Thomas Parley Collection (#2)

The present Emperor of China when a young man, saving his fathers life... c1796-1804, (1847). Artist: JW Giles
The present Emperor of China when a young man, saving his fathers life during an insurrection, c1796-1804, (1847). The Daoguang Emperor (1782-1850) protecting his father the Jiaqing Emperor

Appearance in public of a Viceroy attended by his retinue, 1847. Artist: Giles
Appearance in public of a Viceroy attended by his retinue, 1847. A Chinese dignitary being carried in a litter. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London)

Approach of the Emperor of China, to receive the British ambassador, 1847. Artist: JW Giles
Approach of the Emperor of China, to receive the British ambassador, 1847. Drawn by B Clayton, from a painting by W Alexander

The Emperors vow, 18th century, (1847). Artist: Evans
The Emperors vow, 18th century, (1847). Kien Long, or the Qianlong Emperor 1711-1799) was the fifth emperor of the Manchu Qing Dynasty and ruled from 1735-1796

Giving out corn to the people, during a season of scarcity, 1847. Artist: Evans
Giving out corn to the people, during a season of scarcity, 1847. Chinese people receiving food. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

The annual spring festival, 1847. Artist: Evans
The annual spring festival, 1847. Chinese seasonal celebration. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

The ceremonies observed in every province and city of China, on the occasion of an eclipse, 1847. Artist: JW Giles
The ceremonies observed in every province and city of China, on the occasion of an eclipse, 1847. Drawn by G F Sargent, from a painting by Fo Shang

Annual ceremony of presenting the almanacks, 1847. Artist: Giles
Annual ceremony of presenting the almanacks, 1847. Chinese traditions. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Grand ceremony of trying the cannon, 1847. Artist: Giles
Grand ceremony of trying the cannon, 1847. Chinese ceremony. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Interior of a mandarins house, China, 1847. Artist: Walmsley
Interior of a mandarins house, China, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Mandarins house, China, 1847. Artist: Armstrong
Mandarins house, China, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Camoens grotto, Macao, 1847. Artist: Armstrong
Camoens grotto, Macao, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

View of Macao, 1847. Artist: Giles
View of Macao, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Dramatic performance in the open air, 1847. Artist: B Clayton
Dramatic performance in the open air, 1847. People watching a show in China. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

The annual festival celebrating the emperors birthday, revived by Kublai-Khan, 1847. Artist: B Clayton
The annual festival celebrating the emperors birthday, revived by Kublai-Khan, 1847. Scene in the Chinese imperial court. Illustration from The History of China and India, by Miss Corner

Street and shops in Pekin, 1847. Artist: Walmsley
Street and shops in Pekin, 1847. Scene in what is now known as Beijing, China. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Mandarin throwing himself with the infant emperor into the sea, 13th century, (1847). Artist: Armstrong
Mandarin throwing himself with the infant emperor into the sea, 13th century, (1847). Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

The Emperor Weit-Soong and his court, taken prisoners by the Tartars, 1847. Artist: JW Giles
The Emperor Weit-Soong and his court, taken prisoners by the Tartars, (1847). Episode from Chinese history. Drawn by B Clayton, from a painting by Fo Shang

Boat drawn over a sluice or lock on a canal, 1847. Artist: Giles
Boat drawn over a sluice or lock on a canal, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Chinese summer villa, 1847. Artist: Evans
Chinese summer villa, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Chinese maidens weeping with a bride, 1847. Artist: Evans
Chinese maidens weeping with a bride, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Burning of the Chinese books, 3rd century BC, (1847). Artist: JW Giles
Burning of the Chinese books, by order of the emperor who built the Great Wall, 3rd century BC, (1847). Drawn by B Clayton, from a painting by Fo Shang

Confucius and his disciples, 5th century BC, (1847). Artist: Giles
Confucius and his disciples, 5th century BC, (1847). The Chinese philosopher and thinker Confucius or K ung-fu-tzu (551 BC-479 BC)

Map of China, 1847. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

The empress and her attendants proceeding to the temple from the mulberry grove, 1847. Artist: JW Giles
The empress and her attendants proceeding to the temple from the mulberry grove, 1847. Chinese empress and retinue. Drawn by B Clayton, from a painting by Fo Shang

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"Thomas Parley: Capturing the Essence of India in 1847" Step into the vibrant world of colonial India through the remarkable artworks of Thomas Parley. With his keen eye for detail, Parley transports us to iconic locations across this diverse land. In Fort of Gwalior, India (1847), Robinson's brushstrokes bring alive the grandeur and strength of this historic fortress. The towering walls whisper tales of battles fought and won. Kirchner's Benares, India (1847) takes us on a spiritual journey along the sacred Ganges River. The artist skillfully captures the ethereal beauty and tranquility that permeates this ancient city. Immerse yourself in the bustling energy of Bombay with Kirchner's Bazaar in Bombay, India (1847). Every stroke reveals a kaleidoscope of colors and textures as merchants ply their trade amidst a sea of people. Parley also ventures beyond well-known cities, taking us to unexpected places like Cabul during fruit season (1847). In Bazaar at Cabul, we witness an explosion of flavors and aromas as locals engage in lively commerce. Ghazni's Fortress with its two Minars stands tall against time in Kirchner's masterpiece from 1847. Its majestic presence reminds us of bygone eras when empires rose and fell within these very walls. Robinson paints a vivid picture with City Lucknow, India (1847), showcasing its architectural marvels amidst lush landscapes. This artwork invites us to explore every nook and cranny while unraveling stories hidden within its streets. Chittapore road, Calcutta (1847) unveils a bustling thoroughfare where cultures collide amid horse-drawn carriages and vibrant market stalls. Bonner's Palace Allahabad, India (1847) showcases regal opulence against serene riverbanks—a testament to Indian craftsmanship at its finest.