Tudor Architecture Collection (#2)

The front door into the hall, Belhus, Essex, from England's Lost Houses by Giles Worsley (1961-2006)
CLF311717 The front door into the hall, Belhus, Essex, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo) by English Photographer

The Great Hall at Beaudesert, Staffordshire, from England's Lost Houses by Giles Worsley (1961-2006)
CLF311712 The Great Hall at Beaudesert, Staffordshire, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo) by English Photographer

View of the parlour, Beckley Park, Oxfordshire, from The English Manor House (b/w photo)
CLF309157 View of the parlour, Beckley Park, Oxfordshire, from The English Manor House (b/w photo) by English Photographer

The Great Hall looking east, Rufford Old Hall, Lancashire, from The English Manor House (b/w photo)
CLF294569 The Great Hall looking east, Rufford Old Hall, Lancashire, from The English Manor House (b/w photo) by English Photographer

The hall, Little Sodbury Manor, Gloucestershire, from Country Houses of the Cotswolds (b/w photo)
CLF320702 The hall, Little Sodbury Manor, Gloucestershire, from Country Houses of the Cotswolds (b/w photo) by English Photographer

Interior at Hornby Castle, Yorkshire, from England's Lost Houses by Giles Worsley (1961-2006)
CLF311784 Interior at Hornby Castle, Yorkshire, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo) by English Photographer

The chimneypiece in the Great Hall, Rufford Old Hall, Lancashire, from The English Manor House (b/w photo)
CLF294568 The chimneypiece in the Great Hall, Rufford Old Hall, Lancashire, from The English Manor House (b/w photo) by English Photographer

Owlpen Manor, from 100 Favourite Houses (b/w photo)
CLF310422 Owlpen Manor, from 100 Favourite Houses (b/w photo) by English Photographer, (20th century); (add.info.: built between 1464-1616 for the Daunt family; the segmented steps)

Beaupre Hall, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo)
CLF311716 Beaupre Hall, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo) by English Photographer

Down Ampney House, from Country Houses of the Cotswolds (b/w photo)
CLF320714 Down Ampney House, from Country Houses of the Cotswolds (b/w photo) by English Photographer, (20th century); (add.info)

Lypiatt Park, Bisley, from Country Houses of the Cotswolds (b/w photo)
CLF320687 Lypiatt Park, Bisley, from Country Houses of the Cotswolds (b/w photo) by English Photographer, (20th century); (add.info)

Prinknash Park, from Country Houses of the Cotswolds (b/w photo)
CLF320677 Prinknash Park, from Country Houses of the Cotswolds (b/w photo) by English Photographer, (20th century); (add.info)

Newark Park, from Country Houses of the Cotswolds (b/w photo)
CLF320638 Newark Park, from Country Houses of the Cotswolds (b/w photo) by English Photographer, (20th century); (add.info)

Snowshill Manor garden, from Country Houses of the Cotswolds (b/w photo)
CLF320631 Snowshill Manor garden, from Country Houses of the Cotswolds (b/w photo) by English Photographer, (20th century); (add.info)

The loggia at at Horton Court, from Country Houses of the Cotswolds (b/w photo)
CLF320736 The loggia at at Horton Court, from Country Houses of the Cotswolds (b/w photo) by English Photographer, (20th century); (add.info)

Kelmscott Manor, the approach from the east, from Country Houses of the Cotswolds (b/w photo)
CLF320711 Kelmscott Manor, the approach from the east, from Country Houses of the Cotswolds (b/w photo) by English Photographer

Little Sodbury Manor, the main front entrance facing west over the Severn Vale
CLF320708 Little Sodbury Manor, the main front entrance facing west over the Severn Vale, from Country Houses of the Cotswolds (b/w photo) by English Photographer

Iron Acton Court, from Country Houses of the Cotswolds (b/w photo)
CLF320683 Iron Acton Court, from Country Houses of the Cotswolds (b/w photo) by English Photographer, (20th century); (add.info)

Katherine Parr's bedroom, Sudeley Castle, Gloucestershire, from Country Houses of the Cotswolds (b/w photo)
CLF320652 Katherine Parr's bedroom, Sudeley Castle, Gloucestershire, from Country Houses of the Cotswolds (b/w photo) by English Photographer

Little Sodbury Manor, Gloucestershire, the north west range leading up to the great hall
CLF320697 Little Sodbury Manor, Gloucestershire, the north west range leading up to the great hall, from Country Houses of the Cotswolds (b/w photo) by English Photographer

The Quadrangle, Cotehele House, c. 1830-40 (colour litho)
STC119567 The Quadrangle, Cotehele House, c.1830-40 (colour litho) by English School, (19th century); Private Collection; (add.info)

The Palace of Whitehall, from a drawing in the Pepysian Library, Cambridge
STC192769 The Palace of Whitehall, from a drawing in the Pepysian Library, Cambridge, published 1809 (engraving) by Hollar

Christ Church College, Oxford, from Oxonia Illustrated
STC174254 Christ Church College, Oxford, from Oxonia Illustrated, published 1675 (engraving) by Loggan, David (1633/35-92); Private Collection; (add.info)

Joust practice, Compton Wynyates, Warwick, mid 1600s, from
STC425559 Joust practice, Compton Wynyates, Warwick, mid 1600s, from Architecture of the Middle Ages, published 1838 (colour litho) by Nash

Hampton Court Palace from the River, c. 1544 (pen, ink and w / c on paper)
AMO150838 Hampton Court Palace from the River, c.1544 (pen, ink and w/c on paper) by Wyngaerde, Anthonis van den (fl.1510-72); Ashmolean Museum, University of Oxford

