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Vecellio Collection (page 3)

Vecellio, also known as Titian, was an Italian Renaissance painter who left a lasting impact on the art world

Background imageVecellio Collection: La Fiesta De Venus, (The Worship of Venus), 1518-1519, (c1934). Artist: Titian

La Fiesta De Venus, (The Worship of Venus), 1518-1519, (c1934). Artist: Titian
La Fiesta De Venus, (The Worship of Venus), 1518-1519, (c1934). Depicts a Roman rite of worship conducted in honour of the goddess Venus each 1 April

Background imageVecellio Collection: Speech of the Marquis del Vasto, c1540, (c1934). Artist: Titian

Speech of the Marquis del Vasto, c1540, (c1934). Artist: Titian
Speech of the Marquis del Vasto, c1540, (c1934). Alfonso d Avalos, Marchese del Vasto, (1502-1546) was a noble Neapolitan, who participated in the Battle of Pavia and the conquest of Tunisia in 1535

Background imageVecellio Collection: Venus Con El Musico, (Venus and music), 1550, (c1934). Artist: Titian

Venus Con El Musico, (Venus and music), 1550, (c1934). Artist: Titian
Venus Con El Musico, (Venus and music), 1550, (c1934). Venus lies before a large window. At her feet an organist plays his instruments in contemplation of the nakedness of the goddess. Oil on canvas

Background imageVecellio Collection: Kaiser Karl V. 1500-1558. - Gemalde von Tizian, 1934

Kaiser Karl V. 1500-1558. - Gemalde von Tizian, 1934
Kaiser Karl V. 1500-1558. 1934. Charles V (1500-1558), ruler of both the Spanish Empire from 1516 and the Holy Roman Empire from 1519. From Die Groszen der Weltgelchichte

Background imageVecellio Collection: Portrait of Gerolamo Barbarigo, 1510, (1909). Artist: Titian

Portrait of Gerolamo Barbarigo, 1510, (1909). Artist: Titian
Portrait of Gerolamo Barbarigo or A Man with Quilted Sleeves, 1510, (1909). Painting held at The National Gallery, London. From The National Gallery, Vol. One [T. C. & E. C

Background imageVecellio Collection: Man in a Red Cap, c1510. Artist: Titian

Man in a Red Cap, c1510. Artist: Titian
Man in a Red Cap, c1510. Painting held in The Frick Collection, New York. From The Studio Volume 119. [The Studio Ltd, London & New York, 1940]

Background imageVecellio Collection: Flora, c1515, (1911). Artist: Titian

Flora, c1515, (1911). Artist: Titian
Flora, c1515. After an oil painting by Titian (c1488-1576). Original housed in the Uffizi Gallery, Florence. From A History of Painting Vol. 2 by Haldane MacFall [T.C. and E.C

Background imageVecellio Collection: Venus and Adonis, c1545, (1937). Artist: Titian

Venus and Adonis, c1545, (1937). Artist: Titian
Venus and Adonis c1545. After an original work by Titian (Tiziano Vecellio) (c1485-1576). Original housed in The Metropolitan Museum of Art, New York. From The Studio Vol

Background imageVecellio Collection: Assumption of the Virgin, 1516-1518 (1870). Artist: Roland Brunier

Assumption of the Virgin, 1516-1518 (1870). Artist: Roland Brunier
Assumption of the Virgin, 1516-1518 (1870). After the painting by Titian in the collection of the Santa Maria Gloriosa dei Frari, Venice

Background imageVecellio Collection: Charles V, Holy Roman Emperor, 1548 (1956)

Charles V, Holy Roman Emperor, 1548 (1956). After Titians portrait of Charles (1500-1558) At the battle of Muhlberg in 1547. From the Prado, Madrid

Background imageVecellio Collection: Titian (1487-1576) and Francisco di Mosaico, 16th century (1883)

Titian (1487-1576) and Francisco di Mosaico, 16th century (1883)

Background imageVecellio Collection: Caricature of the Laocoon group, 1937. Artist: Nicolo Boldrini

Caricature of the Laocoon group, 1937. Artist: Nicolo Boldrini
Caricature of the Laocoon group, 1937. A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937

Background imageVecellio Collection: Samson and Delilah, 1937. Artist: Nicolo Boldrini

Samson and Delilah, 1937. Artist: Nicolo Boldrini
Samson and Delilah, 1937. A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937

Background imageVecellio Collection: St Francis Receiving the Stigmata, 1937. Artist: Nicolo Boldrini

St Francis Receiving the Stigmata, 1937. Artist: Nicolo Boldrini
St Francis Receiving the Stigmata, 1937. A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937

Background imageVecellio Collection: Large Landscape with St Jerome, 1937. Artist: Nicolo Boldrini

Large Landscape with St Jerome, 1937. Artist: Nicolo Boldrini
Large Landscape with St Jerome, 1937. A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937

Background imageVecellio Collection: Adoration of the Shepherds, 1937. Artist: Domenico dalle Greche

Adoration of the Shepherds, 1937. Artist: Domenico dalle Greche
Adoration of the Shepherds, 1937. A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937

Background imageVecellio Collection: Destruction of Pharaohs Host in the Red Sea, 1549, (1937). Artist: Domenico dalle Greche

