Varahran V Collection

Bahram Gur in the White Palace on Friday, Folio 235 from a Khamsa... A.H. 931 / A.D
Bahram Gur in the White Palace on Friday, Folio 235 from a Khamsa (Quintet) of Nizami, A.H. 931/A.D. 1524-25

Bahram Gur in the Yellow Palace on Sunday, Folio 213 from a Khamsa... A.H. 931 / A.D
Bahram Gur in the Yellow Palace on Sunday, Folio 213 from a Khamsa (Quintet) of Nizami, A.H. 931/A.D. 1524-25

Bahram Gur in the Sandal Palace on Thursday, Folio 230 from a Khamsa... A.H. 931 / A.D
Bahram Gur in the Sandal Palace on Thursday, Folio 230 from a Khamsa (Quintet) of Nizami, A.H. 931/A.D. 1524-25

Tile from a Frieze, Iran, second half 13th century. Creator: Unknown
Tile from a Frieze, Iran, second half 13th century. A scene from the Shahnama possibly depicting Bahram Gur returning to India with his bride

Bahram Gur in the Blue Pavilion, Folio from Khamsa (Quintet) of Nizami, early 16th century

Bahram Gur in the Dark Palace on Saturday, Folio 207 from a Khamsa... A.H. 931 / A.D
Bahram Gur in the Dark Palace on Saturday, Folio 207 from a Khamsa (Quintet) of Nizami, A.H. 931/A.D. 1524-25

Bahram Gur on the Chase, Folio 10r from a Haft Paikar (Seven Portraits)... of Nizami, ca
Bahram Gur on the Chase, Folio 10r from a Haft Paikar (Seven Portraits) of the Khamsa (Quintet) of Nizami, ca. 1430

Bahram Gur in the Green Palace on Monday, Folio from a Khamsa (Quintet) of Nizami, A. H
Bahram Gur in the Green Palace on Monday, Folio from a Khamsa (Quintet) of Nizami, A.H. 931/A.D. 1524-25

Bahram Gur and the Indian Princess in the Dark Palace on Saturday, Folio 23v... ca. 1430
Bahram Gur and the Indian Princess in the Dark Palace on Saturday, Folio 23v from a Haft Paikar (Seven Portraits) of the Khamsa (Quintet) of Nizami, ca. 1430

Bahram Gur in the Turquoise Palace on Wednesday, Folio 216 from a Khamsa (Quintet) of Nizami, dated A.H. 931/A.D. 1524-25

Silver plate, Sasanian, c5th-c7th century. Silver bowl representing a Sasanian king undertaking the traditional ancient Near Eastern royal sport of lion hunting

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"Exploring the Enchanting World of Varahran V: A Glimpse into Persian Art and Literature" Step into the White Palace on a Friday, as Bahram Gur, the legendary king from ancient Persia, captivates us with his tales. This folio from a Khamsa transports us to A. H. 931 / A. D. , where we witness his grandeur. On a vibrant Sunday, Bahram Gur graces the Yellow Palace in all its splendor. The exquisite details captured in this folio (Folio 213) mesmerize us as we delve deeper into his adventures and conquests. Thursday brings us to the Sandal Palace, where Bahram Gur's presence is felt through another remarkable folio (Folio 230). The intricate artistry takes us back to A. H. 931 / A. D. , immersing us in an era of opulence and elegance. As we journey further into Persian history, we encounter a magnificent bowl from Iran dating back to the 12th-13th century. Crafted by an unknown creator, it serves as a testament to the artistic brilliance that thrived during Varahran V's reign. A tile from a frieze captures our attention next—a masterpiece hailing from second half of the 13th century in Iran. Its mysterious creator leaves their mark on this extraordinary piece that adds depth and beauty to Varahran V's legacy. Witnessing Bahram Gur's hunting prowess becomes possible through yet another captivating artwork—a folio depicting him skillfully navigating nature while Fitna watches closely—an intriguing scene unfolding within Haft Paikar (Seven Portraits). Intriguingly portrayed within Nizami's Khamsa (Quintet), Bahram Gur enchants viewers once more—this time residing in the Blue Pavilion. This delicate folio unveils his charisma against an enchanting backdrop, leaving us in awe of his presence.