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Toyoharu Collection

Toyoharu, a renowned artist from the late 18th century, left behind a rich legacy of captivating artworks

Background imageToyoharu Collection: People entering a large temple. Outside are trading stalls. Print of a painting in a frame with

People entering a large temple. Outside are trading stalls. Print of a painting in a frame with feet, c1770
528407 People entering a large temple. Outside are trading stalls. Print of a painting in a frame with feet, c1770. Utagawa Toyoharu (1735-1814) Japanese Ukiyo-e artist

Background imageToyoharu Collection: Crane and Their Young in Their Nest in the Branches of a Pine-tree, ca. 1790

Crane and Their Young in Their Nest in the Branches of a Pine-tree, ca. 1790

Background imageToyoharu Collection: Perspective Print: Shinobazu Pond. Creator: Utagawa Toyoharu

Perspective Print: Shinobazu Pond. Creator: Utagawa Toyoharu
Perspective Print: Shinobazu Pond

Background imageToyoharu Collection: Sakaicho Fukiyacho Kaomise Yoshibai no Zu, ca. 1780. Creator: Utagawa Toyoharu

Sakaicho Fukiyacho Kaomise Yoshibai no Zu, ca. 1780. Creator: Utagawa Toyoharu
Sakaicho Fukiyacho Kaomise Yoshibai no Zu, ca. 1780

Background imageToyoharu Collection: Cock, Hen, and Chicks, ca. 1770. Creator: Utagawa Toyoharu

Cock, Hen, and Chicks, ca. 1770. Creator: Utagawa Toyoharu
Cock, Hen, and Chicks, ca. 1770

Background imageToyoharu Collection: Edo Hakkei no Zu, ca. 1780. Creator: Utagawa Toyoharu

Edo Hakkei no Zu, ca. 1780. Creator: Utagawa Toyoharu
Edo Hakkei no Zu, ca. 1780

Background imageToyoharu Collection: Courtesan as Daruma, ca. 1800; inscription ca. 1810. Creator: Utagawa Toyoharu

Courtesan as Daruma, ca. 1800; inscription ca. 1810. Creator: Utagawa Toyoharu
Courtesan as Daruma, ca. 1800; inscription ca. 1810. Bodhidharma, the legendary founder of Chan (Zen) Buddhism, is often depicted with a similar red cloak. Edo period (1615-1868)

Background imageToyoharu Collection: Ukie wakoku no keiseki shin-yoshiwara nakanochAc no zu, Perspective picture of famous

Ukie wakoku no keiseki shin-yoshiwara nakanochAc no zu, Perspective picture of famous places of Japan: Nakanocho in Shin-Yoshiwara

Background imageToyoharu Collection: Ukie jA'nidan kangen no zu, Perspective picture of the twelve movements of a musical

Ukie jA'nidan kangen no zu, Perspective picture of the twelve movements of a musical performance. Utagawa, Toyoharu, 1735-1814, artist, [between 1772 and 1774], 1 print : woodcut

Background imageToyoharu Collection: Ukie naniwa tenmatenjin yomatsuri no zu, Perspective picture of the night festival

Ukie naniwa tenmatenjin yomatsuri no zu, Perspective picture of the night festival at Tenman Tenjin shrine in Osaka. Utagawa, Toyoharu, 1735-1814, artist, [between 1764 and 1772], 1 print : woodcut

Background imageToyoharu Collection: Kennyuhsan no zu ni, Utagawa, Toyoharu, 1735-1814, artist, [between 1764 and 1772]

Kennyuhsan no zu ni, Utagawa, Toyoharu, 1735-1814, artist, [between 1764 and 1772], 1 print : woodcut, color; 25.8 x 39 cm

Background imageToyoharu Collection: Ukie yukimi shuen no zu, Perspective picture of a drinking party viewing the snow

Ukie yukimi shuen no zu, Perspective picture of a drinking party viewing the snow. Utagawa, Toyoharu, 1735-1814, artist, [between 1772 and 1774], 1 print : woodcut, color; 24.1 x 37.3 cm

Background imageToyoharu Collection: Takasago, Utagawa, Toyoharu, 1735-1814, artist, [between 1770 and 1781], 1 print

