Upper Section Collection

Arabic inscriptions and decorations on apse inside the ancient Bahia Palace, Marrakech, Morocco

Upper section El-Khazne Close side view precarious hazardous
Upper section of El-Khazne. Close side view, taken from precarious hazardous height. 1898Al-Khazneh, is one of the most elaborate temples in the ancient Arab Nabatean Kingdom city of Petra

Upper section Temple el-Khazne Petra 1898 Jordan
Upper section of Temple of el-Khazne in Petra. 1898, Jordan, Petra (Extinct city)

Fall rebel angels upper sheet Le Brun Charles
Fall of the rebel angels: upper sheet, Le Brun, Charles, 1619-1690, Loir, Alexis, 1640-1713, Etching, engraving, black-and-white, ca

Three-Sectional Altar Group Koro upper section
Three-Sectional Altar Group: Koro (upper section of base), Qing Dynasty. China, Qing dynasty (1644-1911). Jade; overall: 16.5 cm (6 1/2 in.); with base: 19.4 cm (7 5/8 in.); upper base

Christ flanked Virgin St John upper section Paul
Artokoloro

View from the upper section of the Bright Angel Trail, beneath the South Rim, Grand Canyon National Park, UNESCO World Heritage Site, Arizona, United States of America (U.S.A.), North America

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The upper section of Kerbela, the second holy city for Shiite Muslims, welcomes visitors with its grand entrance. As you approach El-Khazne, a close side view reveals its precarious and hazardous nature. This upper section of Temple el-Khazne in Petra has been captivating travelers since 1898 in Jordan. In Le Brun's masterpiece "Fall of Rebel Angels, " the upper sheet showcases a mesmerizing depiction of celestial chaos. The Three-Sectional Altar Group features an exquisite Koro in its upper section, adding an air of elegance to any sacred space. A chilling broadsheet tells the haunting tale of Dionisio Silverio, a murderer executed by firing squad. The execution scene is captured in the upper section, leaving viewers with a sense of both horror and fascination. Christ takes center stage flanked by the Virgin Mary and St. John in Paul's artwork within the upper section. This divine composition evokes deep spiritual contemplation and awe-inspiring beauty. Elias van Nijmegen's artistry from 1667 to 1755 captures the essence of his birthplace through stunning depictions found in Rotterdam's upper sections. His works transport viewers to another time and place, immersing them into historical landscapes. Nejaf stands as the first sacred city for Shiite Muslims, where its mosque entrance beckons believers to explore their faith further within this revered location. Mesopotamia unfolds before your eyes on Baghdad streets' views - showcasing Iraq's rich history and culture within each frame. Dragon carvings adorn small bowls within the Three-Sectional Altar Group's intricate design - their presence felt even more powerfully when gazing at their placement in the upper section. Once again Christ stands tall amidst heavenly figures; this time accompanied by St John and Virgin Mary while being observed by Paul himself - all united harmoniously within one captivating piece located above them all.