Skip to main content

Touches Collection (#8)

"Capturing the Essence: A Glimpse into the World of Touches" Wedding cake adorned with delicate touches, a sweet symbol of love and celebration

Background imageTouches Collection: Rembrandt van Rijn (Dutch, 1606 - 1669), Medea, or the Marriage of Jason and Creusa

Rembrandt van Rijn (Dutch, 1606 - 1669), Medea, or the Marriage of Jason and Creusa, 1648, etching, with touches of drypoint, on European (white) paper

Background imageTouches Collection: Style of Adriaen van Ostade, Brawl in an Inn, c. 1635, pen and brown ink with brown wash

Style of Adriaen van Ostade, Brawl in an Inn, c. 1635, pen and brown ink with brown wash and touches of black chalk on laid paper

Background imageTouches Collection: Flemish 17th Century, Man Falling from the Sky, pen and brown ink with blue wash

Flemish 17th Century, Man Falling from the Sky, pen and brown ink with blue wash and touches of black ink, incised for transfer, on laid paper

Background imageTouches Collection: Themistocles von Eckenbrecher (German, 1842 - 1921), Observatory, 1890, pen and black ink

Themistocles von Eckenbrecher (German, 1842 - 1921), Observatory, 1890, pen and black ink and watercolor over touches of black chalk and graphite heightened with white

Background imageTouches Collection: Charles Meryon (French, 1821 - 1868), College Henri IV, 1863, graphite with touches

Charles Meryon (French, 1821 - 1868), College Henri IV, 1863, graphite with touches of red chalk on laid paper

Background imageTouches Collection: Franz Innocenz Josef Kobell (German, 1749 - 1822), Seacoast with a Great Tree, pen

Franz Innocenz Josef Kobell (German, 1749 - 1822), Seacoast with a Great Tree, pen and brown ink and touches of gray ink with gray washes on laid paper

Background imageTouches Collection: Charles Eisen (French, 1720 - 1778), The Holy Family in the Carpenters Shop, c

Charles Eisen (French, 1720 - 1778), The Holy Family in the Carpenters Shop, c. 1755, pen and gray ink with gray wash, watercolor, white gouache, and touches of brown ink on laid paper

Background imageTouches Collection: Sir Peter Lely (British, 1618 - 1680), Self-Portrait, c

Sir Peter Lely (British, 1618 - 1680), Self-Portrait, c. 1641, black chalk with touches of red chalk on buff laid paper

Background imageTouches Collection: Samuel Palmer (British, 1805 - 1881), Harvesting, c

Samuel Palmer (British, 1805 - 1881), Harvesting, c. 1851, watercolor and gouache over graphite with scratching-out and touches of gum arabic on paperboard

Background imageTouches Collection: Jean-Honora Fragonard, Rinaldo, Astride Baiardo, Flies Off in Pursuit of Angelica

Jean-Honora Fragonard, Rinaldo, Astride Baiardo, Flies Off in Pursuit of Angelica
Jean-Honora© Fragonard, Rinaldo, Astride Baiardo, Flies Off in Pursuit of Angelica, French, 1732 - 1806, c. 1795, black chalk with brown wash and touches of pen andbrown ink on laid paper

Background imageTouches Collection: German 15th Century (Augsburg), Christ on the Cross with the Virgin and Saint John

German 15th Century (Augsburg), Christ on the Cross with the Virgin and Saint John, 1491, color woodcut, printed in black, red, blue, brown, olive, and yellow on vellum, and hand-colored in blue

Background imageTouches Collection: Dutch 17th Century, Drapery Study, c. 1631, red chalk, with touches of black chalk

Dutch 17th Century, Drapery Study, c. 1631, red chalk, with touches of black chalk
Dutch 17th Century, Drapery Study (verso), c. 1631, red chalk, with touches of black chalk, on laid paper

Background imageTouches Collection: Max Liebermann (German, 1847 - 1935), East Frisian Peasants Eating Supper, 1893, charcoal

Max Liebermann (German, 1847 - 1935), East Frisian Peasants Eating Supper, 1893, charcoal
Max Liebermann, German (1847-1935), East Frisian Peasants Eating Supper, 1893, charcoal and black chalk heightened with white on light green wove paper

Background imageTouches Collection: Simeon Solomon, King Solomon, British, 1840 - 1905, 1872 or 1874, egg tempera (?)

