Turner William 1775 1851 Collection

Whalers. From the picture in the National Gallery, 19th century (coloured engraving)
7342019 Whalers. From the picture in the National Gallery, 19th century (coloured engraving) by Turner, Joseph Mallord William (1775-1851) (after); 23.4x32.4 cm; National Maritime Museum, London

Untitled (coloured pencil on paper)
AGN358245 Untitled (coloured pencil on paper) by Turner, Joseph Mallord William (1775-1851); Private Collection; Photo © Agnew's, London

Brecon Bridge and Castle, c. 1795 (w/c on paper)
495781 Brecon Bridge and Castle, c.1795 (w/c on paper) by Turner, Joseph Mallord William (1775-1851); 23.6x34 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

East and West Looe, Cornwall, c. 1816 (w/c on paper)
495767 East and West Looe, Cornwall, c.1816 (w/c on paper) by Turner, Joseph Mallord William (1775-1851); 15.6x23.8 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Linlithgow Palace, 1821 (w/c & bodycolour on paper)
MAN278079 Linlithgow Palace, 1821 (w/c & bodycolour on paper) by Turner, Joseph Mallord William (1775-1851); 17.2x25.8 cm; Manchester Art Gallery, UK; (add.info.: birthplace of James V)

Farnley Hall, from the Junction of the Wharfe and the Washburn, 1818 (watercolour and bodycolour)
7394069 Farnley Hall, from the Junction of the Wharfe and the Washburn, 1818 (watercolour and bodycolour) by Turner, Joseph Mallord William (1775-1851); 32.1x45.5 cm; Ashmolean Museum

The regatta, with the royal yacht squadron, 1851, (oil on canvas)
7130123 The regatta, with the royal yacht squadron, 1851, (oil on canvas) by Turner, Joseph Mallord William (1775-1851); Victoria & Albert Museum, London, UK; (add.info.: The regatta)

The Iveagh seapiece, 19th century (oil on canvas)
7146407 The Iveagh seapiece, 19th century (oil on canvas) by Turner, Joseph Mallord William (1775-1851); Kenwood House, London, UK; (add.info.: The Iveagh seapiece, William Turner, oil on canvas)

Queen Mab's Cave, after 1846 (oil on fabric)
XOS5886586 Queen Mab's Cave, after 1846 (oil on fabric) by Turner, Joseph Mallord William (1775-1851); 73x89.5 cm; Cleveland Museum of Art, OH

Conway Castle, North Wales, 1798 (w/c & gum arabic and graphite)
7312248 Conway Castle, North Wales, 1798 (w/c & gum arabic and graphite) by Turner, Joseph Mallord William (1775-1851); 53.7 -- 76.5 cm; J

Longships Lighthouse, Land's End, c. 1834-35 (w/c & gouache)
7312244 Longships Lighthouse, Land's End, c.1834-35 (w/c & gouache) by Turner, Joseph Mallord William (1775-1851); 28.6 -- 44 cm; J

Detail of Ben Lomond Mountains, Scotland: The Traveller - Vide Ossians War of Caros, c. 1799-1800 (oil on canvas)
7259972 Detail of Ben Lomond Mountains, Scotland: The Traveller - Vide Ossians War of Caros, c. 1799-1800 (oil on canvas) by Turner, Joseph Mallord William (1775-1851); Fitzwilliam Museum

Ben Lomond Mountains, Scotland: The Traveller - Vide Ossians War of Caros, c. 1799-1800 (oil on canvas)
7259971 Ben Lomond Mountains, Scotland: The Traveller - Vide Ossians War of Caros, c. 1799-1800 (oil on canvas) by Turner, Joseph Mallord William (1775-1851); 64.1 x 98.8 cm; Fitzwilliam Museum

Evening, Going to the Ball, 1845 (oil on canvas)
7088959 Evening, Going to the Ball, 1845 (oil on canvas) by Turner, Joseph Mallord William (1775-1851); 60.9x91.4 cm; Private Collection; English, out of copyright

The Splugen Pass (pencil and w / c)
7074543 The Splugen Pass (pencil and w/c) by Turner, Joseph Mallord William (1775-1851); 29.2x45.1 cm; Private Collection; English, out of copyright

The Dogana and Santa Maria della Salute, Venice, detail, 1843 (oil on canvas) (detail)
BBC210772 The Dogana and Santa Maria della Salute, Venice, detail, 1843 (oil on canvas) (detail) by Turner, Joseph Mallord William (1775-1851); 62 x 93 cm; National Gallery of Art, Washington DC

The Dogana and Santa Maria della Salute, Venice, detail, 1843 (oil on canvas) (detail)
BBC210773 The Dogana and Santa Maria della Salute, Venice, detail, 1843 (oil on canvas) (detail) by Turner, Joseph Mallord William (1775-1851); 62 x 93 cm; National Gallery of Art, Washington DC

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Turner William (1775-1851): A Master of Capturing the Beauty of Nature and Architecture Turner William, a renowned British artist born in 1775, left an indelible mark on the art world with his exceptional talent for capturing the essence of landscapes and architectural marvels. His works spanned various mediums, including watercolor, oil on canvas, and even fabric. Let's delve into some of his notable pieces that showcase his extraordinary skills. Brecon Bridge and Castle, created around 1795 using watercolor on paper, exemplifies Turner's early fascination with architecture. The delicate strokes bring to life the picturesque bridge and castle nestled amidst nature's splendor. In East and West Looe, Cornwall (1816), Turner employs watercolor once again to depict the charming coastal towns. The vibrant hues evoke a sense of tranquility as he skillfully captures the interplay between land and sea. Linlithgow Palace (1821) showcases Turner's mastery in combining watercolor with body color on paper. This piece exudes grandeur as he portrays the majestic palace against a dramatic sky backdrop. Farnley Hall is another masterpiece from 1818 where Turner expertly uses watercolor and body color to portray this stately residence at its junction with Wharfe and Washburn rivers. The play of light creates an ethereal atmosphere that transports viewers into this idyllic scene. Moving away from watercolors onto oil on canvas medium, we encounter "The Regatta" (1851). Here Turner immortalizes a lively yacht race by incorporating intricate details that capture both movement and excitement during this royal event. "The Iveagh Seapiece, " dating back to the 19th century, showcases Turner's versatility in oils as he depicts tumultuous waves crashing against rocky shores—a testament to his ability to convey raw power through brushstrokes alone.