Thomas Frederick Goodall Collection

Pictures of the Year - VIII. "Mrs Charles Kettlewell", after T Goodall, RA, 1891. Creator: Unknown
Pictures of the Year - VIII. "Mrs Charles Kettlewell", after T Goodall, RA, 1891. From "The Graphic. An Illustrated Weekly Newspaper", Volume 44. July to December, 1891

Twixt Land and Water, 1886. Creators: Dr Peter Henry Emerson, Thomas Frederick Goodall
Twixt Land and Water, 1886

Water-Lilies, 1886. Creators: Dr Peter Henry Emerson, Thomas Frederick Goodall
Water-Lilies, 1886

Towing the Reed, 1886. Creators: Dr Peter Henry Emerson, Thomas Frederick Goodall
Towing the Reed, 1886

The Gladdon-Cutters Return, 1886. Creators: Dr Peter Henry Emerson
The Gladdon-Cutters Return, 1886

The First Frost, 1886. Creators: Dr Peter Henry Emerson, Thomas Frederick Goodall
The First Frost, 1886

Snipe-Shooting, 1886. Creators: Dr Peter Henry Emerson, Thomas Frederick Goodall
Snipe-Shooting, 1886

Ricking the Reed, 1886. Creators: Dr Peter Henry Emerson, Thomas Frederick Goodall
Ricking the Reed, 1886

Quanting the Gladdon, 1886. Creators: Dr Peter Henry Emerson, Thomas Frederick Goodall
Quanting the Gladdon, 1886

Evening, 1886. Creators: Dr Peter Henry Emerson, Thomas Frederick Goodall
Evening, 1886

During the Reed-Harvest, 1886. Creators: Dr Peter Henry Emerson, Thomas Frederick Goodall
During the Reed-Harvest, 1886

Cutting the Gladdon, 1886. Creators: Dr Peter Henry Emerson, Thomas Frederick Goodall
Cutting the Gladdon, 1886

A Norfolk Boat-Yard, 1886. Creators: Dr Peter Henry Emerson, Thomas Frederick Goodall
A Norfolk Boat-Yard, 1886

A Broadmans Cottage, 1886. Creators: Dr Peter Henry Emerson, Thomas Frederick Goodall
A Broadmans Cottage, 1886

A Marsh Farm, 1886. Creators: Dr Peter Henry Emerson, Thomas Frederick Goodall
A Marsh Farm, 1886

The Old Order and the New, 1886. Creators: Dr Peter Henry Emerson
The Old Order and the New, 1886

Taking Up the Eel-Net, 1886. Creators: Dr Peter Henry Emerson, Thomas Frederick Goodall
Taking Up the Eel-Net, 1886

The Fringe of the Marsh, 1886. Creators: Dr Peter Henry Emerson, Thomas Frederick Goodall
The Fringe of the Marsh, 1886

The Fowlers Return, 1886. Creators: Dr Peter Henry Emerson, Thomas Frederick Goodall
The Fowlers Return, 1886

Setting the Bow-Net, 1886. Creators: Dr Peter Henry Emerson, Thomas Frederick Goodall
Setting the Bow-Net, 1886

Rowing Home the Schoof-Stuff, 1886. Creators: Dr Peter Henry Emerson
Rowing Home the Schoof-Stuff, 1886

Poling the Marsh Hay, 1886. Creators: Dr Peter Henry Emerson, Thomas Frederick Goodall
Poling the Marsh Hay, 1886

Marshman Going to Cut Schoof-Stuff, 1886. Creators: Dr Peter Henry Emerson
Marshman Going to Cut Schoof-Stuff, 1886

Gunner Working Up to Fowl, 1886. Creators: Dr Peter Henry Emerson
Gunner Working Up to Fowl, 1886

Coming Home from the Marshes, 1886. Creators: Dr Peter Henry Emerson
Coming Home from the Marshes, 1886

Cattle on the Marshes, 1886. Creators: Dr Peter Henry Emerson, Thomas Frederick Goodall
Cattle on the Marshes, 1886

An Autumn Morning, 1886. Creators: Dr Peter Henry Emerson, Thomas Frederick Goodall
An Autumn Morning, 1886

A Reed-Cutter at Work, 1886. Creators: Dr Peter Henry Emerson, Thomas Frederick Goodall
A Reed-Cutter at Work, 1886

A Reed Boat-House, 1886. Creators: Dr Peter Henry Emerson, Thomas Frederick Goodall
A Reed Boat-House, 1886

Life and Landscape on the Norfolk Broads, 1885-86. 1885-86
Life and Landscape on the Norfolk Broads, 1885-86

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"Thomas Frederick Goodall: A Collaborative Force in Capturing the Essence of Norfolk Life" Step into the enchanting world of Thomas Frederick Goodall, a talented artist who, alongside Dr Peter Henry Emerson, created a series of captivating works that beautifully depict life between land and water. In their masterpiece "Twixt Land and Water, " they skillfully capture the delicate balance between these two realms. Their artistic prowess shines through in "Water-Lilies, " where they transport us to a serene pond adorned with vibrant lilies. The attention to detail is astounding, making it feel as if we could reach out and touch these delicate flowers. In "Towing the Reed, " Goodall's expertise comes alive as he portrays the arduous task of moving reeds across waterways. The determination on the faces of those involved is palpable, showcasing his ability to evoke emotion through art. While some pieces were solely credited to Dr Peter Henry Emerson like "The Gladdon-Cutters Return, " others such as "The First Frost" and "Snipe-Shooting" bear both artists' names. These collaborations demonstrate their shared vision for capturing moments frozen in time. Goodall's talent extends beyond mere observation; he also delves into depicting traditional practices such as "Ricking the Reed. " This piece transports us back to an era when manual labor was essential for survival. In works like "Quanting the Gladdon" and "Cutting the Gladdon, " Goodall showcases his versatility by portraying different stages of harvesting gladdons (a type of iris). His attention to detail brings these scenes vividly to life. As evening falls in their painting aptly titled "Evening, " Goodall's mastery over light and shadow creates an ethereal atmosphere that invites viewers into this tranquil setting, and is a testament to his ability to evoke emotions through his brushstrokes.