Simeon Solomon, King Solomon, British, 1840 - 1905, 1872 or 1874, egg tempera (?) with touches of varnish on paper mounted to board

Background imageTouches Collection: Carmontelle, Madame La Duchesse de Mortemart, French, 1717 - 1806, watercolor with

Carmontelle, Madame La Duchesse de Mortemart, French, 1717 - 1806, watercolor with gray wash and touches of gouache over red and black chalks on wove paper

Background imageTouches Collection: Gabriel Jacques de Saint-Aubin, Allegorical Frame with a Bat, French, 1724 - 1780, c

Gabriel Jacques de Saint-Aubin, Allegorical Frame with a Bat, French, 1724 - 1780, c. 1769, pen and dark brown ink over graphite, red chalk

Background imageTouches Collection: Carle Van Loo, Gentleman Lounging in a Chair, French, 1705 - 1765, red chalk with

Carle Van Loo, Gentleman Lounging in a Chair, French, 1705 - 1765, red chalk with touches of black chalk

Background imageTouches Collection: Emanuel Gottlieb Leutze, Eastman Johnson Sketching, American, 1816 - 1868, c. 1849-1851

Emanuel Gottlieb Leutze, Eastman Johnson Sketching, American, 1816 - 1868, c. 1849-1851, graphite and touches of black chalk on wove paper

Background imageTouches Collection: Robert Walter Weir, Study for The Bailey Family, American, 1803 - 1889

Robert Walter Weir, Study for The Bailey Family, American, 1803 - 1889
Robert Walter Weir, Study for " The Bailey Family", American, 1803 - 1889, watercolor over graphite with touches of pen and black ink

Background imageTouches Collection: Frontispiece to Reflections on the French revolution, engraving 1790, Edmund Burke

Frontispiece to Reflections on the French revolution, engraving 1790, Edmund Burke on bended knee as though proposing to a vision which appears before him of Marie Antoinette

Background imageTouches Collection: Healing of the man at the pool of Bethesda, Jacques de Bie, Adriaen Collaert, 1598 - 1618

Healing of the man at the pool of Bethesda, Jacques de Bie, Adriaen Collaert, 1598 - 1618

Background imageTouches Collection: Batt Mercury turns into stone, Herman van Swanevelt, 1629 - 1641

Batt Mercury turns into stone, Herman van Swanevelt, 1629 - 1641

Background imageTouches Collection: Man and child at the dinner table, Jan Chalon, 1790

Man and child at the dinner table, Jan Chalon, 1790

Background imageTouches Collection: Healing of a woman suffering from hemorrhages, attributed to Dirck Volckertsz Coornhert

Healing of a woman suffering from hemorrhages, attributed to Dirck Volckertsz Coornhert, 1548

Background imageTouches Collection: Woman and three men, Claes Jansz. Visscher (II), 1608 - 1610

Woman and three men, Claes Jansz. Visscher (II), 1608 - 1610

Background imageTouches Collection: Pastoral Journey

Pastoral Journey; Giovanni Benedetto Castiglione, Italian, 1609 - 1664; about 1650; Brush and brown oil paint and touches of white, blue and rose gouache; 28.1 x 41.3 cm (11 1/16 x 16 1/4 in.)

Background imageTouches Collection: Le chat or The Cat at the Window

Le chat or The Cat at the Window
" Le chat" or The Cat at the Window; Jean-Francois Millet, French, 1814 - 1875; about 1857 - 1858; Charcoal, black and white chalk with touches of pastel; 49.8 x 39.4 cm

Background imageTouches Collection: Episode from The Corsair by Lord Byron

Episode from The Corsair by Lord Byron
Episode from " The Corsair" by Lord Byron; Eugene Delacroix, French, 1798 - 1863; about 1831; Watercolor, brown ink, touches of gouache

Background imageTouches Collection: Taddeo Copying Raphaels Frescoes in the Loggia of the Villa Far

Taddeo Copying Raphaels Frescoes in the Loggia of the Villa Farnesina, Where He is Also Represented Asleep; Federico Zuccaro, Italian, about 1541 - 1609; about 1595; Pen and brown ink

Background imageTouches Collection: Taddeo Leaving Home Escorted by Two Guardian Angels

Taddeo Leaving Home Escorted by Two Guardian Angels; Federico Zuccaro, Italian, about 1541 - 1609; about 1595; Pen and brown ink, brush with brown wash

Background imageTouches Collection: Taddeo Drawing after the Antique, In the Background Copying a F

Taddeo Drawing after the Antique, In the Background Copying a Facade by Polidoro; Federico Zuccaro, Italian, about 1541 - 1609; about 1595; Pen and brown ink, brush with brown wash

Background imageTouches Collection: Allegories of Study and Intelligence Flanking the Zuccaro Emblem

Allegories of Study and Intelligence Flanking the Zuccaro Emblem; Federico Zuccaro, Italian, about 1541 - 1609; about 1595; Pen and brown ink, brush with brown wash

Background imageTouches Collection: Taddeo Decorating the Facade of the Palazzo Mattei

Taddeo Decorating the Facade of the Palazzo Mattei; Federico Zuccaro, Italian, about 1541 - 1609; about 1595; Pen and brown ink, brush with brown wash

Background imageTouches Collection: Taddeo in the Belvedere Court in the Vatican Drawing the Laocoö

Taddeo in the Belvedere Court in the Vatican Drawing the Laocoö
Taddeo in the Belvedere Court in the Vatican Drawing the Laocoon; Federico Zuccaro, Italian, about 1541 - 1609; about 1595; Pen and brown ink, brush with brown wash

Background imageTouches Collection: Taddeo Returns to Rome Escorted by Drawing and Spirit toward the

