Torch Collection (#25)

Virgo, from the Signs of the Zodiac (oil on canvas) (see also 196701 to 196710)
XIR196711 Virgo, from the Signs of the Zodiac (oil on canvas) (see also 196701 to 196710) by Jordaens, Jacob (1593-1678); Palais du Luxembourg, Paris

Aries, from the Signs of the Zodiac (oil on canvas) (see also 196700 to 196711)
XIR196706 Aries, from the Signs of the Zodiac (oil on canvas) (see also 196700 to 196711) by Jordaens, Jacob (1593-1678); Palais du Luxembourg, Paris

The Ballad Singer, c. 1764 (oil on canvas)
XYC189964 The Ballad Singer, c.1764 (oil on canvas) by Morland, Henry Robert (1730-97); 76.25x63.5 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright

Severed heads for a prince on a throne, Arnold Houbraken, 1699

In a dark bedroom is Aristodemus prince of Cuma in bed while he is betrayed by his companion Xenocrite, she has a torch in her hand, the two soldiers carrying knives in hand

Platos Cave (oil on panel)
XIR179312 Platos Cave (oil on panel) by Flemish School, (16th century); Musee de la Chartreuse, Douai, France; (add.info.: an allegory on the human condition; Behold)

Female Figure with palette pointing to portrait of Arnold Houbraken, Arnold Houbraken, A. Houbraken, Leonard Schenk, 1710 - 1719

Personification of the married state, Arnold Houbraken, 1710-1719

Female Figure with palette pointing at a painting, Arnold Houbraken, Anonymous, 1700-1750

Broad lobe cartridge with heart-shaped compartment, Johannes Lutma (II), c. 1653 - c. 1655

The Two Pigeons, illustration for the Fables de la Fontaine, 1772 (engraving)
XIR173930 The Two Pigeons, illustration for the Fables de la Fontaine, 1772 (engraving) (b/w photo) by Demarteau, Giles (1729-76); Bibliotheque des Arts Decoratifs, Paris, France; Flemish

Ceres and Cyane (oil on canvas)
XIR232617 Ceres and Cyane (oil on canvas) by Soens, Jan (c.1553-c.1614); 144x182.4 cm; Musee des Beaux-Arts, Valenciennes, France; Flemish, out of copyright

The mob roaming the streets of Paris carrying torches at night in July 1789 (colour
XIR171366 The mob roaming the streets of Paris carrying torches at night in July 1789 (colour litho) by Sergent-Marceau, Antoine Louis Francois (1751-1847); Musee de la Ville de Paris

Two times Amor connected by a ribbon with eachother, print maker: Boetius Adamsz. Bolswert, M. Reen, 1590 - 1633

Triumph of the Republic, 1875 (colour litho)
XIR169527 Triumph of the Republic, 1875 (colour litho) by French School, (19th century); Musee de la Ville de Paris, Musee Carnavalet, Paris

Vignette with cither, burning torch and music sheet. Willem Bilderdijk, 1766 - 1831

Journal with three vignettes including name Bilderdijk, print maker: Willem Bilderdijk, 1766 - 1831

Journal with five vignettes, Willem Bilderdijk, 1766 - 1785

Journal with three vignettes, print maker: Willem Bilderdijk, 1766 - 1785

Vignette featuring a burning torch, arrow, heart and ribbon with the inscription non erubecsendis adurit ignitus. Willem Bilderdijk, 1766 - 1831

Republique Francais, engraved by Jacques Louis Copia, 1797 / 98 (engraving)
XKH155057 Republique Francais, engraved by Jacques Louis Copia, 1797/98 (engraving) by Fragonard, Alexandre Evariste (1780-1850) (after); Hamburger Kunsthalle, Hamburg, Germany; French

Angel warns Joseph to flee to Egypt, Albert Poel, Adam Elsheimer, 1619 - 1629

Allegorical tomb Laurens Jansz. Coster, 1823, Pieter Bartholomeusz. Barbiers, 1823

Suicide of a woman in Xanten, Jan Luyken, Jan Claesz ten Hoorn, 1699

Fire, Caspar Luyken, 1691

Blood of Christ received in chalice, Hieronymus Wierix, 1563 - before 1619, print maker: Hieronymus Wierix, Piermans, 1563 - before 1619

Night, Crispijn van de Passe (I), 1574 - 1637

Exorcism of Carlos II of Spain (1665-1700) c. 1698 (engraving)
KW115062 Exorcism of Carlos II of Spain (1665-1700) c.1698 (engraving) by Spanish School, (19th century); Private Collection; Ken Welsh; Spanish, out of copyright

Three acrobats in action, Anonymous, Gerardus Josephus Xavery, Pieter Schenk (II), 1728

