Skip to main content

Varley Collection (#2)

Varley, a name that echoes through time and across various artistic realms. From the grandeur of Lixnaw Castle in Co

Background imageVarley Collection: On Loch Tulla, Black Mount, Argyllshire, Scotland, 1924-1926. Artist: FC Varley

On Loch Tulla, Black Mount, Argyllshire, Scotland, 1924-1926. Artist: FC Varley
On Loch Tulla, Black Mount, Argyllshire, Scotland, 1924-1926. A print from Hutchinsons Britain Beautiful, edited by Walter Hutchinson, volume I, 1924-1926

Background imageVarley Collection: Balmoral Castle, Aberdeenshire, Scotland, 1924-1926. Artist: FC Varley

Balmoral Castle, Aberdeenshire, Scotland, 1924-1926. Artist: FC Varley
Balmoral Castle, Aberdeenshire, Scotland, 1924-1926. Balmoral became the summer residence of the British Royal Family after Queen Victoria and Prince Albert stayed there in 1848

Background imageVarley Collection: View of Windsor, c1832, (1938). Artist: John Varley I

View of Windsor, c1832, (1938). Artist: John Varley I
View of Windsor, c1832, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F. Gordon Roe. [Emrose and Sons Ltd

Background imageVarley Collection: Harlech Castle, 1832, (1938). Artist: John Varley I

Harlech Castle, 1832, (1938). Artist: John Varley I
Harlech Castle, 1832, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F. Gordon Roe. [Emrose and Sons Ltd

Background imageVarley Collection: Windermere from Bowness, c1822, (1938). Artist: John Varley I

Windermere from Bowness, c1822, (1938). Artist: John Varley I
Windermere from Bowness, c1822, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F. Gordon Roe

Background imageVarley Collection: Bells improved reaping machine by Crosskill, c1840s. Artist: Joseph Wilson Lowry

Bells improved reaping machine by Crosskill, c1840s. Artist: Joseph Wilson Lowry
Bells improved reaping machine by Crosskill, c1840s. A farmer operates the machine by guiding two horses behind which push the harvester forward

Background imageVarley Collection: Henry Varley - evangelist and missionary to Australia

Henry Varley - evangelist and missionary to Australia
Henry Varley (25th October 1835 to 30th March 1912) - English international evangelist and missionary to Australia and regarded as one of the great evangelists of the Victorian era

Background imageVarley Collection: Cornelius Varley

Cornelius Varley
CORNELIUS VARLEY artist and inventor Date: 1781 - 1873

Background imageVarley Collection: Drawings Prints, Drawing, Figures, Beside, Waterfall, Pool, Wooded, Landscape, Artist

Drawings Prints, Drawing, Figures, Beside, Waterfall, Pool, Wooded, Landscape, Artist
Drawings and Prints, Drawing, Figures Beside a Waterfall and Pool in a Wooded Landscape, Artist, John Varley, British, London 1778-1842 London, Varley, John, 1778, 1842, 1812, 1812

Background imageVarley Collection: Bamborough Castle Northeast Holy Island Distance

Bamborough Castle Northeast Holy Island Distance
Artokoloro

Background imageVarley Collection: Thames Hammersmith ca 1836 Watercolor graphite

Thames Hammersmith ca 1836 Watercolor graphite
Artokoloro

Background imageVarley Collection: Waborne Hall, Norfolk

Waborne Hall, Norfolk. Varley, John 1778 - 1842

Background imageVarley Collection: Old London Bridge

Old London Bridge
circa 1800: A watercolour by J Varley, (1778 - 1843), after a print of 1787 of London Bridge, showing the houses built on the bridge. (Photo by Herbert Felton/Herbert Felton/Getty Images)

Background imageVarley Collection: John Varley, A Stand of Trees [recto], British, 1778-1842, brush and brown-gray wash

John Varley, A Stand of Trees [recto], British, 1778-1842, brush and brown-gray wash with graphite on laid paper

Background imageVarley Collection: Cornelius Varley (British, 1781 - 1873), Henham Park, Suffolk, 1801-1803, graphite

Cornelius Varley (British, 1781 - 1873), Henham Park, Suffolk, 1801-1803, graphite with watercolor on wove paper

Background imageVarley Collection: John Varley (British, 1778 - 1842), Two Figures on a Country Road, graphite on wove paper

John Varley (British, 1778 - 1842), Two Figures on a Country Road, graphite on wove paper

Background imageVarley Collection: John Varley, Looking under the Bridge, British, 1778 - 1842, watercolor over graphite

John Varley, Looking under the Bridge, British, 1778 - 1842, watercolor over graphite on wove paper

Background imageVarley Collection: John Varley, Study of a Head in Profile, British, 1778 - 1842, gray wash and graphite

John Varley, Study of a Head in Profile, British, 1778 - 1842, gray wash and graphite on laid paper

Background imageVarley Collection: John Varley, Study of Trees in a Landscape, British, 1778 - 1842, pen and brown ink

John Varley, Study of Trees in a Landscape, British, 1778 - 1842, pen and brown ink with brown wash on thin brown paper backed with japan paper

Background imageVarley Collection: John Varley Signed lower left: 1820, not signed, John Linnell, 1792-1882

John Varley Signed lower left: 1820, not signed, John Linnell, 1792-1882
John Varley Signed lower left: " 1820", not signed, John Linnell, 1792-1882, British

Background imageVarley Collection: A View along the Thames towards Chelsea Old Church, London, John Varley, 1778-1842

A View along the Thames towards Chelsea Old Church, London, John Varley, 1778-1842, British

Background imageVarley Collection: Westminster Abbey from Tothill Fields London Signed and dated in black paint, lower center

Westminster Abbey from Tothill Fields London Signed and dated in black paint, lower center: " J. Varley 1832", John Varley, 1778-1842, British




For sale as Licensed Images

Choose your image, Select your licence and Download the media

Varley, a name that echoes through time and across various artistic realms. From the grandeur of Lixnaw Castle in Co. Kerry to the industrial marvel of Randalls Flint Mill in Nine Elms, Battersea, Varley's creations have left an indelible mark on history. In 1830, John Varley I crafted Randalls Flint Mill with meticulous precision, showcasing his mastery over engineering and design. Fast forward to 1947, and his legacy lives on as this architectural wonder continues to captivate all who lay eyes upon it. Not limited to structures alone, Varley's artistic prowess extended into the realm of painting. Ely Cathedral in Cambridgeshire stands as a testament to this fact - a masterpiece brought to life between 1924 and 1926 by none other than FC Varley. The intricate brushstrokes breathe life into every corner of this sacred place. But it wasn't just cathedrals that caught the attention of the Varleys; St. Alkmunds in Shrewsbury also bears their creative touch. In 1801, John Varley I left his mark on its walls before being immortalized once again in 1938 when another artist named John Varley I paid homage to his predecessor's work. The influence of the Varleys extends beyond artistry alone; they have made their mark on society as well. Harry Varley played an integral role during the People's March for Jobs in 1981 - fighting for justice and equality alongside countless others who shared his vision. Neil Varley too has contributed significantly within artistic circles - leaving an indelible impact wherever he goes. His talent shines through every stroke of paint or pen upon canvas or paper alike. Even advertisements bear witness to the reach of this illustrious family name. CPV showcased Beatniks cruising around town in Austin A7s while Man and Chauffeur took center stage in their advertisement for the Austin A99.