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Turner Collection (page 9)

"JMW Turner: A Master of Capturing the Essence of Life" Step into the world of JMW Turner, a British painter whose art transcends time and space

Background imageTurner Collection: Solway Moss (Liber Studiorum, part XI, plate 52), January 1, 1816. Creator: JMW Turner

Solway Moss (Liber Studiorum, part XI, plate 52), January 1, 1816. Creator: JMW Turner
Solway Moss (Liber Studiorum, part XI, plate 52), January 1, 1816

Background imageTurner Collection: Solitude, or The Reading Magdalen (Liber Studiorum, part XI, plate 53), May 12, 1814

Solitude, or The Reading Magdalen (Liber Studiorum, part XI, plate 53), May 12, 1814

Background imageTurner Collection: Norham Castle on the Tweed (Liber Studiorum, part XII, plate 57), January 1, 1816

Norham Castle on the Tweed (Liber Studiorum, part XII, plate 57), January 1, 1816

Background imageTurner Collection: Hedging and Ditching (Liber Studiorum, part X, plate 47), May 23, 1812

Hedging and Ditching (Liber Studiorum, part X, plate 47), May 23, 1812

Background imageTurner Collection: River Wye (Liber Studiorum, part X, plate 48), May 23, 1812. Creator: JMW Turner

River Wye (Liber Studiorum, part X, plate 48), May 23, 1812. Creator: JMW Turner
River Wye (Liber Studiorum, part X, plate 48), May 23, 1812

Background imageTurner Collection: Winchelsea Sussex (Liber Studiorum, part IX, plate 42), April 23, 1812

Winchelsea Sussex (Liber Studiorum, part IX, plate 42), April 23, 1812

Background imageTurner Collection: The Bridge and Goats (Liber Studiorum, part IX, plate 43), April 23, 1812

The Bridge and Goats (Liber Studiorum, part IX, plate 43), April 23, 1812

Background imageTurner Collection: Calm (Liber Studiorum, part IX, plate 44), April 23, 1812. Creator: JMW Turner

Calm (Liber Studiorum, part IX, plate 44), April 23, 1812. Creator: JMW Turner
Calm (Liber Studiorum, part IX, plate 44), April 23, 1812

Background imageTurner Collection: Rispah, 2nd Book of Samuel, Chapter 21 (Liber Studiorum, part IX, plate 46), April 23

Rispah, 2nd Book of Samuel, Chapter 21 (Liber Studiorum, part IX, plate 46), April 23, 1812

Background imageTurner Collection: Peat Bog, Scotland (Liber Studiorum, part IX, plate 45), April 23, 1812

Peat Bog, Scotland (Liber Studiorum, part IX, plate 45), April 23, 1812

Background imageTurner Collection: Crypt of Kirkstall Abbey (Liber Studiorum, part VIII, plate 39), February 11, 1812

Crypt of Kirkstall Abbey (Liber Studiorum, part VIII, plate 39), February 11, 1812

Background imageTurner Collection: Scene in the Campagna (Liber Studiorum, part VIII, plate 38), February 1, 1812

Scene in the Campagna (Liber Studiorum, part VIII, plate 38), February 1, 1812

Background imageTurner Collection: The Mildmay Sea-Piece (Liber Studiorum, part VIII, plate 40), February 11, 1812

The Mildmay Sea-Piece (Liber Studiorum, part VIII, plate 40), February 11, 1812

Background imageTurner Collection: Inverary Pier, Loch Fyne, Morning (Liber Studiorum, part VII, plate 35), June 1, 1811

Inverary Pier, Loch Fyne, Morning (Liber Studiorum, part VII, plate 35), June 1, 1811

Background imageTurner Collection: Water Mill (Liber Studiorum, part VIII, plate 37), February 1, 1812. Creator: JMW Turner

Water Mill (Liber Studiorum, part VIII, plate 37), February 1, 1812. Creator: JMW Turner
Water Mill (Liber Studiorum, part VIII, plate 37), February 1, 1812

Background imageTurner Collection: Martello Towers near Bexhill, Sussex (Liber Studiorum, part VII, plate 34), June 1811

Martello Towers near Bexhill, Sussex (Liber Studiorum, part VII, plate 34), June 1811

Background imageTurner Collection: Lauffenbourgh on the Rhine (Liber Studiorum, part VI, plate 31), January 1, 1811

