Titian Collection (page 6)

The House in which Titian died at Venice, Campo Rotto, No 5526 (engraving)
5995265 The House in which Titian died at Venice, Campo Rotto, No 5526 (engraving) by European School, (19th century); Private Collection; (add.info.: The House in which Titian died at Venice)

Venus and Adonis, after Titian (c. 1488-1576), c. 1560-c. 1580 (engraving, etching)
5938059 Venus and Adonis, after Titian (c.1488-1576), c.1560-c.1580 (engraving, etching) by Rota, Martino (c.1520-83); 24.1x17.8 (trimmed) cm; Fitzwilliam Museum, University of Cambridge

Portrait of King Philip II of Spain, three-quarter length
990425 Portrait of King Philip II of Spain, three-quarter length, wearing Half Armour and the Badge of the Order of the Golden Fleece

Titianus Redivivus or the Seven Wise Men consulting the new Venetian Oracle
2493831 Titianus Redivivus or the Seven Wise Men consulting the new Venetian Oracle, a scene in Academic Grove No.1, pub by H

Titian (engraving)
815596 Titian (engraving) by Italian School, (18th century); Private Collection; (add.info.: Titian. Tiziano Vecelli. 1488 to 1490 - 27 August 1576)

Titianus Redivivus or the Seven Wise Men consulting the new Venetian Oracle
3051736 Titianus Redivivus or the Seven Wise Men consulting the new Venetian Oracle, a scene in Academic Grove No.1, pub. 1797 (hand coloured engraving) by Gillray

Landscape with a Mill, c. 1650. Creator: Dominique Barriere
Landscape with a Mill, c. 1650

The Rest on the Flight into Egypt, Joseph at right, the Virgin holds the Christ Child in the centre, other figures to the left, 1531-76

The entombment of Christ, the crosses on Calvary visble in left background, 1563

The resurrection of Christ, holding a banner in his right hand, soldiers surrounding the tomb, some falling away, 1561

The Annunciation, 1537. Creator: Giovanni Jacopo Caraglio
The Annunciation, 1537

The Entombment of Christ, 1500-1600. Creator: Unknown
The Entombment of Christ, 1500-1600

Titians Mistress. Creator: Anthony van Dyck
Titians Mistress

The Feast of the Gods, 1514 / 1529. Creator: Giovanni Bellini
The Feast of the Gods, 1514/1529

Venus with a Mirror, c. 1555. Creator: Titian
Venus with a Mirror, c. 1555

Pietro Aretino, 1640. Creator: Wenceslaus Hollar
Pietro Aretino, 1640

Pietro Aretino, 1649. Creator: Wenceslaus Hollar
Pietro Aretino, 1649

Pietro Aretino, 1647. Creator: Wenceslaus Hollar
Pietro Aretino, 1647

La Vierge adorent l Enfant Jesus. Creator: Jean Morin
La Vierge adorent l Enfant Jesus

Philippe II, roi d Espagne. Creator: Jean Morin
Philippe II, roi d Espagne

Landscape with a Horseman and His Groom, ca. 1552-61. Creator: Battista Franco Veneziano
Landscape with a Horseman and His Groom, ca. 1552-61. Formerly attributed to Titian

Section H: Saint Christopher carrying the Christ Child, from The Triumph of Christ, 1836

Section B: Isaac, Noah and other figures, from The Triumph of Christ, 1836

Section A: an angel holding a cross at upper left, Adam and Eve below, from The Triumph of Christ, 1836

Section F: Saints holding crosses, books, and weapons, from The Triumph of Christ, 1836

Section C: female martyrs and saints holding banners, from The Triumph of Christ, 1836

Section D: angels sounding trumpets etc, from The Triumph of Christ, 1836

Section E: Christ riding on a triumphal cart, from The Triumph of Christ, 1836

The crossing of the red sea, Moses stands at the left pointing to the army being submerged, after Titian, 1589

