Tudor Collection (#97)

Kitchen Interiors, an illustration from A Book of Roxburghe Ballads (woodcut)
XJF397688 Kitchen Interiors, an illustration from A Book of Roxburghe Ballads (woodcut) by English School, (17th century); Private Collection; (add.info)

Polydore Vergil, from Crabbs Historical Dictionary, published 1825 (litho)
KW392360 Polydore Vergil, from Crabbs Historical Dictionary, published 1825 (litho) by English School, (19th century); Private Collection; (add.info.: Polydore Vergil)

Thomas Howard, 4th Duke of Norfolk and his coat of arms, 1616 (engraving)
XJF387436 Thomas Howard, 4th Duke of Norfolk and his coat of arms, 1616 (engraving) by Elstrack, Renold (1570-1625); Private Collection; (add.info.: Thomas Howard (1536-72) 4th Duke of Norfolk

Henry VIII in his privy chamber (pen, ink & wash on paper)
XJF387438 Henry VIII in his privy chamber (pen, ink & wash on paper) by Holbein the Younger, Hans (1497/8-1543); Private Collection; (add.info.: Henry VIII (1491-1547) King of England; ); German

The Act of Supremacy recognising Henry VIII as the head of the Church of England
XJF387437 The Act of Supremacy recognising Henry VIII as the head of the Church of England, 1534 (ink on paper) by English School, (16th century); Houses of Parliament, Westminster, London

Charles Blount, 8th Baron Mountjoy (engraving)
XJF387420 Charles Blount, 8th Baron Mountjoy (engraving) by English School, (17th century); Private Collection; (add.info)

King Edward VIs last Physician (engraving)
XJF387421 King Edward VIs last Physician (engraving) by English School, (19th century); Private Collection; (add.info.: King Edward VI (1537-53) King of England and Ireland; ); English

Robert Kett seated under the Tree of Reformation receiving the Kings messenger
XJF387403 Robert Kett seated under the Tree of Reformation receiving the Kings messenger (engraving) by Wale, Samuel (1721-86) (after); Private Collection; (add.info)

Eliza Triumphans, 1589 (engraving)
XJF384062 Eliza Triumphans, 1589 (engraving) by Rogers, William (c.1545-1610); Private Collection; (add.info.: Elizabeth I (1533-1603) Queen of England; ); English, out of copyright

The Charterhouse Hospital, c. 1720 (engraving)
XJF384022 The Charterhouse Hospital, c.1720 (engraving) by Kip, Johannes (c.1652-1722); Private Collection; (add.info.: formerly a Carthusian monastery it was transformed by Sir Thomas Sutton in)

House of Sir Thomas Gresham, in Bishopsgate Street, London (engraving)
XJF384006 House of Sir Thomas Gresham, in Bishopsgate Street, London (engraving) by English School, (19th century); Private Collection; (add.info)

The Second Table of Good Nurture, an illustration from A Book of Roxburghe Ballads
XJF380294 The Second Table of Good Nurture, an illustration from A Book of Roxburghe Ballads (woodcut) by English School, (17th century); Private Collection; (add.info)

Ben Jonson (engraving)
XJF380252 Ben Jonson (engraving) by Vertue, George (1684-1756); Private Collection; (add.info.: Ben Jonson (c.1572-1637) English dramatist

John Stow (engraving)
XJF380218 John Stow (engraving) by Vertue, George (1684-1756); Private Collection; (add.info.: John Stow (c.1525-1605) English historian

John Stowe, portrait from his monument at the Church of St. Andrew, Undershaft, 1792
XJF380217 John Stowe, portrait from his monument at the Church of St. Andrew, Undershaft, 1792 (engraving) by English School

Elinour Rummin, purveyor of Pimlico Ale, c. 1609 (woodcut)
XJF377267 Elinour Rummin, purveyor of Pimlico Ale, c.1609 (woodcut) by English School, (17th century); Private Collection; (add.info.: may be an illustration from the poem Pimlyco)

The Tomb of Elizabeth I, 1620 (engraving)
XJF377236 The Tomb of Elizabeth I, 1620 (engraving) by Dutch School, (17th century); Private Collection; (add.info.: Elizabeth I (1533-1603)

Henry VII with Richard Empson and Sir Edmund Dudley (engraving)
XJF377239 Henry VII with Richard Empson and Sir Edmund Dudley (engraving) by English School, (16th century) (after); Private Collection; (add.info)