Lauffenbourgh on the Rhine (Liber Studiorum, part VI, plate 31), January 1, 1811

Background imageTurner Collection: Near Blair Athol, Scotland (Liber Studiorum, part VI, plate 30), June 1, 1811

Near Blair Athol, Scotland (Liber Studiorum, part VI, plate 30), June 1, 1811

Background imageTurner Collection: London from Greenwich (Liber Studiorum, part V, plate 26), January 1, 1811

London from Greenwich (Liber Studiorum, part V, plate 26), January 1, 1811

Background imageTurner Collection: Marine Dabblers (Liber Studiorum, part VI, plate 29), June 1811. Creator: JMW Turner

Marine Dabblers (Liber Studiorum, part VI, plate 29), June 1811. Creator: JMW Turner
Marine Dabblers (Liber Studiorum, part VI, plate 29), June 1811

Background imageTurner Collection: St. Catharines Hill near Guilford (Liber Studiorum, part VII, plate 33), June 1811

St. Catharines Hill near Guilford (Liber Studiorum, part VII, plate 33), June 1811

Background imageTurner Collection: From Spensers Fairy Queen (Liber Studiorum, part VII, plate 36), June 1811

From Spensers Fairy Queen (Liber Studiorum, part VII, plate 36), June 1811

Background imageTurner Collection: Juvenile Tricks (Liber Studiorum, part V, plate 22), January 1, 1811. Creator: JMW Turner

Juvenile Tricks (Liber Studiorum, part V, plate 22), January 1, 1811. Creator: JMW Turner
Juvenile Tricks (Liber Studiorum, part V, plate 22), January 1, 1811

Background imageTurner Collection: Coast of Yorkshire, Near Whitby (Liber Studiorum, part V, plate 24), January 1, 1811

Coast of Yorkshire, Near Whitby (Liber Studiorum, part V, plate 24), January 1, 1811

Background imageTurner Collection: Hind Head Hill, On the Portsmouth Road (Liber Studiorum, part V, plate 25), January 1

Hind Head Hill, On the Portsmouth Road (Liber Studiorum, part V, plate 25), January 1, 1811

Background imageTurner Collection: The Temple of Minerva Medica (Liber Studiorum, part V, plate 23), January 1, 1811

The Temple of Minerva Medica (Liber Studiorum, part V, plate 23), January 1, 1811

Background imageTurner Collection: Junction of Severn and Wye (Liber Studiorum, part VI, plate 28), June 1811

Junction of Severn and Wye (Liber Studiorum, part VI, plate 28), June 1811

Background imageTurner Collection: The Leader Sea Piece (Liber Studiorum, part IV, plate 20), March 29, 1809

The Leader Sea Piece (Liber Studiorum, part IV, plate 20), March 29, 1809

Background imageTurner Collection: Little Devils Bridge over the Russ, above Altdorft, Switzerland (Liber Studioru

Little Devils Bridge over the Russ, above Altdorft, Switzerland (Liber Studiorum, part IV, plate 19), March 29, 1809

Background imageTurner Collection: Drawing of the Clyde (Liber Studiorum, part IV, plate 18), March 29, 1809

Drawing of the Clyde (Liber Studiorum, part IV, plate 18), March 29, 1809

Background imageTurner Collection: The Farm-Yard with the Cock (Liber Studiorum, part IV, plate 17), March 29, 1809

The Farm-Yard with the Cock (Liber Studiorum, part IV, plate 17), March 29, 1809

Background imageTurner Collection: Young Anglers (Liber Studiorum, part VII), June 1, 1811. Creator: JMW Turner

Young Anglers (Liber Studiorum, part VII), June 1, 1811. Creator: JMW Turner
Young Anglers (Liber Studiorum, part VII), June 1, 1811

Background imageTurner Collection: Lake of Thun, Swiss (Liber Studiorum, part III, plate 15), June 10, 1808

Lake of Thun, Swiss (Liber Studiorum, part III, plate 15), June 10, 1808

Background imageTurner Collection: Dunstanborough Castle (Liber Studiorum, part III, plate 14), June 10, 1808

Dunstanborough Castle (Liber Studiorum, part III, plate 14), June 10, 1808

Background imageTurner Collection: The Bridge in Middle Distance (Liber Studiorum, part III, plate 13), June 10, 1808

The Bridge in Middle Distance (Liber Studiorum, part III, plate 13), June 10, 1808

Background imageTurner Collection: Mt. St. Gothard (Liber Studiorum, part II, plate 9), February 20, 1808

