Watercolour)

Portrait of a lady, after Sebastiano Del Piombo, 1879 (Watercolour)
7261499 Portrait of a lady, after Sebastiano Del Piombo, 1879 (Watercolour) by Fulleylove, John (1847-1908); 34.5x30 cm; Maidstone Museum and Art Gallery, Kent, UK; (add.info.: Portrait of a lady)

Background imageThe Woman Collection: A Yorkshire Gossip, 1890 (Ink)

A Yorkshire Gossip, 1890 (Ink)
7261433 A Yorkshire Gossip, 1890 (Ink) by May, Philip William (1864-1903); Maidstone Museum and Art Gallery, Kent, UK; (add.info.: A Yorkshire Gossip, c. 1890. Pen drawing)

Background imageThe Woman Collection: George Barbier illustration

George Barbier illustration
7261263 George Barbier illustration. by Barbier, Georges (1882-1932); Private Collection; (add.info.: Romance sans paroles. Romance without words)




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"The Woman: A Multifaceted Portrait of Strength, Beauty, and Resilience" This captivating black and white photograph captures the essence of "Worker and Kolkhoz Woman, " a remarkable sculpture by Vera Mukhina in Moscow. The powerful image symbolizes the tireless dedication of women in the workforce. In contrast, "Allegory of Music" is an oil painting from 1649 that celebrates the enchanting power of music. It reminds us how women have played a significant role in shaping our cultural heritage through their artistic expressions. The pilgrimage commemorating the Battle of Ortigara brings to light the indomitable spirit of over six thousand Alpine women. Their unwavering determination stands as a testament to their courage and resilience. Moving forward in time, we encounter "BLACK WOMAN, " an oil painting from 1875-1876 that challenges societal norms by portraying a woman with strength and dignity despite racial prejudices prevalent during that era. An intriguing scene unfolds in "An Encounter on the Road, " where two individuals cross paths amidst uncertainty. This thought-provoking artwork prompts reflection on chance encounters that shape our lives. "Gleaners at Chambaudoin" depicts women laboring diligently in fields, reminding us of their vital contribution to society's sustenance throughout history. Their hard work often goes unnoticed but remains essential for our survival. A vibrant Christmas lithograph adorns the cover of The Sketch magazine from 1906, capturing both elegance and festive cheer while celebrating femininity during this joyous season. "The Annunciation" lithograph portrays a momentous event when Mary receives news about her divine destiny—a poignant reminder that women have been central figures in religious narratives across cultures for centuries. Contrasting perceptions are explored through "A woman too fat for donkey ride. " This colorful lithograph challenges conventional beauty standards while emphasizing self-acceptance and body positivity—an empowering message even today.