Procession at the Christening of Prince Arthur, son of Henry VII, engraved in 1782
XJF377240 Procession at the Christening of Prince Arthur, son of Henry VII, engraved in 1782 (engraving) by English School, (18th century); Private Collection; (add.info.: Arthur)

Portrait of Queen Elizabeth I (engraving)
XJF377234 Portrait of Queen Elizabeth I (engraving) by Rogers, William (c.1545-1610); Private Collection; (add.info.: Elizabeth I (1533-1603)

Queen Elizabeths Galleon (woodcut)
XJF377237 Queen Elizabeths Galleon (woodcut) by English School, (17th century); Private Collection; (add.info.: Elizabeth I (1533-1603) Queen of England; ); English, out of copyright

Englands Joy by Richard Vennar, c. 1602 (woodcut)
XJF377235 Englands Joy by Richard Vennar, c.1602 (woodcut) by English School, (17th century); Private Collection; (add.info.: The first letter of each line spell out Elizabetha Regina)

Design for the obverse of Queen Elizabeth Is Great Seal of Ireland, c. 1584 (pen
XJF377233 Design for the obverse of Queen Elizabeth Is Great Seal of Ireland, c.1584 (pen, ink & graphite on vellum) by Hilliard

Queen Elizabeth I at Prayer, frontispiece to Christian Prayers, 1569 (coloured
XCF377231 Queen Elizabeth I at Prayer, frontispiece to Christian Prayers, 1569 (coloured engraving) by English School, (16th century); Private Collection; (add.info)

Anne of Cleves, engraved by Jacobus Houbraken, 1740 (engraving)
XJF377227 Anne of Cleves, engraved by Jacobus Houbraken, 1740 (engraving) by Holbein the Younger, Hans (1497/8-1543) (after); Private Collection; (add.info)

Jane Seymour, c. 1536 (chalk, pen & ink)
XJF377228 Jane Seymour, c.1536 (chalk, pen & ink) by Holbein the Younger, Hans (1497/8-1543); Private Collection; (add.info.: Jane Seymour (1508-37) third wife of Henry VIII; ); German

Anne of Cleves (engraving)
XJF377226 Anne of Cleves (engraving) by Holbein the Younger, Hans (1497/8-1543) (after); Private Collection; (add.info.: Anne of Cleves (1515-57) fourth wife of Henry VIII; ); German, out of copyright

The Ratcatcher (woodcut)
XJF377221 The Ratcatcher (woodcut) by English School, (17th century); Private Collection; English, out of copyright

The Encampment of King Henry VIII at Marquison, July 1544, etched by James Basire
XJF373252 The Encampment of King Henry VIII at Marquison, July 1544, etched by James Basire, 1788 (etching) by Grimm, Samuel Hieronymous (1733-94) (after); Private Collection; (add.info)

Document declaring the Popes judgment on the validity of the marriage of Henry VIII
XJF373253 Document declaring the Popes judgment on the validity of the marriage of Henry VIII and Catherine of Aragon, 1534 (print) by Italian School

Jane Seymour, engraved by Jacobus Houbraken, 1746 (engraving)
XJF373250 Jane Seymour, engraved by Jacobus Houbraken, 1746 (engraving) by English School, (18th century); Private Collection; (add.info)

St. Barbara, etched by Wenceslaus Hollar, 1647 (etching)
XJF373247 St. Barbara, etched by Wenceslaus Hollar, 1647 (etching) by Holbein the Younger, Hans (1497/8-1543) (after); Private Collection; (add.info)

Marriage of Henry VIII and Catherine Parr (print)
XJF373246 Marriage of Henry VIII and Catherine Parr (print) by English School, (19th century); Private Collection; (add.info)

The Woody Choristers or The Birds Harmony, an illustration from A Book of Roxburghe
XJF368430 The Woody Choristers or The Birds Harmony, an illustration from A Book of Roxburghe Ballads (woodcut) (b/w photo) by English School

Christmas Entertainment, an illustration from A Book of Roxburghe Ballads
XJF368428 Christmas Entertainment, an illustration from A Book of Roxburghe Ballads (woodcut) (b/w photo) by English School

The Gelding of the Devil, an illustration from A Book of Roxburghe Ballads
XJF368427 The Gelding of the Devil, an illustration from A Book of Roxburghe Ballads (woodcut) (b/w photo) by English School

