Thomas Shotter Boys Collection (#2)

Meadows with a Distant View of Oxford, 1830s. Creator: Thomas Shotter Boys
Meadows with a Distant View of Oxford, 1830s

Hindoo Temple, - Benares, 1834. Creator: Thomas Shotter Boys
Hindoo Temple, - Benares, 1834. Hindu temples on the Ganges at Varanasi in India - note leaning buildings at right. From "Views in India, China and on the Shores of the Red Sea, Vol. I"

Benares, 1835. Creator: Thomas Shotter Boys
Benares, 1835. Ghats on the banks of the Ganges at Varanasi in India. From "Views in India, China and on the Shores of the Red Sea, Vol. II". [Fisher, Son & Co. London, 1835]

Ruins South Side of Old Delhi, 1835. Creator: Thomas Shotter Boys
Ruins South Side of Old Delhi, 1835. From "Views in India, China and on the Shores of the Red Sea, Vol. II". [Fisher, Son & Co. London, 1835]

View near Deobun, 1845. Creator: Thomas Shotter Boys
View near Deobun, 1845. Mountain scene in India. From "Hindostan, The Shores of the Red Sea, and The Himalaya Mountains, Vol. II". [Fisher, Son & Co. London, 1845]

Jahara Baug. - Agra, 1834. Creator: Thomas Shotter Boys
Jahara Baug. - Agra, 1834. View of the Yamuna river from Jahara Baug garden, Agra, Uttar Pradesh, India. From "Views in India, China and on the Shores of the Red Sea, Vol. II"

Hindoo Temple at Chandngoan, 1835. Creator: Thomas Shotter Boys
Hindoo Temple at Chandngoan, 1835. Possibly a view of Chandangaon in Madhya Pradesh, India. From "Views in India, China and on the Shores of the Red Sea, Vol. II". [Fisher, Son & Co

Environs of Windsor Castle, n. d. Creator: Thomas Shotter Boys
Environs of Windsor Castle, n.d

Doorway, Temple, frontispiece to Original Views of London as It Is, 1842

Hyde Park Near Crosvenor Gate, plate sixteen from Original Views of London as It Is, 1842

Regent Street Looking Towards the Duke of Yorks Column, plate twelve from Original Views of London as It Is, 1842

The Club Houses and Pall Mall, plate thirteen from Original Views of London as It Is, 1842

Regent Street Looking Towards the Quadrant, plate eighteen from Original Views of London as It Is, 1842

The Custom House, plate three from Original Views of London as It Is, 1842

Entry to The Strand from Charing Cross, plate twenty from Original Views of London as It Is, 1842

Piccadilly, Looking Towards the City, plate seventeen from Original Views of London as It Is, 1842

The Bank Looking Towards the Mansion House, from Original Views of London as It Is, 1842

Mansion House, Cheapside, plate one from Original Views of London as It Is, 1842

St. Dunstans Fleet Street, plate 23 from Original Views of London as It Is, 1842

London, from Greenwich, plate five from Original Views of London as It Is, 1842

The Horseguards from St. Jamess Park, plate fourteen from Original Views of London as It Is, 1842

The Guildhall, plate 25 from Original Views of London as It Is, 1842

Westminster, from Waterloo Bridge, plate nineteen from Original Views of London as It Is, 1842

The Tower and Mint from Great Tower Hill, plate two from Original Views of London as It Is, 1842

Blackfriars, from Southwark Bridge, plate six from Original Views of London as It Is, 1842

London Bridge, from Southwark Bridge, plate four from Original Views of London as It Is, 1842

Westminster Abbey, Hospital and Company, plate seven from Original Views of London as It Is, 1842

Buckingham Palace from St. James Park, plate eleven from Original Views of London as It Is
Buckingham Palace from St.James Park, plate eleven from Original Views of London as It Is, 1842

St. Pauls from Ludgate Hill, plate 24 from Original Views of London as It Is, 1842

Temple Bar from The Strand, plate 22 from Original Views of London as It Is, 1842