Mt. St. Gothard (Liber Studiorum, part II, plate 9), February 20, 1808

Background imageTurner Collection: Holy Island Cathedral (Liber Studiorum, part III, plate 11), February 20, 1808

Holy Island Cathedral (Liber Studiorum, part III, plate 11), February 20, 1808

Background imageTurner Collection: Pembury Mill, Kent (Liber Studiorum, part III, plate 12), June 10, 1808

Pembury Mill, Kent (Liber Studiorum, part III, plate 12), June 10, 1808

Background imageTurner Collection: The Castle above the Meadows (Liber Studiorum, part II, plate 8), 1808

The Castle above the Meadows (Liber Studiorum, part II, plate 8), 1808

Background imageTurner Collection: The Straw Yard (Liber Studiorum, part II, plate 7), February 20, 1808

The Straw Yard (Liber Studiorum, part II, plate 7), February 20, 1808

Background imageTurner Collection: Jason (Liber Studiorum, part I, plate 6), June 11, 1807. Creator: JMW Turner

Jason (Liber Studiorum, part I, plate 6), June 11, 1807. Creator: JMW Turner
Jason (Liber Studiorum, part I, plate 6), June 11, 1807

Background imageTurner Collection: The Frontispiece to Liber Studiorum, May 1812. Creator: JMW Turner

The Frontispiece to Liber Studiorum, May 1812. Creator: JMW Turner
The Frontispiece to Liber Studiorum, May 1812

Background imageTurner Collection: Basle (Liber Studiorum, part I, plate 5), June 11, 1807. Creator: JMW Turner

Basle (Liber Studiorum, part I, plate 5), June 11, 1807. Creator: JMW Turner
Basle (Liber Studiorum, part I, plate 5), June 11, 1807

Background imageTurner Collection: Scene on the French Coast (Liber Studiorum, part I, plate 4), June 11, 1807

Scene on the French Coast (Liber Studiorum, part I, plate 4), June 11, 1807

Background imageTurner Collection: I m Just Beginning to Look Around Here

I m Just Beginning to Look Around Here! 1934

Background imageTurner Collection: Whalers, 1879-80. Creator: Robert Brandard

Whalers, 1879-80. Creator: Robert Brandard
Whalers, 1879-80

Background imageTurner Collection: Rembrandts Mill, 1823. Creator: Charles Turner

Rembrandts Mill, 1823. Creator: Charles Turner
Rembrandts Mill, 1823

Background imageTurner Collection: A Witch Sailing to Aleppo in a Sieve, December 1, 1807. Creator: Charles Turner

A Witch Sailing to Aleppo in a Sieve, December 1, 1807. Creator: Charles Turner
A Witch Sailing to Aleppo in a Sieve, December 1, 1807




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"JMW Turner: A Master of Capturing the Essence of Life" Step into the world of JMW Turner, a British painter whose art transcends time and space. Known for his breathtaking landscapes and seascapes, Turner's works continue to captivate audiences even centuries later. One of his most iconic pieces, "The Fighting Temeraire, " painted in 1839, showcases the beauty of a majestic ship being towed away by a steam-powered vessel. The juxtaposition between old and new symbolizes progress while evoking a sense of nostalgia. Turner's fascination with ships extended beyond paintings. He was inspired by the grandeur and elegance of Queen Mary, a Cunard cruise ship that sailed through vast oceans like floating palaces. His admiration for maritime history is evident in his meticulous attention to detail. Venture inland to Beeston Castle in Cheshire, where Turner found inspiration amidst ancient ruins perched atop rolling hills. His brushstrokes bring life to this historical site, capturing its mystique and inviting viewers on an imaginative journey through time. In Whitby (1824), another masterpiece by Turner emerges as he portrays the town's picturesque harbor engulfed in dramatic light and shadow. With every stroke, he effortlessly captures nature's raw power while showcasing his mastery over color and texture. But it wasn't just landscapes that fascinated this artistic genius; self-portraits also held their allure. In his self-portrait from 1799, we catch a glimpse into Turner's enigmatic persona—a man driven by passion for art yet shrouded in mystery. Beyond land and sea lies another facet of Turner's talent—his ability to capture motion itself. In "Rain Steam an, " he immortalizes the energy unleashed by rain pouring down on steam engines—an ode to industrialization transforming society during his lifetime. Turner had an eye for action outside the canvas too; boxing matches at Fives Court with Randall & Turner sparring caught his attention.