Tin Glazed Collection (#12)

Jar with a Lame Peasant; Unknown; Faenza, Italy, Emilia-Romagna, Europe; early 16th century; Tin-glazed earthenware; Object: H: 24.8 x Diam. [lip]: 12.9 x W [max]: 15.9cm (H: 9 3/4 x Diam)

Hispano-Moresque Basin; Unknown; Valencia region, Manises, Spain, Europe; mid-15th century; Tin-glazed earthenware with copper luster; Object: Diam.: 49.5 cm (Diam.: 19 1/2 in.)

Relief-Blue Jar with Harpies and Birds; Probably the Workshop of Piero di Mazzeo, Italian, born 1377/1387; Florence or possibly Siena, Italy, Tuscany

Tabletop with Hunting Scenes; Francesco (or Filippo) Saverio Maria Grue (Saverio Maria or Saverio Grue), Italian, 1731 - after 1802; Castelli, Italy

Bust of Christ; Unknown; Montelupo, Italy, Europe; about 1500; Tin-glazed earthenware; Object: H: 60.3 x W: 59.7 x D: 26 cm (H: 23 3/4 x W: 23 1/2 x D: 10 1/4 in.)

Basin with Deucalion and Pyrrha; Fontana Workshop, possibly Orazio Fontana, Italian, 1510 - 1571, or possibly Flaminio Fontana, Italian, active 1571 - 1591; Urbino, Italy

Lidded Jar; Joseph Olerys Manufactory (Moustiers), French, active about 1650 - present; Moustiers, France, Europe; about 1723 - 1725; Tin-glazed earthenware (faience); Object: H: 26 x Diam

Plate; Made at the Joseph Olerys Manufactory (Moustiers), French, active about 1650 - present; Moustiers, France, Europe; about 1740 - 1760; Tin-glazed earthenware (faience); Object: H: 3.7 x Diam

Plaque depicting Jacob choosing Rachel to be his Bride; Alcora Ceramic Factory, Spanish, active 1727 - about 1858, After painting by Jacopo Amigoni, Italian, about 1685 - 1752; Alcora, Spain

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"Tin-Glazed: A Journey Through the World of Ceramic Art" Step into the enchanting world of tin-glazed ceramics, where ancient craftsmanship meets artistic brilliance. From a delicate Delftware plate adorned with intricate blue and white patterns to an exquisite Scarab from Egypt's New Kingdom, this captivating technique has left its mark on diverse cultures throughout history. In Portugal's Tarouca region, a panel showcasing various species of flowers mesmerizes with its vibrant colors and meticulous detailing. Meanwhile, a faience violin crafted in Delft during the early 18th century harmoniously combines musicality and artistry. Travel back in time to witness the beauty of a maiolica dish depicting Diana and Actaeon—a masterpiece that transports us to Renaissance Italy. Majestic yet playful, it tells a tale through tin-glazed earthenware brushstrokes. The rhythmic beats of a tambourine player come alive on another majolica plate—each stroke captured flawlessly by skilled hands. Lamego, Portugal presents us with an awe-inspiring decorative panel portraying the Virgin Mary triumphantly crushing the serpent—an emblematic symbol of faith and redemption. Tiles created by Morris and Company bring elegance to walls while narrating stories through their intricate designs. An English Delftware wall panel commemorates The Monument in London—a testament to both architectural grandeur and ceramic artistry. Hungary reveals its secrets through an enigmatic jug dating back to 1668—the creator remains unknown but their talent shines brightly even today. And let us not forget Urbino's stunning plate featuring Narcissus, Echo, Cupid—a creation by Francesco Xanto Avelli that captures mythological allure within tin-glazed perfection. Tin-glazed ceramics have transcended time and borders—unveiling tales from different civilizations while showcasing human creativity at its finest. These masterpieces continue to inspire awe as they bridge past eras with our present, reminding us of the everlasting power of art.