Two Thieves Collection

Christ on the Cross. "Le coup de lance", 1620. Creator: Dyck, Sir Anthony van (1599-1641)
Christ on the Cross. "Le coup de lance", 1620. Found in the collection of the Royal Museum of Fine Arts, Antwerp

The Crucifixion, c. 1315-30 (tempera on panel)
MAN67450 The Crucifixion, c.1315-30 (tempera on panel) by Duccio di Buoninsegna, (c.1278-1318) (school of); 59.7x38 cm; Manchester Art Gallery

Triptych of the Crucifixion (oil on panel)
3587453 Triptych of the Crucifixion (oil on panel) by Joos van Gent (Joos van Wassenhove) (fl.1460-75); 326.5 cmx214.9 cm; St

Calvary (oil on panel)
NUL166675 Calvary (oil on panel) by Master of St. Veronica (fl.1395-1415); Wallraf Richartz Museum, Cologne, Germany

Passion Triptych, Crucifixion, central panel (oil on panel) (see also 345856, 345857
REV345855 Passion Triptych, Crucifixion, central panel (oil on panel) (see also 345856, 345857, 345858) by Master of St. Godelieve Legend (fl.1500) (attr)

Window depicting Scenes from the Life of St. Louis (stained glass)
XIR203242 Window depicting Scenes from the Life of St. Louis (stained glass) by French School, (16th century); Sainte-Chapelle, Champigny-sur-Veude, France; French, out of copyright

Louis XVI (1754-93) at his trial, crucified between the nobility and the clergy, c
CHT186215 Louis XVI (1754-93) at his trial, crucified between the nobility and the clergy, c.1792 (coloured engraving) by French School, (18th century); Musee de la Ville de Paris, Musee Carnavalet

The Three Crosses, 1456 (tempera on panel)
VLS76912 The Three Crosses, 1456 (tempera on panel) by Foppa, Vincenzo (1427/30-1515/16); 67.9x38.1 cm; Galleria dell Accademia Carrara, Bergamo, Italy; eGiuliano Valsecchi; Italian, out of copyright

The Crucifixion, c. 1500 (oil on panel) (see also 182371)
XKH148971 The Crucifixion, c.1500 (oil on panel) (see also 182371) by Master of Hamburg (fl.1500); 197x130 cm; Hamburger Kunsthalle, Hamburg, Germany; German, out of copyright

The Crucifixion, from a Missal (vellum)
MMT220014 The Crucifixion, from a Missal (vellum) by French School, (15th century); 27.9x18.4 cm; Musee Marmottan Monet, Paris

Crucifixion, third quarter of the 15th century or 19th century (papier mache)
BAL53536 Crucifixion, third quarter of the 15th century or 19th century (papier mache) by Donatello, (c.1386-1466) (after); 70x42x10 cm; Museum of Fine Arts (Szepmuveszeti) Budapest

Altarpiece of the Crucifixion, detail of the central panel, from the Church of Chartreuse
XIR234517 Altarpiece of the Crucifixion, detail of the central panel, from the Church of Chartreuse de Champmol, c.1391 (gilded wood) by Baerze or Baers

The good Centurion. Artist: Baegert, Derick (ca 1440-after 1502)
The good Centurion. Found in the collection of Thyssen-Bornemisza Collections

The centurion Longinus among the crosses of Christ and the two thieves, 1539. Found in the collection of the Staatsgalerie Aschaffenburg

Christ Crucified Two Thievess Three Crosses
Christ Crucified Between the Two Thieves: The Three Crosses, 1653- c.1660. Rembrandt van Rijn (Dutch, 1606-1669). Drypoint; sheet: 37.5 x 44 cm (14 3/4 x 17 5/16 in.)

