Tribune Collection (#8)

View of the apse and the bell tower of the Cathedral of Barletta. Barletta Church Romanesque, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1920 -1930 ca

Rear view of the Church of San Domenico, Orvieto, next to palaces Orvieto. Date of Photograph:1920-1930 ca

View of the apsidal part of the Church of St. Claudio in Chienti, in the environs of Macerata. Macerata environs Church Romanesque, Middle Ages, Europe, First and Second Millennium A.D

Drawing depicting the section of the Basilica of San Salvatore in Spoleto, designed by Giovanni Montiroli. Pinacoteca Comunale

The three small apses of the Church of Sant'Emiliano, in Trevi Trevi Apse Romanesque, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1890 ca.. Date of Artwork:XII sec

The side of the Church of San Felice di Narco, in Castel San Felice Perugia Castel San Felice Church Romanesque, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1890 ca

The apse of the Church of Santa Maria, in Azzano Perugia Azzano Apse Romanesque, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1890 ca.. Date of Artwork:XII sec

Interior view of the Church of Santa Maria Maggiore, Tuscania Tuscania Nave Nave Romanesque, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1890 ca

View of the central nave of the Church of the Holy Spirit, Ravenna. Ravenna Church of Spirito Santo Nave Early Christian Art, Europe, First and Second Millennium A.D

Lateral and rear view of the Church of S. Maria in Porto Fuori, Ravenna Three people are on the road. Environs of Ravenna

Interior of the Church of S. Francesco, Ascoli Piceno. Ascoli Piceno Nave Gothic, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1915-1920 ca

Exterior of the left apse of the Cathedral of St. Circiaco, Ancona, lined with pilasters and adorned with two rows of small slender arches

The apse, dome and bell tower of the Basilica of San Gaudenzio in Novara, Piedmont. Novara Dome, Cupola Eclecticism, Nineteenth century, 19th century, Europe, First and Second Millennium A.D

The town of Fontainemore, Val d'Aosta, crossed by the River Lys. To the left of the bridge, the apse and bell tower of the Church of Sant'Antonio are visible. Fontainemore

View of the apse of the Church of S. Maria Antiqua, realized from one of the vestibule rooms of the Imperial Palaces on the Palatine Hill; at the centre, the schola cantorum basement

Interior view of the naves in the Romanesque Staffarda Abbey. Revello Abbey Romanesque, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1915-1920

Exterior view of the apsidal of the Romanesque Staffarda Abbey. Revello Abbey Romanesque, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1915-1920

View of the church and cloister of Madonna del Monte in Cesena. Cesena Church, Convent. Date of Photograph:1915-1920 ca.. Date of Artwork:XII, XV-XVI, XVIII sec

The apse of Santa Maria Maggiore Church, in Bergamo Bergamo Church Gothic, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1915-1920 ca.. Date of Artwork:1157-1521

Lower view of the Church of San Fedele in Como: the apse and the drum. Como Church Romanesque, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1915 - 1920 ca

View of the interior of the Cathedral of Santa Maria Maggiore in Como. Como Cathedral of Santa Maria Maggiore Nave Late Gothic, Gothic, Middle Ages, Europe, First and Second Millennium A.D

Central aisle of the Cathedral of Monza, Brianza Monza Cathedral Nave. Date of Photograph:1915-1920 ca.. Date of Artwork:XIII-XIV, XVI secc

View of the lower part and the bell tower of the Cathedral of Torcello (S)
View of the lower part and the bell tower of the Cathedral of Torcello (S. Maria Assunta) in the Venice lagoon with a meadow in the foreground

Lateral view of the bell tower of the Church of St. Maria and Donato on the island of Murano in the Venice lagoon. In the foreground, a gondola is visible. In the background are some houses

View of the apsidal and bell tower of the Church of S. Niccol at Treviso. Treviso Church Gothic, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1900 ca

Inside of the Parish Church of S. Pietro in Gropina. Loro Ciuffenna Gropina, Parish Church of S. Pietro Nave Romanesque, Middle Ages, Europe, First and Second Millennium A.D

View of the apsidal area and the bell tower of the Parish Church of S. Pietro at Gropina. Loro Ciuffenna Gropina Church Early Middle Ages, Europe, First and Second Millennium A.D

The apse and the bell tower of the Cathedral of Susa in Piemonte. Susa Church Gothic, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1915-1920 ca