The Chapel and Gatehouse of Hampton Court, c. 1544 (pen and ink on paper)
AMO150839 The Chapel and Gatehouse of Hampton Court, c.1544 (pen and ink on paper) by Wyngaerde, Anthonis van den (fl.1510-72); Ashmolean Museum, University of Oxford

St. Jamess Palace and part of the City of Westminster from the North Side of Pall
STC192771 St. Jamess Palace and part of the City of Westminster from the North Side of Pall Mall in 1660, engraved by Richard Sawyer, published 1809 (etching) by Hollar

St. Jamess Palace, from The History of the Royal Residences
STC170316 St. Jamess Palace, from The History of the Royal Residences, engraved by Richard Reeve (b.1780), by William Henry Pyne (1769-1843), 1819 (litho) by Wild

Speke Hall, No. 1, 1870 (etching & drypoint on paper)
FSG324668 Speke Hall, No. 1, 1870 (etching & drypoint on paper) by Whistler, James Abbott McNeill (1834-1903); 22.5x15 cm; Freer Gallery of Art, Smithsonian Institution, USA; Freer Gallery of Art

Interior of the Great Hall, Little Moreton Hall, Cheshire (pencil on paper)
AGN260386 Interior of the Great Hall, Little Moreton Hall, Cheshire (pencil on paper) by Cotman, John Sell (1782-1842); 36.8x26.2 cm; Private Collection; Photo eAgnew s, London; English

Mount Edgecumbe, from Ackermanns Repository of Arts
STC181157 Mount Edgecumbe, from Ackermanns Repository of Arts, published 1826 (colour litho) by Gendall, John (1790-1865) (after); Private Collection; (add.info)

Muckross House, Killarney, Co Kerry, Ireland

Houses Lately Standing on the West Corner of Chancery Lane, Fleet Street, published in 1812
XJF441252 Houses Lately Standing on the West Corner of Chancery Lane, Fleet Street, published in 1812 (engraving) by Smith

The Chancery Lane Gate of Lincolns Inn, from London Pictures: Drawn with Pen
KW330053 The Chancery Lane Gate of Lincolns Inn, from London Pictures: Drawn with Pen and Pencil, by Rev. Richard Lovett, published 1890 (litho) by English School

Banqueting House and Kings Gate, 1827 (pen & ink and w / c on paper)
XCF267456 Banqueting House and Kings Gate, 1827 (pen & ink and w/c on paper) by Shepherd, Thomas Hosmer (1792-1864); Private Collection; English, out of copyright

Queen Elizabeth entering London (engraving) (b / w photo)
XJF271603 Queen Elizabeth entering London (engraving) (b/w photo) by English School, (19th century); Private Collection; (add.info.: Queen Elizabeth 1 (1533-1603); ); English, out of copyright

The Procession of Marie de Medici along Cheapside, 1638, published by William Herbert
XCF256510 The Procession of Marie de Medici along Cheapside, 1638, published by William Herbert (1771-1851) & Robert Wilkinson (fl.1785-1825) 1809 (engraving) (detail of 257497) (later colouration)

The Star Chamber (engraving)
KW211582 The Star Chamber (engraving) by English School, (19th century); Private Collection; (add.info.: the court of the Star Chamber (1487-1671); founded by King Henry VII; ); Ken Welsh; English

Solomon Eagle, engraved by Davenport, published by Thomas Tegg and Son, 1835 (engraving)
XJF135330 Solomon Eagle, engraved by Davenport, published by Thomas Tegg and Son, 1835 (engraving) (b/w photo) by Cruikshank

A street scene showing the Plough and Harrow Inn, Whitnash, Leamington Spa, Warwickshire with children playing games and enjoying themselves

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Tudor architecture, known for its distinctive style and rich history, continues to captivate with its timeless beauty. From the enchanting Stanbury House in Morwenstow, Cornwall (1958), to the talented Jeff Lynne of The Electric Light Orchestra finding inspiration amidst the Tudor charm, these structures have left an indelible mark on our cultural landscape. Tonacombe Manor in Morwenstow, Cornwall (1958), stands as a testament to the grandeur of Tudor design. Its intricate details and majestic presence transport us back in time. Similarly, a photograph from 1924 captures The Earl of Mount Edgcumbe outside Cotehele, offering a glimpse into one of "100 Favourite Houses. " Kelmscott Manor in Oxfordshire beckons us with its North Hall leading into the Panelled Room within the north wing. This black-and-white photo from "Country Houses of the Cotswolds" showcases how Tudor architecture seamlessly blends elegance and functionality. The east front of Lacock Abbey is another remarkable example featured among "100 Favourite Houses. " Its imposing facade evokes a sense of awe and reverence for this architectural masterpiece. Little Moreton Hall enchants with its gatehouse range captured through monochrome lenses. As we explore further south along Little Moreton Hall's exterior walls through another image from "100 Favourite Houses, " we are reminded that every angle reveals new intricacies and hidden stories waiting to be discovered. Wenlock Abbey's Prior's Lodge entices us with its upper gallery showcased within yet another page-turner from "100 Favourite Houses. " This Shropshire gem invites visitors to step into history while marveling at exquisite craftsmanship that has stood strong over centuries. Sissinghurst Castle's Tudor Gateway stands proudly as an iconic symbol among English manors. A striking image immortalized by "The English Manor House" transports us straight into medieval times where tales of knights and nobles come alive.