Topographical Art Collection (#2)

The Reeling Berg, April 1916, (oil on canvas)
990896 The Reeling Berg, April 1916, (oil on canvas) by Marston, George (1882-1940); 71.1x127 cm; Private Collection; (add.info.: The Reeling Berg, April 1916. George Marston (1882-1940)

Nine panoramic views of Rio de Janeiro: Catette e entrada da Barra, 1862 (litho)
828361 Nine panoramic views of Rio de Janeiro: Catette e entrada da Barra, 1862 (litho) by Benoist, Philippe (1813-c.1905) and Ciceri

Nine panoramic views of Rio de Janeiro: Da Ilha das Cobras, 1862 (litho)
828360 Nine panoramic views of Rio de Janeiro: Da Ilha das Cobras, 1862 (litho) by Benoist, Philippe (1813-c.1905) and Ciceri

Ana Rupene and Child, (oil on canvas)
828357 Ana Rupene and Child, (oil on canvas) by Lindauer, Gottfried (1839-1926); 86.4x68.2 cm; Private Collection; (add.info.: Ana Rupene and Child. Gottfried Lindauer (1839-1926). Oil on canvas

Niagara Falls (oil on board)
828337 Niagara Falls (oil on board) by Wilson, John (19th century); 76.2x127.2 cm; Private Collection; (add.info.: Niagara Falls. John Wilson (19th century). Oil on board

Receiving Guests, 1898 (watercolour)
828336 Receiving Guests, 1898 (watercolour) by Henry, Edward Lamson (1841-1919); 34.3x54.6 cm; Private Collection; (add.info.: Receiving Guests. Edward Lamson Henry (1841-1919). Watercolour

A topographical depiction of the Battle of Leghorn, c. 1653 (ink and w / c on paper)
1195407 A topographical depiction of the Battle of Leghorn, c.1653 (ink and w/c on paper) by Parigi, Alfonso the Younger (1606-56) (attr)

Emperor Pedro 1st, c. 1825-6 (pen & ink)
1199471 Emperor Pedro 1st, c. 1825-6 (pen & ink) by Landseer, Charles (1799-1879); 9.8x11.7 cm; Private Collection; Photo eChristies Images; English, out of copyright

Jala-Jala Forest (Luzon island), c. 1839-42 (oil on canvas)
990894 Jala-Jala Forest (Luzon island), c.1839-42 (oil on canvas) by Borget, Auguste (1809-77); 107.4x70.2 cm; Private Collection; (add.info)

Captain Cook Landing n Owyhee, from the Voyages of Captain Cook (watercolour)
1767266 Captain Cook Landing n Owyhee, from the Voyages of Captain Cook (watercolour) by Cruikshank, Isaac Robert (1789-1856); 96x14.8 cm; Private Collection; (add.info)

Oatehite, from the Voyages of Captain Cook (watercolour)
1767264 Oatehite, from the Voyages of Captain Cook (watercolour) by Cruikshank, Isaac Robert (1789-1856); 96x14.8 cm; Private Collection; (add.info.: Oatehite, from the Voyages of Captain Cook)

Manila and its Environs: A Scene on the Pasig River (watercolour with bodycolour)
1767262 Manila and its Environs: A Scene on the Pasig River (watercolour with bodycolour) by Lozano, Jose Honorato (c.1815-c.85); 24.7x34.3 cm; Private Collection; (add.info.: Manila and its Environs)

Portrait of the Liberator, Simon Bolivar, half length, in Full Dress Uniform, c
1767244 Portrait of the Liberator, Simon Bolivar, half length, in Full Dress Uniform, c.1840 (oil on canvas) by South African School

The Immaculate Conception, c. 1700 (oil on canvas)
1767242 The Immaculate Conception, c.1700 (oil on canvas) by Cuzco School, (17th Century); 89x66.3 cm; Private Collection; (add.info.: The Immaculate Conception. Cuzco School. Oil on canvas)

A Native Chief Ordering Europeans to be Put to Death, 1817 (w / c on paper)
828369 A Native Chief Ordering Europeans to be Put to Death, 1817 (w/c on paper) by Bray, C. (fl.1817); 33.6x45.2 cm; Private Collection; (add.info)

Nine panoramic views of Rio de Janeiro: As Prais St. Luzia a Gloria, 1862 (litho)
828364 Nine panoramic views of Rio de Janeiro: As Prais St. Luzia a Gloria, 1862 (litho) by Benoist, Philippe (1813-c.1905) and Ciceri

Nine panoramic views of Rio de Janeiro: Da Ilha das Cobras, 1862 (litho)
828362 Nine panoramic views of Rio de Janeiro: Da Ilha das Cobras, 1862 (litho) by Benoist, Philippe (1813-c.1905) and Ciceri

Types and Costumes of New Granada (Colombia): A Strawberry Man, c. 1845 (lithograph)
828351 Types and Costumes of New Granada (Colombia): A Strawberry Man, c.1845 (lithograph) by South American School, (19th century); 22.6x15.9 cm; Private Collection; (add.info)

A View of Moorea ( Morea, One of the Friendly Islands ) (handcoloured aquatint)
828340 A View of Moorea ( Morea, One of the Friendly Islands ) (handcoloured aquatint) by Cleveley, John the Younger (1747-86) (after); 44x60.6 cm; Private Collection; (add.info)

A View of Calcutta taken from Fort William, (oil on canvas)
828332 A View of Calcutta taken from Fort William, (oil on canvas) by Hodges, William (1744-97); 90.7x153 cm; Private Collection; (add.info.: A View of Calcutta taken from Fort William)

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"Exploring the Depths: A Journey through Topographical Art" Embark on a visual expedition as we delve into the captivating world of topographical art. From oil on canvas to watercolor, pencil to pen and ink, these masterpieces offer a unique perspective on landscapes, historical events, and cultural narratives. "The Immaculate Conception with the Fifteen Mysteries of the Rosary" takes us on a spiritual voyage, intertwining religious devotion with artistic finesse. The vibrant colors and intricate details invite contemplation and reflection. In "Captain Burney Discovering his Murdered Shipmates, " we witness an eerie scene from Captain Cook's voyages. Through delicate strokes of watercolor, the artist captures both the beauty of nature and the harsh realities faced by explorers in uncharted territories. "The Execution of Emperor Maximilian" transports us to a tumultuous period in history. With pencil and watercolor, this poignant artwork immortalizes a tragic event while evoking emotions that transcend time. "The Punishment of a Slave; O Castigo de um Escravo" confronts us with uncomfortable truths about human suffering. The skillful use of pen & ink brings forth raw emotions as we contemplate social injustices that persist even today. With "Looking Backward - Wiripine Ninia, " we encounter Ngatiawa Chieftainess in all her regal glory. This oil painting laid on board celebrates indigenous culture while capturing Wiripine's strength and dignity for generations to come. "A South View of the Wesleyan Mission House, Colombo on the Island of Ceylon" invites us into colonial times through vivid watercolors. We glimpse at architectural marvels amidst lush landscapes, offering glimpses into Sri Lanka's rich heritage. The ethereal beauty captured in "Reclining Woman" mesmerizes viewers with its delicate blend of watercolor, gouache, and charcoal techniques. It invites contemplation on the human form and its connection to nature. In "Mrs.