The Strand, plate 21 from Original Views of London as It Is, 1842

Hyde Park Corner, plate fifteen from Original Views of London as It Is, 1842

Board of Trade, Whitehall, from Downing Street, plate eight from Original Views of London as It Is, 1842

St. James Palace, plate ten from Original Views of London as It Is, 1842

St Etienne du Mont and the Pantheon, Paris, plate 20 from Picturesque Architecture in Paris, Ghent, Antwerp, Rouen, Etc. 1839

South Porch of Chartres Cathedral, 1839. Creator: Thomas Shotter Boys
South Porch of Chartres Cathedral, 1839

L Abaye St. Amand, Rouen, 1839. Creator: Thomas Shotter Boys
L Abaye St. Amand, Rouen, 1839

St. Etienne du Mont and the Pantheon, Paris, 1839. Creator: Thomas Shotter Boys
St. Etienne du Mont and the Pantheon, Paris, 1839

Byloke, Ghent, 1839. Creator: Thomas Shotter Boys
Byloke, Ghent, 1839

Church of St. Severin, Paris, 1839. Creator: Thomas Shotter Boys
Church of St. Severin, Paris, 1839

The Institute, Paris, 1839. Creator: Thomas Shotter Boys
The Institute, Paris, 1839

Notre Dame, Chartres, 1839. Creator: Thomas Shotter Boys
Notre Dame, Chartres, 1839

Pavillon de Flore, Tuileries, 1839. Creator: Thomas Shotter Boys
Pavillon de Flore, Tuileries, 1839

Notre Dame, Paris, 1839. Creator: Thomas Shotter Boys
Notre Dame, Paris, 1839

Hotel de la Tremouille, Paris, 1839. Creator: Thomas Shotter Boys
Hotel de la Tremouille, Paris, 1839

St. Andre, Chartres, 1839. Creator: Thomas Shotter Boys
St. Andre, Chartres, 1839

Rue Notre Dame, Paris, 1839. Creator: Thomas Shotter Boys
Rue Notre Dame, Paris, 1839

La Sainte Chapelle, Paris, 1839. Creator: Thomas Shotter Boys
La Sainte Chapelle, Paris, 1839

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"Capturing the Essence of London: The Artistry of Thomas Shotter Boys" Step into the enchanting world of 19th-century London through the masterful lens of Thomas Shotter Boys. Known for his exceptional talent in depicting architectural landscapes, Boys immortalized various iconic landmarks and cityscapes in his captivating artworks. One such masterpiece is "Environs of Windsor Castle, " a timeless portrayal that transports viewers to the majestic surroundings of this historic royal residence. With meticulous attention to detail, Boys brings forth the grandeur and serenity that define this regal landmark. In "Doorway, Temple, " which serves as a frontispiece to his renowned collection "Original Views of London as It Is, " Boys invites us into an architectural wonderland. This intricately designed doorway beckons us to explore further, igniting our curiosity about what lies beyond its threshold. As we venture deeper into Boys' artistic realm, we find ourselves strolling through Hyde Park near Crosvenor Gate. Through delicate brushstrokes and vibrant hues, he captures the essence of this beloved green oasis where nature intertwines seamlessly with urban life. Regent Street becomes a focal point in many of Boys' works. In "Looking Towards the Duke of Yorks Column, " he skillfully portrays bustling crowds against a backdrop adorned with elegant architecture. Similarly, in "Looking Towards the Quadrant, " Regent Street reveals itself as a hub for luxury shopping and refined elegance. Boys also turns his gaze towards significant institutions like The Club Houses and Pall Mall or The Custom House. These meticulously crafted pieces showcase not only their architectural splendor but also offer glimpses into daily life during Victorian times. Moving along from one iconic street to another, we encounter Piccadilly looking towards the City—a scene bursting with energy and movement captured by Boys' expert hand. And just around the corner stands The Bank Looking Towards Mansion House—an awe-inspiring depiction that pays homage to the financial heart of London.