Unbelieving Collection

Caricature of Tsar Alexander 1st of Russia in his Privy Council: solicited by the Queen of Prussia for defeat
1753681 Caricature of Tsar Alexander 1st of Russia in his Privy Council: solicited by the Queen of Prussia for defeat, collezione Colored etching BNF engraving; Bibliotheque Nationale, Paris

There was an Old Person of Barnes, whose Garments were covered with Darns (coloured engraving)
8634392 There was an Old Person of Barnes, whose Garments were covered with Darns (coloured engraving) by Lear, Edward (1812-88) (after); Private Collection; (add.info)

Popular Superstitions: Crossing a knife and fork (colour litho)
8668721 Popular Superstitions: Crossing a knife and fork (colour litho) by English School, (20th century); Private Collection; (add.info.: Crossing a knife and fork)

Khan Krum of Bulgaria (litho)
8661298 Khan Krum of Bulgaria (litho) by European School, (19th century); Private Collection; (add.info.: Khan Krum of Bulgaria)

Gondophares receives a Letter from St Thomas (litho)
8661015 Gondophares receives a Letter from St Thomas (litho) by Almond, William Douglas (1866-1916); Private Collection; (add.info.: Gondophares receives a Letter from St Thomas)

The choice of Hercules or the choice between vice and virtue, 1565 circa (oil on canvas)
7146864 The choice of Hercules or the choice between vice and virtue, 1565 circa (oil on canvas) by Veronese, (Caliari, Paolo) (1528-88); Galleria degli Uffizi, Florence, Tuscany

Witchcraft or the allegory of Hercules, 1540-42 (oil on canvas)
7146885 Witchcraft or the allegory of Hercules, 1540-42 (oil on canvas) by Dossi, Battista (c.1490-1548) & Dossi, Dosso (c.1486-1542); 143x144 cm; Galleria degli Uffizi, Florence, Tuscany

Double portrait. Two friends, c. 1502 (oil on canvas)
7130035 Double portrait. Two friends, c.1502 (oil on canvas) by Giorgione (Giorgio da Castelfranco) (1477/78-1510) (attr.to); Museo Nazionale del Palazzo di Venezia, Rome

The denial of St Peter, 1610-1615 circa, (oil on canvas)
7128817 The denial of St Peter, 1610-1615 circa, (oil on canvas) by Galli, Giovanni Antonio (Lo Spadarino) (1585-1651/3); 98x135 cm; Pinacoteca Nazionale, Bologna

Saint Joseph's dream, 1617-19 (oil on board)
7352690 Saint Joseph's dream, 1617-19 (oil on board) by Ciampelli, Agostino (1577-1642); Chiesa S. Anna dei frati Carmelitani Scalzi, Genoa, Liguria

The calumny of Apelles, 1495 circa, (tempera on wood)
7146327 The calumny of Apelles, 1495 circa, (tempera on wood) by Botticelli, Sandro (Alessandro di Mariano di Vanni Filipepi) (1444/5-1510); 62x91 cm; Galleria degli Uffizi, Florence, Tuscany

The Faithless Fool, 1660-86 (brush and Indian ink on paper)
7308529 The Faithless Fool, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford

Death Comes For The Unbelieving Woman From Der Todten Tanz Or The Dance Of Death Published Basel 1843

Death Comes For The Unbelieving Husband From Der Todten Tanz Or The Dance Of Death Published Basel 1843

Source Size = 3757 x 4889
HIDE AND SEEK AT WESTMINSTER, LONDON, " THOUGHT-READING" BY MR. IRVING BISHOP; 1. Mr. Bishop, Himself, Begs Everybody to Detect Him in Fraud, if Posssible. 2

The Doubting Thomas (red chalk on paper)
XKH145570 The Doubting Thomas (red chalk on paper) by Rembrandt Harmensz. van Rijn (1606-69); 33x50.6 cm; Hamburger Kunsthalle, Hamburg, Germany; Dutch, out of copyright

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"Unbelieving: A Journey through Art and Allegory" Step into the world of disbelief and skepticism as we explore a collection of captivating artworks that depict the eternal struggle between vice and virtue. "The Choice of Hercules or the choice between vice and virtue, 1565 circa (oil on canvas)" portrays the legendary hero torn between two paths, symbolizing our own daily choices. In "Witchcraft or the allegory of Hercules, 1540-42 (oil on canvas), " we witness Hercules battling against dark forces, reminding us to stay vigilant against temptation. A timeless bond is captured in "Double portrait. Two friends, c. 1502 (oil on canvas), " where friendship triumphs over doubt, showcasing the power of trust in uncertain times. "The denial of St Peter, 1610-1615 circa (oil on canvas)" depicts a moment when faith wavers but ultimately prevails as Peter finds redemption in his unwavering belief. Through "Saint Joseph's dream, 1617-19 (oil on board), " we glimpse into a divine revelation that challenges one's faith yet leads to enlightenment and guidance. "The calumny of Apelles, 1495 circa (tempera on wood)" reveals how false accusations can test our beliefs while reminding us to seek truth amidst deceitful tongues. In "The Faithless Fool, 1660-86 (brush and Indian ink on paper), " an unfaithful soul faces consequences for their lack of belief - a cautionary tale about losing oneself in doubt. From Basel's Dance of Death series comes "Death Comes For The Unbelieving Woman/Husband From Der Todten Tanz Or The Dance Of Death Published Basel 1843, " illustrating mortality's impartiality towards those who reject faith. "The Doubting Thomas (red chalk on paper)" captures a pivotal moment when skepticism meets undeniable proof – urging us to question without fear but embrace conviction.