Takasago, Utagawa, Toyoharu, 1735-1814, artist, [between 1770 and 1781], 1 print : woodcut, color; 25.6 x 19.3 cm. Print shows two travelers standing beneath a pine tree at the seashore at sunset

Background imageToyoharu Collection: Ukie fukagawa eitai suzumi no zu, Perspective view of enjoying the evening cool in

Ukie fukagawa eitai suzumi no zu, Perspective view of enjoying the evening cool in Fukagawa. Utagawa, Toyoharu, 1735-1814, artist, [between 1770 and 1772], 1 print : woodcut, color; 24.4 x 37.5 cm

Background imageToyoharu Collection: KyActo sanjA'sangendAc no zu, View of SanjA'sangendAc in KyActo. Utagawa, Toyoharu, 1735-1814

KyActo sanjA'sangendAc no zu, View of SanjA'sangendAc in KyActo. Utagawa, Toyoharu, 1735-1814, artist, [between 1764 and 1772], 1 print : woodcut, color; 24.4 x 36.5 cm

Background imageToyoharu Collection: Ukie sakaichAc fukiyachAc kaomise yorushibai no zu, Perspective picture of a night

Ukie sakaichAc fukiyachAc kaomise yorushibai no zu, Perspective picture of a night show of the opening-of-the-season performance at FukiyachAc and SakaichAc

Background imageToyoharu Collection: KyActo sanjA'sangendAc no zu, View of SanjA'sangendAc in KyActo. Utagawa, Toyoharu, 1735-1814

KyActo sanjA'sangendAc no zu, View of SanjA'sangendAc in KyActo. Utagawa, Toyoharu, 1735-1814, artist, [between 1764 and 1772], 1 print : woodcut, color; 23.8 x 38.2 cm

Background imageToyoharu Collection: People entering a large temple. Outside are trading stalls. Print of a painting in

People entering a large temple. Outside are trading stalls. Print of a painting in a frame with feet, c1770. Utagawa Toyoharu (1735-1814) Japanese Ukiyo-e artist. Crowd Religion Worship

Background imageToyoharu Collection: Perspective views of famous place of Japan: Nakanocho in Shin-Yoshiwaro, c1775. Utagawa Toyoharu

Perspective views of famous place of Japan: Nakanocho in Shin-Yoshiwaro, c1775. Utagawa Toyoharu (1735-1814) Japanese Ukiyo-e artist

Background imageToyoharu Collection: A view of Shiba Shinmei Shrine: c1775-1781. Utagawa Toyoharu (1735-1814) Japanese Ukiyo-e artist

A view of Shiba Shinmei Shrine: c1775-1781. Utagawa Toyoharu (1735-1814) Japanese Ukiyo-e artist. Scene of people entering the shrine



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Toyoharu, a renowned artist from the late 18th century, left behind a rich legacy of captivating artworks. His masterpieces transport us to different worlds and eras, showcasing his exceptional talent and creativity. In "Crane and Their Young in Their Nest in the Branches of a Pine-tree, " Toyoharu captures the delicate beauty of nature with intricate details. The majestic cranes nestled among the pine branches symbolize grace and tranquility. Another notable piece by Toyoharu is "Perspective Print: Shinobazu Pond. " This artwork takes us on a visual journey through this serene pond, where we can almost feel the gentle ripples on its surface. It showcases Toyoharu's mastery of perspective, drawing us into an immersive experience. "Cock, Hen, and Chicks" portrays everyday life scenes with warmth and charm. Through this artwork, Toyoharu brings to life the lively interactions between these barnyard animals while highlighting their endearing qualities. One cannot overlook "Courtesan as Daruma, " which showcases Toyoharu's versatility as an artist. This piece combines elements of traditional Japanese culture with imaginative flair. The courtesan transformed into Daruma represents strength amidst adversity. Through his various works like "Ukie wakoku no keiseki shin-yoshiwara nakanochAc no zu" or "Ukie jA'nidan kangen no zu, " Toyoharu demonstrates his ability to capture dynamic moments in time. These perspective pictures offer glimpses into vibrant festivals or musical performances that were popular during his era. Lastly, "Ukie yukimi shuen no zu" invites us to join a joyous drinking party set against a snowy backdrop. With meticulous attention to detail and skillful use of light and shadow, Toyoharu creates an atmosphere that evokes both warmth and excitement. Toyoharu's artistry continues to captivate audiences even centuries later.