Allegory of marriage, Pieter van den Berge, 1694 - 1737

Samson puts the wheat fields of the Philistines in fire, Cornelis Massijs, 1562

Venus Arming Aeneas, 1639 (oil on canvas)
XIR214597 Venus Arming Aeneas, 1639 (oil on canvas) by Poussin, Nicolas (1594-1665); 105x142 cm; Musee des Beaux-Arts, Rouen, France; (add.info.: pointing in direction of Didos palace; ); French

Torchlight procession through a city, print maker: Jacob Folkema, 1702 - 1767

Morning (Aurora), Jacob Matham, Simon Sovius, 1601 - 1605

La Tripotieres Distress at her Broken Furniture, from Roman Comique by Paul Scarron
XIR181961 La Tripotieres Distress at her Broken Furniture, from Roman Comique by Paul Scarron (1610-60) 1712-16 (oil on canvas) by Coulom, Jean de (fl.1695-1735); Musee de Tesse, Le Mans

Anonymous. The Torch of Polia Extinguished in the Altar (leaf from Hypnerotomachia Poliphili), 1499. From Hypnerotomachia Poliphili. Woodcut on laid paper. Image: 105 mm x 130 mm (4.13 in. x 5.12 in.)

Christ in the Garden of Gethsemane (oil on canvas)
XKH152614 Christ in the Garden of Gethsemane (oil on canvas) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); 79.4x88.5 cm; Hamburger Kunsthalle, Hamburg, Germany; Italian, out of copyright

The Vintage Festival in Ancient Rome, 1871 (oil on canvas)
XKH141018 The Vintage Festival in Ancient Rome, 1871 (oil on canvas) by Alma-Tadema, Lawrence (1836-1912); 77x177 cm; Hamburger Kunsthalle, Hamburg, Germany; English, out of copyright

The Night Watch at Austerlitz, engraved by E. Giradel (engraving) (b / w photo)
XJF136366 The Night Watch at Austerlitz, engraved by E. Giradel (engraving) (b/w photo) by Raffet, Denis Auguste Marie (1804-60) (after); Private Collection; (add.info.: Battle of Austerlitz)

The Ballad Singer, Henry Robert Morland, 1730-1797, British

William and Margaret from Percys Reliques of Ancient English Poetry, Joseph Wright of Derby, 1734-1797, British

The Triumph of Mercy, from Collins Ode To Mercy, William Artaud, 1763-1823, British

Timeless Image
circa 1945: The Statue of Liberty or Liberty Enlightening the World on New Yorks Liberty Island. A long exposure shot has captured the movement of the stars across the night sky

STATUE OF LIBERTY, 1890. Photographed in 1890

STATUE OF LIBERTY, 1890. The head of the Statue of Liberty photographed from the torch, 1890

KENTUCKY: MAMMOTH CAVE. Visitors climbing through the Mammoth Dome in Mammoth Cave in Kentucky. Wood engraving, American, 1876

Diver and Blackfinned anemonefish or Maldives anemonefish (Amphiprion nigripes), Indian Ocean, Maldives

Diver and Fluted Giant Clam (Tridacna squamosa), Indian Ocean, Maldives

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"Shining the Torch of Freedom: A Global Symbol of Hope and Change" In the heart of Wonsan City, Democratic Peoples Republic of Korea (DPRK), North Korea, Asia, a propaganda poster captures the essence of unity and progress. The torch depicted in vibrant colors symbolizes enlightenment and serves as a beacon for all to follow. Reminiscent of the iconic Statue of Liberty, this torch represents not only freedom but also resilience. Just like Lady Liberty's flame that has guided countless immigrants towards their dreams, this torch stands tall amidst adversity. Across the world in Lewes, East Sussex, burning crosses illuminate the night sky during an annual bonfire night parade. These fiery symbols evoke both fear and celebration while reminding us that fire can be harnessed for good or evil purposes. The suffrage movement in America found its voice through powerful imagery. In Henry Mayer's 1915 cartoon "The Awakening, " a torch-wielding allegorical representation strides across western states where women already had voting rights. This image inspires women from east to west to reach out for equality. Traveling back in time to Louisiana in 1865, we witness steamboats navigating through bayous by torchlight. The flickering flames guide these vessels through treacherous waters while creating an enchanting spectacle against the dark backdrop. As construction commenced on the Statue of Liberty in Paris circa 1883, her majestic figure held high a radiant torch representing liberty and opportunity for all who sought refuge on American shores. This enduring symbol continues to inspire generations with its message of hope and acceptance. Even George Studdy's lovable canine character laments feeling unloved under his dimly lit surroundings – perhaps longing for a guiding light akin to our metaphorical torches that lead us towards love and companionship. Standing proudly against Manhattan's skyline is Lady Liberty herself on her pedestal at Liberty Island. Her raised arm holds aloft a flaming torch, a testament to the unwavering spirit of freedom that defines America.