Church of Sant'Anselmo, Rome, designed by Hildebrand de Hemptinne and Francesco Vespignani between 1893 and 1900 Rome Church Revival styles, Nineteenth century, 19th century, Europe

Reneissance interior of the S. Sisto church in Piazenza. Piacenza Nave High Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D

View of the Rostri, o tribune of the orators, and the three columns of the Temple of Vespasian in the Roman Forum. In the background, the Tabularium, Rome

Santi Quattro Coronati Church, Rome Rome Church Romanesque, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1890 ca.. Date of Artwork:XII-XIII sec. ca

View of the apse and two bell towers of the Church of Sant'Abbondio in Como. Como Church Early Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1915 - 1920 ca

View of the main aisle in the Church of SS. Maria and Donato on the island of Murano in the Venice lagoon. Venice Murano, Church of SS

View of the apsidal and the bell tower of the Church of SS. Maria and Donato on the island of Murano in the Venice lagoon. In the foreground, a square with buildings

Interior of the Cathedral in the city of Castello. Citta di Castello Cathedral Nave High Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D

View of the apsidal and the bell tower of the Church of S. Maria degli Angeli near Assisi. Assisi Assisi, environs Church Late Renaissance, Renaissance, Renaissance-Baroque styles and periods

The apse of the basilica of Saints John and Paul in Rome Rome Church Romanesque, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1959 ca.. Date of Artwork:398, 1952

Apse section and bell tower of the Sanctuary of the Madonna of Tirano in Tirano Tirano Sanctuary of the Madonna of Tirano Sanctuary High Renaissance, Renaissance

The central nave of the Abbey of Pontida, province of Bergamo. Pontida Abbey, nave Nave Gothic, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1957

View of the apse of the Cathedral of Cremona. Cremona Apse Romanesque, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1957. Date of Artwork:XII-XIII secc

Interior of S. Luigi in Castiglione delle Stiviere, Mantua Castiglione delle Stiviere Church of S. Luigi Church Baroque, Renaissance-Baroque styles and periods, Europe

View of the Sanctuary of the Madonna of Miracles in Rho, Milan. Work from a drawing by Pellegrino Tibaldi, the dome is from the 1600's Sanctuary Mannerism, Renaissance-Baroque styles and periods

The apses of the Church of the Redentore in Venice Venice Church High Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D

The external structure of the Chapel of the Principi, realized by design of Matteo Nigetti. The work belongs to the complete Basilica of San Lorenzo, in Florence

Interior of the church of Santa Caterina in Palermo Palermo Church of Santa Caterina, interior Nave Baroque, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D

Interior of the cathedral of Messina Messina Nave Gothic, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1962. Date of Artwork:XII -XX secc

Apse view of the Church of S.Maria del Tiglio in Gravedona, on Lake Como Gravedona Church Romanesque, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1955

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"The Tribune: A Symbol of Power, Politics, and Journalism" The term "tribune" has a rich historical significance that spans across different realms. In ancient Rome, the Gracchi brothers, Tiberius and Caius Gracchus, were prominent tribunes who fought for land reforms and social justice. Their legacy as champions of the people continues to inspire generations. Fast forward to modern times, we find a statue of Moose near the Tribune Building in Chicago. This iconic landmark represents strength and resilience - qualities often associated with the role of a tribune. In the world of journalism, Suzy Menkes stands out as an influential figure. As editor of Cambridge Varsity magazine, she embodies the spirit of a modern-day tribune by fearlessly voicing her opinions on fashion and culture. However, history also reminds us that being a they are come at great personal cost. The murder of Cicero serves as a chilling reminder that those who challenge established powers may face dire consequences. Illustrated in various forms such as engravings and lithographs from centuries ago or digitally enhanced images today, these depictions capture both the brutality and courage involved in standing up for what one believes in. Beyond politics and journalism lies another aspect where "tribune" finds its place - architecture. The Old Basilica depicted in engravings showcases grandeur reminiscent of an era when religious structures held immense power over society. Moving away from ancient Rome or architectural wonders brings us to bustling cities like London or Paris where newsstands dot street corners. These vibrant hubs serve as modern-day forums where information is exchanged freely - echoing the essence of what it means to be a tribune. Finally, even within courtrooms presided over by judges adorned with powdered wigs dating back centuries ago or criminal courts captured through pen ink drawings; we witness how individuals entrusted with judicial authority act as arbiters between conflicting interests - embodying their own version of a tribune.