Christ crucified two thieves three maries foot
Artokoloro

Crucifixion 1625-77 Etching state Sheet 3 9 / 16
Artokoloro

Christ Crucified Two Thieves oval plate ca 1641
Artokoloro

Calvary (fresco) (detail of 208458)
XIR320926 Calvary (fresco) (detail of 208458) by Lorenzetti, Pietro (c.1284-after 1345); San Francesco, Lower Church, Assisi, Italy; Italian, out of copyright

The Crucifixion (oil on panel)
XIR39080 The Crucifixion (oil on panel) by Lorenzo Monaco, (Piero di Giovanni) (c.1370-1425); 34.3x67.5 cm; Louvre, Paris

Calvary (oil on panel)
XIR228524 Calvary (oil on panel) by Cranach, Lucas, the Elder (1472-1553) (attr. to); 65.5x41.5 cm; Museo Lazaro Galdiano, Madrid, Spain; German, out of copyright

Calvary (oil on card)
XIR198442 Calvary (oil on card) by Teniers, David the Younger (1610-90); 86x69 cm; Louvre, Paris, France; Flemish, out of copyright

Triptych depicting the Crucifixion, Limousin (enamel)
XIR182569 Triptych depicting the Crucifixion, Limousin (enamel) by Penicaud, Nardon (1470-1542/43); Musee de l Hotel Lallemant, Bourges, France; French, out of copyright

The Crucifixion, c. 1500 (oil on panel) (see also 148971)
XKH182371 The Crucifixion, c.1500 (oil on panel) (see also 148971) by Master of Hamburg (fl.1500); 197x130 cm; Hamburger Kunsthalle, Hamburg, Germany; German, out of copyright

Calvary, after a painting by Andrea Mantegna (1431-1506) (oil on canvas)
XIR181270 Calvary, after a painting by Andrea Mantegna (1431-1506) (oil on canvas) by Degas, Edgar (1834-1917); Musee des Beaux-Arts, Tours, France; French, out of copyright

Christ on the Cross (oil on canvas)
XIR170202 Christ on the Cross (oil on canvas) by Cranach, Lucas, the Elder (1472-1553); 52.5x30 cm; Alte Pinakothek, Munich, Germany; German, out of copyright

Calvary (oil on canvas)
XIR121626 Calvary (oil on canvas) by Janssens van Nuyssen, Abraham (1575-1632); Musee des Beaux-Arts, Valenciennes, France; Flemish, out of copyright

Calvary (fresco)
XIR208458 Calvary (fresco) by Lorenzetti, Pietro (c.1284-after 1345); San Francesco, Lower Church, Assisi, Italy; Italian, out of copyright

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"Two Thieves: A Tale of Redemption and Betrayal" In the realm of art, the depiction of the Crucifixion has been a subject that has captivated artists for centuries. From the hauntingly beautiful "The Crucifixion, c. 1315-30" to the intricate details in "Triptych of the Crucifixion, " these masterpieces have immortalized this pivotal moment in history. Amongst these iconic portrayals, one cannot overlook "Calvary, " where they can positioned on either side of Jesus. Their presence adds an intriguing layer to this sacred scene, symbolizing both sin and salvation. Delving deeper into their stories, we find ourselves drawn to "Ms 24 fol. 7v The Crucifixion and Division of Clothes of the Saviour. " Here, we witness not only Christ's sacrifice but also a glimpse into human nature as garments are divided amongst those present. "The Crucifixion" by an unknown artist showcases another perspective with its use of oil on panel technique. The vivid colors bring forth emotions as we contemplate the significance behind this event. Moving forward through time, a striking contrast is seen in "Crucifixion Scene, c. 1530-60. " This piece challenges traditional representations with its unique style while still capturing the essence of suffering and redemption. As our journey continues through various mediums such as stained glass windows like "Window Depicting Scenes from Life St. Louis" or even political satires like "Louis XVI at His Trial, " crucified between nobility and clergy; it becomes evident that this theme transcends artistic boundaries. "The Three Crosses" painted in 1456 portrays three distinct crosses against a dark background - each representing different paths chosen by humanity when faced with adversity. Lastly, let us not forget "The Crucifixion from a Missal, " crafted delicately on vellum pages that preserve ancient wisdom within their fibers.