Taddeo Returns to Rome Escorted by Drawing and Spirit toward the Three Graces; Federico Zuccaro, Italian, about 1541 - 1609; about 1595; Pen and brown ink, brush with brown wash

Background imageTouches Collection: Taddeo in the Sistine Chapel Drawing Michelangelos Last Judgmen

Taddeo in the Sistine Chapel Drawing Michelangelos Last Judgment; Federico Zuccaro, Italian, about 1541 - 1609; about 1595; Pen and brown ink, brush with brown wash

Background imageTouches Collection: Taddeo Returning Home with the Sack of Stones and in Bed Recover

Taddeo Returning Home with the Sack of Stones and in Bed Recovering from His Fever; Federico Zuccaro, Italian, about 1541 - 1609; about 1595; Pen and brown ink, brush with brown wash

Background imageTouches Collection: The Ruins of the Imperial Palaces in Rome

The Ruins of the Imperial Palaces in Rome; Carl Rottmann, German, 1797 - 1850; Germany, Europe; about 1831; Graphite and watercolor with touches of white gouache; 23.5 x 29.2 cm (9 1/4 x 11 1/2 in.)

Background imageTouches Collection: Landscape with Abraham and the Three Angels in the Valley of Mam

Landscape with Abraham and the Three Angels in the Valley of Mambre; Joseph Anton Koch, Austrian, 1768 - 1839; Italy, Europe; 1797; Brown ink and brown wash with touches of white

Background imageTouches Collection: Picture No. 10855143

Picture No. 10855143
Great White Shark - man touches nose (Carcharodon carcharias) Date:

Background imageTouches Collection: The second Convair F-106A Delta Dart 56-452 touches down

The second Convair F-106A Delta Dart 56-452 touches down
The second Convair F-106A Delta Dart, 56-452, touches down at Edwards Air Force Base

Background imageTouches Collection: The first Convair F-106A Delta Dart 56-451 touches down

The first Convair F-106A Delta Dart 56-451 touches down
The first Convair F-106A Delta Dart, 56-451, touches down at Edwards Air Force Base

Background imageTouches Collection: Frontispiece To Reflections On The French Revolution

Frontispiece To Reflections On The French Revolution, Engraving 1790, Edmund Burke On Bended Knee As Though Proposing To A Vision Which Appears Before Him Of Marie Antoinette

Background imageTouches Collection: Touching spines of a pad Cactus, planted in a terracotta pot

Touching spines of a pad Cactus, planted in a terracotta pot

Background imageTouches Collection: Throne of Tutankhamun. ca. 1340 BC. Back of the

Throne of Tutankhamun. ca. 1340 BC. Back of the throne depicting Queen Ankhesenamun putting the finishing touches to the kings toilet. Tutankhamuns Treasure

Background imageTouches Collection: Finishing touches to horses. Pedigree horses

Finishing touches to horses. Pedigree horses

Background imageTouches Collection: School drawing, Goya

School drawing, Goya
GOYA Y LUCIENTES, Francisco de (1746-1828). School drawing. Charcoal drawing with clarion touches on grey laid paper. Drawing

Background imageTouches Collection: RIBERA, JOS (1588-1652). ISaC

RIBERA, JOS (1588-1652). ISaC
RIBERA, Jos (1588-1652). Isaac Blessing Jacob. Isaac on the bed, blind, touches Jacobs arm, which is covered with a kid skin in




For sale as Licensed Images

Choose your image, Select your licence and Download the media

"Capturing the Essence: A Glimpse into the World of Touches" Wedding cake adorned with delicate touches, a sweet symbol of love and celebration. Kodak Cameras in the 1930s - Preserving memories through gentle touches, frozen in time. The Pioneer Woman Sculpture, an embodiment of strength and resilience, crafted with meticulous touches. Antwerp Exhibition 1930 - An artistic extravaganza where every brushstroke conveyed emotions through subtle touches. Junction Picture - A masterpiece that tells a thousand stories through intricate details and careful touches. C17 Cooper/Woodcut/41 - The artistry of woodcuts revealed in each stroke, creating tactile beauty for all to admire. Curry & Rice / Officer Rides - Exploring cultural diversity through culinary delights and adventurous escapades; a fusion of tastes and experiences that touch our souls. Rowley Hall Chinese Bedroom - Exquisite craftsmanship displayed in ornate furniture and delicate silk fabrics; a room that whispers tales from distant lands with its elegant touches. Great Western Railway locomotive at Swindon Works – Engineering marvels brought to life by skilled hands, touching hearts as they traverse landscapes with power and grace. Vinolia Advertisement – Captivating audiences with fragrant soaps that caress the skin like gentle kisses; a touch of luxury for everyday indulgence. Albert Einstein c. 1932 (b/w photo) – A profound genius whose intellectual prowess touched humanity's understanding of the universe itself; his enigmatic gaze reveals depths only few can fathom. A desperate character: A woman detective pupil at Baker Street School for Ladies – Uncovering mysteries one clue at a time, her keen intuition guided by Sherlock Holmes' teachings leaves no stone unturned.