Tudor Costume Collection

Portrait of an unknown youth, aged 26, 1593 (w / c on vellum)
SR34653 Portrait of an unknown youth, aged 26, 1593 (w/c on vellum) by Oliver, Isaac (c.1565-1617); Beauchamp Collection, UK; French, out of copyright

The Last Days of Sir Philip Sidney (1554-86), 1882 (oil on canvas)
BON207945 The Last Days of Sir Philip Sidney (1554-86), 1882 (oil on canvas) by Hillingford, Robert Alexander (1825-1904); 116x178 cm; Private Collection; (add.info)

Sir Edward Grimston (1529-1610) as a Young Man (oil on canvas)
GRH242124 Sir Edward Grimston (1529-1610) as a Young Man (oil on canvas) by Peake, Robert, the Elder (c.1551-1619); Private Collection; English, out of copyright

Andrew Marvell (1621-78) visiting his Friend John Milton (1608-74) (oil on canvas)
BON207946 Andrew Marvell (1621-78) visiting his Friend John Milton (1608-74) (oil on canvas) by Boughton, George Henry (1833-1905); 69.5x166 cm; Private Collection; (add.info)

Portrait of Catherine Parr (1512-48), 1545 (coloured engraving)
STC161217 Portrait of Catherine Parr (1512-48), 1545 (coloured engraving) by Master John (fl.1544) (after); Private Collection; (add.info)

The Kings Ballad, illustration from A Picture Song Book, 1910 (colour litho)
IL314847 The Kings Ballad, illustration from A Picture Song Book, 1910 (colour litho) by Howard, George, 9th Earl of Carlisle (1843-1911); Private Collection; (add.info.: King Henry VIII (1491-1547)

Edward Coke (1552-1634), engraved by Pierre Duflos (1742-1816), 1780 (copper engraving)
STC167421 Edward Coke (1552-1634), engraved by Pierre Duflos (1742-1816), 1780 (copper engraving) by French School, (18th century); Private Collection; (add.info)

Prince Frederick, Duke of York and Albany, engraved by J
KW274254 Prince Frederick, Duke of York and Albany, engraved by J. Jenkins, from National Portrait Gallery, volume III, published c.1835 (litho) by Phillips

Rev John Bradford, engraved by J. Jenkins, from The National Portrait Gallery
KW285309 Rev John Bradford, engraved by J. Jenkins, from The National Portrait Gallery, Volume I, published c.1820 (litho) by English School

Portrait of Catherine Parr, c. 1545 (oil on panel)
XCF285133 Portrait of Catherine Parr, c.1545 (oil on panel) by Master John (fl.1544); National Portrait Gallery, London, UK; (add.info.: Catherine Parr (1512-1547)

Portrait of Catherine Parr (1512-48) from Lodges British Portraits
KW179829 Portrait of Catherine Parr (1512-48) from Lodges British Portraits, 1823 (engraving) by English School, (19th century); Private Collection; (add.info)

Portrait of Jane Seymour (c. 1509-37) from Lodges British Portraits
KW179826 Portrait of Jane Seymour (c.1509-37) from Lodges British Portraits, 1823 (engraving) by Holbein the Younger, Hans (1497/8-1543) (after); Private Collection; (add.info)

Master Edward Handel, aged 14, a direct descendent of the famous composer, seated at the organ at St Lawrence church, Edgware, played by his famous ancestor when organist there from 1718 to 1721

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Step back in time with these captivating Tudor costumes. From the Portrait of an unknown youth, aged 26, 1593 (w/c on vellum) to The Last Days of Sir Philip Sidney (1554-86), 1882 (oil on canvas), immerse yourself in the rich history and elegance of this era. Picture yourself as Sir Edward Grimston (1529-1610) as a Young Man, his confident gaze captured forever on canvas. Or perhaps you fancy being transported to a literary gathering with Andrew Marvell (1621-78) visiting his Friend John Milton, their intellectual prowess shining through every brushstroke. For those who admire strong women from history, don't miss the stunning Portrait of Catherine Parr (1512-48), 1545 (coloured engraving). Her regal presence and grace are beautifully depicted in this artwork. And if you're looking for some entertainment fit for a king, feast your eyes on The Kings Ballad illustration from A Picture Song Book, 1910 (colour litho). It's like stepping into a royal celebration. But let's not forget about the influential figures that shaped Tudor England. Edward Coke (1552-1634), engraved by Pierre Duflos (1742-1816), is portrayed with authority and wisdom in this copper engraving from 1780. And who could ignore the iconic portrait of Sir Thomas More? His piercing gaze speaks volumes about his unwavering principles. If you want to explore more portraits from this fascinating period, take a look at Prince Frederick, Duke of York and Albany or Rev John Bradford - both immortalized through engravings that capture their essence perfectly. Finally, indulge in another glimpse at Catherine Parr with her portrait c. 1545 painted delicately on panel or marvel at her beauty once again through Lodges British Portraits.