Tripe Linnaeus Collection (#2)

The Elephant Rock, January-February 1858. Creator: Captain Linnaeus Tripe
The Elephant Rock, January-February 1858

The Jewels of the Pagoda, January 1858. Creator: Captain Linnaeus Tripe
The Jewels of the Pagoda, January 1858

The Tamukkam or Tamkam, January-March 1858. Creator: Captain Linnaeus Tripe
The Tamukkam or Tamkam, January-March 1858

The Inner Facade of the Gateway of the East Gopuram, January-March 1858

The Raya Gopuram from W, January-March 1858. Creator: Captain Linnaeus Tripe
The Raya Gopuram from W, January-March 1858

Amerapoora, Barracks of the Burmese Guard, 1 September-21 October 1855

Pugahm Myo: Distant View of Gauda-palen Pagoda, August 20-24, 1855

The Neerali Mundapam, January-March 1858. Creator: Captain Linnaeus Tripe
The Neerali Mundapam, January-March 1858

Outer Prakarum on the North Side of the Temple of the God Sundareshwara, January-March 1858

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"Exploring the Captivating World of Tripe Linnaeus: A Visual Journey through Time" Step into the enchanting realm captured by Captain Linnaeus Tripe, a renowned photographer who documented his travels in the 19th century. His lens transported viewers to distant lands and showcased their architectural wonders, cultural heritage, and spiritual sanctuaries. In "Prome General View, " taken on August 7, 1855, we witness a panoramic vista that reveals the timeless beauty of an ancient city. The image invites us to contemplate its historical significance and marvel at its enduring charm. Moving on to "Ye-nan-gyoung, " photographed between August 14-16, 1855, we are greeted with a mesmerizing sight—a pagoda surrounded by lush greenery. This serene scene transports us to a tranquil oasis where spirituality intertwines with nature's splendor. "Amerapoora" beckons us further into Captain Linnaeus Tripe's world as we glimpse the ornate architecture of Maha-oung-meeay-liy-mhan Kyoung's balcony. Its intricate details speak volumes about the craftsmanship and devotion poured into its creation. Continuing our journey through Amerapoora, we encounter Mygabhoodee-tee Kyoung's corner—an exquisite blend of grandeur and tranquility captured between September 1-October 21, 1855. This photograph offers a glimpse into the hidden corners of this majestic palace complex. Venturing beyond Myanmar (formerly Burma), Captain Tripe takes us to Madura—the land of captivating jewels within The Great Pagoda Jewels—photographed during January-February 1858. Here lies an awe-inspiring testament to human artistry that has stood for centuries. Returning once more to Amerapoora, we find ourselves standing before the Palace of the White Elephant—a symbol of power and opulence frozen in time from September 1-October 21, 1855.