Theological Subject Collection (#2)

The Last Judgment, detail of the mosaic of the counter facade of the Cathedral of S. Maria Assunta, Torcello. Venice Torcello, Cathedral of S

The Last Judgment. Predella of the marble altar, by Pietro Lombardo and his School, located in the chapel of the Giustiniani family in the Church of San Francesco della Vigna

The Redeemer sorrounded by angels with symbols of passion, detail of the western doorway, called of the Last Judgement, work of Benedetto Antelami

The funerary monument of Beato Pacifico, one of St. Francis companions; sculpted by Nanni di Bartolo and Michele da Firenze

The descent to Limbo, the Resurrection and the incredulity of St. Thomas; middle aisle mosaic, St. Mark's Basilica, Venice Venice St

Bronze relief depicting Christ in Limbo, detail of the candelabrum by Andrea Briosco, in the Basilica of Sant'Antonio, Padua Padua Basilica of Sant Antonio

The descent to Limbo; small enamel plaque of the Pala d'Oro, in St. Mark's Basilica in Venice Venice St. Mark's Basilica Byzantine Art, Europe, First and Second Millennium A.D

The Crucifixion and the descent to Limbo; small enamel plaques of the Pala d'Oro, in St. Mark's Basilica in Venice Venice St

Altar piece in enamelled terracotta by Giovanni della Robbia with the Last Judgement and the Annunciation, Nativity and Epiphany predella

Descent into Limbo; close up; Donatello's pulpit, Basilica of San Lorenzo, Florence Florence Basilica of San Lorenzo Low Relief, Basrelief, Pulpit Early Renaissance, Renaissance

Descent into Limbo; close up of the spirits with a small scared demon; Donatello's pulpit, Basilica of San Lorenzo, Florence Florence Basilica of San Lorenzo Low Relief, Basrelief

Descent into Limbo; close up of the spirits, Donatello's pulpit, Basilica of San Lorenzo, Florence Florence Basilica of San Lorenzo Low Relief, Basrelief, Pulpit Early Renaissance, Renaissance

Descent into Limbo; close up of Donatello's pulpit, Basilica of San Lorenzo, Florence Florence Basilica of San Lorenzo Low Relief, Basrelief, Pulpit Early Renaissance, Renaissance

Descent to Limbo, Resurrection and Ascension; close up of Donatello's pulpit, Basilica of San Lorenzo, Florence Florence Basilica of San Lorenzo Low Relief, Basrelief, Pulpit Early Renaissance

Statue fragments depicting the Last Judgment and keystones; from the French School, in the Muse National du Moyen ge de Cluny, in Paris France Paris, Muse National du Moyen ge de Cluny Statue

An illumination of Dante Alighieri and the Inferno, from the Strozziano Codex, in the Biblioteca Laurenziana (Laurentian Library)

Tapestry depicting the Last Judgment, Flemish work preserved in the Louvre Museum, Paris France Paris, Louvre Museum Tapestry Early Renaissance, Renaissance, Renaissance-Baroque styles and periods

The Last Judgement, miniated page of a choir book, work in the Accademia di Belle Arti "Pietro Vannucci", in Perugia Perugia Accademia di Belle Arti Illumination Renaissance

Mourning over the Dead Christ and Descent into Limbo, high reliefs by Fra Guglielmo da Pisa for the Pulpit of the Church of Saint John Fuorcivitas in Pistoia Pistoia Church of Saint John Fuorcivitas

The Last Judgement, detail of the pulpit by Giovanni Pisano, work in the church of St Andrea in Pistoia Pistoia Church of St Andrea High Relief Gothic, Middle Ages, Europe

Right side of the bronze pulpit with the stories of the Redeemer, work by Donatello and other aids, conserved in the Basilica of San Lorenzo in Florence Florence Basilica of San Lorenzo Pulpit Early

I pesci salteranno fuori dall aqua, (The fish jump from the water), detail of the Revelation of John (fresco)
3573831 I pesci salteranno fuori dall aqua, (The fish jump from the water), detail of the Revelation of John (fresco) by Italian School, (8th century); San Legonziano, Lanciano, Chieti

Miniature of Judgement Day from a chorale parchment
3574084 Miniature of Judgement Day from a chorale parchment by Italian School, (14th-15th century); Archives of Palazzo Comunale of Stroncone, Province of Terni, Umbria

St. Michael Archangel defeats the demons. Miniature attributed to Matteo Torelli
3565253 St. Michael Archangel defeats the demons. Miniature attributed to Matteo Torelli, from an antiphonary dating to 1394 (Corale 5, c)

Il mare si essicchera, detail of the Revelation of John (fresco)
3573829 Il mare si essicchera, detail of the Revelation of John (fresco) by Italian School, (8th century); San Legonziano, Lanciano, Chieti, Italy; (add.info.: Il mare si essicchera)

Preparatory sketch for the Last Judgment in the Sistine Chapel; drawing by Michelangelo. Casa Buonarroti, Florence
3565955 Preparatory sketch for the Last Judgment in the Sistine Chapel; drawing by Michelangelo. Casa Buonarroti, Florence by Buonarroti, Michelangelo (1475-1564); Casa Buonarroti, Florence

Gli alberi suderanno sangue, (The trees sweat blood), detail of the Revelation of John (fresco)
3573830 Gli alberi suderanno sangue, (The trees sweat blood), detail of the Revelation of John (fresco) by Italian School, (8th century); San Legonziano, Lanciano, Chieti

Portal of the Kings in the Cathedral of Chartres France Chartres Low Relief, Basrelief, Lunette Romanesque, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1963

For sale as Licensed Images

Choose your image, Select your licence and Download the media

"The Last Judgment: Exploring Theological Themes Through Art" Art has long been a powerful medium for conveying theological concepts and beliefs. From the intricate Lunette of the Last Judgement adorning the main portal of the Cathedral of Bourges to Michelangelo's preparatory sketches for his iconic masterpiece in the Sistine Chapel, these artworks offer glimpses into profound theological subjects. Intriguingly, frescoes depicting the Last Judgement can also be found in unexpected places like the church of Meryemana Manastiri, nestled within Turkey's Trebisonda Territory. These vibrant murals serve as reminders that theological themes transcend geographical boundaries. The influence of Dante Alighieri's epic poem "Inferno" is evident in Jan van der Straet's vivid illustration, showcasing a map of Hell from Florence's Biblioteca Medicea-Laurenziana. This captivating artwork not only captures Dante's imaginative vision but also highlights how religious ideas permeate various forms of artistic expression. Giovanni Pisano's pulpit panels in Pisa Civic Museum and Cathedral further explore this theme with their depiction of reprobates and scenes from The Apocalypse. These masterpieces invite contemplation on divine judgment and human redemption. Meanwhile, Giovanni della Robbia’s enameled terracotta altarpiece in San Girolamo Church presents a detailed portrayal of The Last Judgment. Its intricate craftsmanship serves as a testament to artists' dedication to capturing complex theological narratives through their work. These diverse artworks remind us that theology transcends mere intellectual discourse; it finds its way into our collective consciousness through visual representations. They encourage us to reflect on life’s ultimate questions - our actions, choices, and what awaits us beyond earthly existence. As we delve into these rich artistic interpretations, let us appreciate how they inspire dialogue about faith, morality, salvation, and humanity’s place within divine plans.