Ragged, Torn and True, or the Poor Mans Resolution, an illustration from A
XJF368424 Ragged, Torn and True, or the Poor Mans Resolution, an illustration from A Book of Roxburghe Ballads (woodcut) (b/w photo) by English School

A Harvesting Scene, an illustration from A Book of Roxburghe Ballads (woodcut)
XJF368429 A Harvesting Scene, an illustration from A Book of Roxburghe Ballads (woodcut) by English School, (17th century); Private Collection; (add.info)

The Second Part of a Little Barly-Corne, an illustration from A Book of Roxburghe
XJF368426 The Second Part of a Little Barly-Corne, an illustration from A Book of Roxburghe Ballads (woodcut) (b/w photo) by English School

A Country Scene with a woman spinning and two men hunting a stag (woodcut) (b / w photo)
XJF368421 A Country Scene with a woman spinning and two men hunting a stag (woodcut) (b/w photo) by English School, (17th century); Private Collection; English, out of copyright

The Brave English Gypsy, an illustration from A Book of Roxburghe Ballads
XJF368423 The Brave English Gypsy, an illustration from A Book of Roxburghe Ballads (woodcut) (b/w photo) by English School

A nobleman in his carriage, an illustration from A Book of Roxburghe Ballads
XJF368419 A nobleman in his carriage, an illustration from A Book of Roxburghe Ballads (woodcut) (b/w photo) by English School

Couple Kissing, illustration from the Roxburghe Ballads (woodcut)
XJF365316 Couple Kissing, illustration from the Roxburghe Ballads (woodcut) by English School, (17th century); Private Collection; (add.info)

The French fleet becalmed and the attack on the Isle of Wight, 1545 (detail), (litho)
BAL362924 The French fleet becalmed and the attack on the Isle of Wight, 1545 (detail), (litho) by Basire, James (1730-1802) (after); Private Collection; (add.info)

Sir Thomas Wyatt (engraving)
XJF359018 Sir Thomas Wyatt (engraving) by Holbein the Younger, Hans (1497/8-1543) (after); Private Collection; (add.info.: Sir Thomas Wyatt (1503-42) English poet; ); German, out of copyright

Sir Edward Coke, engraved by Thomas Trotter, 1792 (engraving)
XJF349791 Sir Edward Coke, engraved by Thomas Trotter, 1792 (engraving) by Jansen, Cornelius (1585-1638) (after); Private Collection; (add.info.: Sir Edward Coke (1552-1624)

Cardinal Thomas Wolsey (engraving)
XJF349400 Cardinal Thomas Wolsey (engraving) by Holbein the Younger, Hans (1497/8-1543) (after); Private Collection; (add.info)

For sale as Licensed Images

Choose your image, Select your licence and Download the media

Step back in time and immerse yourself in the captivating world England. From the iconic Armada portrait of Queen Elizabeth I, showcasing her regal power and strength, to the enchanting landscapes of Chesterfield, this era is a treasure trove of history. Delve into the scandalous life of Anne Boleyn, whose beauty and charisma captured King Henry VIII's heart. Witness the grandeur and complexity of their relationship as you explore portraits depicting them together, along with their three wives and children. The tumultuous reigns of these monarchs shaped not only England but also its place on the global stage. Discover maritime history through The Mary Rose, a magnificent warship that met an unfortunate fate at sea. Its excavation brought forth a wealth of artifacts that offer glimpses into everyday life during this period. Nunney Castle stands as a testament to Tudor architecture's elegance and resilience. Marvel at its well-preserved ruins while imagining life within its walls centuries ago. Elizabeth I, known for her intelligence and political prowess, is immortalized in George Gower's stunning portrait. Her reign marked an era of cultural flourishing known as the Elizabethan Golden Age. Travel north to Sheffield in Yorkshire where W. Fairbank's meticulous plan showcases the town's layout during late Tudor times. Observe how it has evolved over centuries yet still retains echoes from this remarkable period. Kenilworth Castle beckons with its majestic presence—a symbol of power owned by Robert Dudley, Earl of Leicester—whose close relationship with Queen Elizabeth I sparked rumors throughout courtly circles. Lastly, gaze upon Henry VIII himself—the larger-than-life king who left an indelible mark on English history through his six marriages and religious reforms. Rebecca - Elizabeth I captures our imagination with her striking resemblance to one another—an intriguing connection between two powerful women separated by time but united by strength and determination.