Theophile Alexandre Collection

La Majorite Opportuniste, 1919. Artist: Theophile Alexandre Steinlen
La Majorite Opportuniste, 1919. Rich share-holder cashing in cheques at the mining company. From Modern Woodcuts and Lithographs by British and French Artists, by Geoffrey Holme. [The Studio Ltd

Les Moutons De Boisdeffre, c1898, (1919). Artist: Theophile Alexandre Steinlen
Les Moutons De Boisdeffre, c1898, (1919). Reference to the anti-Dreyfus position of Raoul Le Mouton de Boisdeffre. From Modern Woodcuts and Lithographs by British and French Artists

Retour En Arriere, c1894, (1919). Artist: Theophile Alexandre Steinlen
Retour En Arrie re, c1894, (1919). From Modern Woodcuts and Lithographs by British and French Artists, by Geoffrey Holme. [The Studio Ltd. London, Paris, New York, 1919]

Epreuve D Essai, 1935. Artists: Theophile Alexandre Steinlen, George Newnes
Epreuve D Essai, 1935. After the drawing by Theophile Alexandre Steinlen. From Modern Masterpieces Part 10. [George Newnes Ltd, London, 1935]

Les Deux Gigolos, 1898. Artist: Theophile Alexandre Steinlen
Les Deux Gigolos, 1898. From The Studio Volume 87. [London Offices of the Studio, London, 1924]

La Blanchisseuse, c 1900. Artist: Theophile Alexandre Steinlen
La Blanchisseuse, c 1900. From a coloured etching by Steinlen. 1901. From The Studio Volume 22. [The Offices of the Studio Ltd. London, 1901]

The Vagabond, c1879-1914, (1914). Artist: Theophile Alexandre Steinlen
The Vagabond, c1914. After a drawing by Theophile Alexandre Steinlen (1859-1923). From The Studio Vol. 62 [London Offices of the Studio, London, 1914.]

Les Femmes De France from Chansons De Femmes, 1897, (1898). Artist: Theophile Alexandre Steinlen
Les Femmes De France from Chansons De Femmes, 1897. An illustration from Chansons De Femmes by Paul Delmet (1862-1904). After a Lithograph by Theophile Alexandre Steinlen (1859-1923)

Quand Nous Serons Vieux from Chansons De Femmes, 1897, (1898). Artist: Theophile Alexandre Steinlen
Quand Nous Serons Vieux from Chansons De Femmes, 1897. An illustration from Chansons De Femmes by Paul Delmet (1862-1904). After a Lithograph by Theophile Alexandre Steinlen (1859-1923)

L ile Des Baisers from Chansons De Femmes, 1897, (1898). Artist: Theophile Alexandre Steinlen
L ile Des Baisers from Chansons De Femmes, 1897. An illustration from Chansons De Femmes by Paul Delmet (1862-1904). After a Lithograph by Theophile Alexandre Steinlen (1859-1923)

Inside A Tramcar, 1896, (1898). Artist: Theophile Alexandre Steinlen
Inside A Tramcar, 1896. After a Lithograph by Theophile Alexandre Steinlen (1859-1923). From The Studio Volume Twelve by [London Offices of the Studio V, London, 1898]

Two Cats, 1894. Artist: Theophile Alexandre Steinlen
Two Cats, 1894. Found in the collection of the State A Pushkin Museum of Fine Arts, Moscow

Le Petit Sou, socialist magazine by Theophile Steinlen, 1900. Artist: Theophile Alexandre Steinlen
Le Petit Sou, socialist magazine by Theophile Steinlen, 1900. Theophile Alexandre Steinlen, frequently referred to as just Steinlen (1859-1923)

The Kiss, c1879-1923. Artist: Theophile Alexandre Steinlen
The Kiss, 1879-1923

Portrait of Jehan Rictus, 20th Century. Artist: Theophile Alexandre Steinlen
Portrait of Jehan Rictus, 20th Century. Rictus was a French poet, famous for his made up spoken French works

Ouvriers du Batiment ( Construction Workers ), c1911. Artist: Theophile Alexandre Steinlen
Ouvriers du Batiment ( Construction Workers ), c1911. From the Musee d Orsay, Paris

Drawings Prints, Print, Un, poilu, a, Petain, Artist, Theophile-Alexandre Steinlen
Drawings and Prints, Print, Un poilu a Petain, Artist, Theophile-Alexandre Steinlen, French (born Switzerland), Lausanne 1859-1923 Paris, Steinlen, Theophile-Alexandre, 1859, 1923, 1916, 1916

Drawings Prints, Print, Pour, les, Familles, Dispersees, Artist, Theophile-Alexandre Steinlen
Drawings and Prints, Print, Pour les Familles Dispersees, Artist, Theophile-Alexandre Steinlen, French (born Switzerland), Lausanne 1859-1923 Paris, Steinlen, Theophile-Alexandre, 1859, 1923, 1915

Drawings Prints, Programme, Casino de Paris, Dimanche, 43053, 1915, Matinee Extraordinaire
Drawings and Prints, Programme for Casino de Paris Dimanche 14 Nov. 1915 Matinee Extraordinaire, Artist, Theophile-Alexandre Steinlen, French (born Switzerland), Lausanne 1859-1923 Paris, Steinlen

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Theophile Alexandre Steinlen, a renowned artist of the 19th and early 20th centuries, left an indelible mark on the art world through his captivating works. One such masterpiece is "La Majorite Opportuniste" (1919), which showcases his exceptional talent in capturing the essence of society. With meticulous brushstrokes, Steinlen portrays the opportunistic majority that often dominates political landscapes. In "Les Moutons De Boisdeffre" (c1898, 1919), Steinlen's artistic prowess shines as he depicts a scene from everyday life with remarkable detail. The painting transports us to a quaint village where sheep graze peacefully under the watchful eye of their shepherd. Another notable piece by this gifted artist is "Retour En Arriere" (c1894, 1919). Through this artwork, Steinlen takes us on a journey back in time, evoking nostalgia and contemplation. The intricate details and vibrant colors bring to life an era long gone but not forgotten. Steinlen's social commentary extends further with "Rochefort Se Meurt" (1898, 1919), shedding light on societal issues prevalent during his time. This thought-provoking piece serves as a reminder of our responsibility towards preserving our communities and addressing pressing concerns. Collaborating with George Newnes in "Epreuve D Essai" (1935), Steinlen demonstrates his versatility by seamlessly blending different artistic styles. This collaboration results in a visually stunning composition that captivates viewers' imaginations. In "Les Deux Gigolos" (1898), we witness Steinlen's ability to capture human emotions effortlessly. Through expressive faces and dynamic poses, he tells a story filled with humor and intrigue. "The Blanchisseuse" (c1900) showcases Steinlen's mastery of portraying daily life scenes with grace and elegance.