The Pesaro Madonna, 1682 Creator: Valentin Lefebvre
The Pesaro Madonna, 1682

The Madonna embracing the sleeping Christ child, 1797. Creator: Raphael Morghen
The Madonna embracing the sleeping Christ child, 1797

The Holy Family at right, with the infant Saint John the Baptist, Elizabeth, Zacharias, and an angel at left, 1631-37

Diana Discovering Callistos Pregnancy, 1566. Creator: Cornelis Cort
Diana Discovering Callistos Pregnancy, 1566

Tityus Punished in Hell, 1566. Creator: Cornelis Cort
Tityus Punished in Hell, 1566

The Holy Spirit as a bird descending with spread wings at top center; the twelve Apostles standing below gesturing to it in front of an archway, 1518

Portrait of Pietro Aretino, ca. 1655-1660. Creator: Cornelis van Dalen II
Portrait of Pietro Aretino, ca. 1655-1660

The Adoration of the Trinity, 1566. Creator: Cornelis Cort
The Adoration of the Trinity, 1566

Ruggiero Rescuing Angelica, 1565. Creator: Cornelis Cort
Ruggiero Rescuing Angelica, 1565

Landscape with a milkmaid at right and a boy at left, ca. 1535-40. ca. 1535-40
Landscape with a milkmaid at right and a boy at left, ca. 1535-40

St. Jerome in the Wilderness, mid-16th century. mid-16th century. Creator: Attributed to Nicolo Boldrini
St. Jerome in the Wilderness, mid-16th century. Attributed to Nicolo Boldrini. Attributed to Giovanni Britto

Venus and Cupid, 1566. 1566. Creator: Nicolo Boldrini
Venus and Cupid, 1566

Caricature of the scuptural group, the Laocoon, ca. 1540-45. ca. 1540-45. Creator: Attributed to Nicolo Boldrini
Caricature of the scuptural group, the Laocoon, ca. 1540-45

The Last Supper Date: 1544

Ariadne, 1857. Creator: Oscar Gustav Rejlander
Ariadne, 1857

EyeUbiquitous_20109317
Music, Strings, Violin, fiddle players from the Shee band playing at Cropredy 2011

Two Satyrs in a Landscape, ca. 1505-10. Creator: Titian
Two Satyrs in a Landscape, ca. 1505-10

Alfonso d Este (1486-1534), Duke of Ferrara. Creator: Unknown
Alfonso d Este (1486-1534), Duke of Ferrara. (late 16th or early 17th century)

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Titian: Master of Renaissance Art Titian, one of the most influential artists of the Italian Renaissance, left an indelible mark on the world with his breathtaking masterpieces. His artistic prowess is evident in works such as "Venus of Urbino" and "Noli Me Tangere, " which showcase his ability to capture human emotions and beauty. In "Venus of Urbino, " painted in 1538, Titian presents a sensuous portrayal of Venus, exuding confidence and allure. The artist's skillful use of colors and brushstrokes creates a harmonious composition that has captivated viewers for centuries. Another notable work by Titian is "The Assumption, " a grand depiction of the Virgin Mary ascending into heaven. This monumental painting showcases his mastery over light and shadow, creating a dramatic effect that emphasizes the spiritual significance of the scene. Not limited to religious subjects, it also explored mythological themes in paintings like "Ganymede. " This artwork portrays Zeus' abduction of Ganymede with remarkable detail and elegance. Through this piece, Titian demonstrates his ability to infuse mythology with human emotion. One cannot discuss Titian without mentioning his portraits. From Sultan Suleiman I to Charles V, he captured the essence and power of these historical figures through meticulous attention to detail. Each stroke reveals their personality while showcasing Titian's technical brilliance. However, it was not only famous personalities who received this treatment; even everyday individuals were immortalized by him. In works like "Girl with a Platter of Fruit, " formerly known as Lavinia after her identification as one possible subject matter for this painting - now believed otherwise - we see how he could elevate ordinary people into timeless art pieces. Throughout his career, self-portraits became another avenue for exploration for Titian. In his self-portrait from around 1562-1563, we catch a glimpse into the artist's mind and soul.