Destruction of Pharaohs Host in the Red Sea, 1549, (1937). Artist: Domenico dalle Greche
Destruction of Pharaohs Host in the Red Sea, 1549, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937

Background imageVecellio Collection: Abrahams Sacrifice, 1516-1518, (1937). Artist: Ugo da Carpi

Abrahams Sacrifice, 1516-1518, (1937). Artist: Ugo da Carpi
Abrahams Sacrifice, 1516-1518, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937

Background imageVecellio Collection: Vision of St John the Evangelist, 1937. Artist: Andrea Zucchi

Vision of St John the Evangelist, 1937. Artist: Andrea Zucchi
Vision of St John the Evangelist, 1937. Formerly in the Scula di San Giovanni Evangelista at Venice. A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna

Background imageVecellio Collection: The Scourging of Christ, 1568, (1937). Artist: Martino Rota

The Scourging of Christ, 1568, (1937). Artist: Martino Rota
The Scourging of Christ, 1568, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937

Background imageVecellio Collection: Vulcans Forge, 16th century, (1937). Artist: Cornelis Cort

Vulcans Forge, 16th century, (1937). Artist: Cornelis Cort
Vulcans Forge, 16th century, (1937). Ceiling painting, formerly in the town hall at Brescia. Engraved by Melchior Meier of Cornelis Cort

Background imageVecellio Collection: Tantalus, 16th century, (1937). Artist: Guilo Sanuto

Tantalus, 16th century, (1937). Artist: Guilo Sanuto
Tantalus, 16th century, (1937). Ceiling painting for Queen Maria of Hungary. A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937

Background imageVecellio Collection: Landscape with St Jerome, 16th century, (1937). Artist: Cornelis Cort

Landscape with St Jerome, 16th century, (1937). Artist: Cornelis Cort
Landscape with St Jerome, 16th century, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937

Background imageVecellio Collection: St Peter Martyr, 16th century, (1937). Artist: Luca Bertelli

St Peter Martyr, 16th century, (1937). Artist: Luca Bertelli
St Peter Martyr, 16th century, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937

Background imageVecellio Collection: Votive picture of Doge Andrea Gritti, 1937

Votive picture of Doge Andrea Gritti, 1937. Woodcut after the burnt picture by Titian formaly in the Ducal Palace, Venice, 1531

Background imageVecellio Collection: Annunciation, 16th century, (1937). Artist: Giovanni Jacopo Caraglio

Annunciation, 16th century, (1937). Artist: Giovanni Jacopo Caraglio
Annunciation, 16th century, (1937). Painted by Titian in 1537 for the Convent of Santa Maria degli Angeli at Murano. A print from Titian Paintings and Drawings, introduction by Hans Tietze

Background imageVecellio Collection: Martydom of St Peter Martyr, 16th century, (1937). Artist: Martino Rota

Martydom of St Peter Martyr, 16th century, (1937). Artist: Martino Rota
Martydom of St Peter Martyr, 16th century, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937. Formaly in SS Giovanni e Paolo, Venice

Background imageVecellio Collection: Horseman, c1565, (1937). Artist: Titian

Horseman, c1565, (1937). Artist: Titian
Horseman, c1565, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937. Found in the collection of the Graphische Sammlung, Munich

Background imageVecellio Collection: Horseman Falling, c1565, (1937). Artist: Titian

Horseman Falling, c1565, (1937). Artist: Titian
Horseman Falling, c1565, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937. Found in the collection of the Ashmolean Museum, Oxford

Background imageVecellio Collection: Angel of the Annunciation, c1565, (1937). Artist: Titian

Angel of the Annunciation, c1565, (1937). Artist: Titian
Angel of the Annunciation, c1565, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937. Found in the collection of the Uffizi Gallery, Florence

Background imageVecellio Collection: Lovers (Jupiter and Io), c1560, (1937). Artist: Titian

Lovers (Jupiter and Io), c1560, (1937). Artist: Titian
Lovers (Jupiter and Io), c1560, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937

Background imageVecellio Collection: Study for the Martyrdom of St Lawrence in Venice, c1550, (1937). Artist: Titian

Study for the Martyrdom of St Lawrence in Venice, c1550, (1937). Artist: Titian
Study for the Martyrdom of St Lawrence in Venice, c1550, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937

Background imageVecellio Collection: Medor and Angelica or Jason and Medea, c1535-1545, (1937). Artist: Titian

Medor and Angelica or Jason and Medea, c1535-1545, (1937). Artist: Titian
Medor and Angelica or Jason and Medea, c1535-1545, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937

Background imageVecellio Collection: Study for the St Bernardino in the Votive picture of Doge Gritti, c1535, (1937). Artist: Titian

Study for the St Bernardino in the Votive picture of Doge Gritti, c1535, (1937). Artist: Titian
Study for the St Bernardino in the Votive picture of Doge Gritti, c1535, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937

Background imageVecellio Collection: Sketch for the portrait of the Duke of Urbino, 1536, (1937). Artist: Titian

Sketch for the portrait of the Duke of Urbino, 1536, (1937). Artist: Titian
Sketch for the portrait of the Duke of Urbino, 1536, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937

Background imageVecellio Collection: Horseman for the Battle of Cadore, c1525, (1937). Artist: Titian

Horseman for the Battle of Cadore, c1525, (1937). Artist: Titian
Horseman for the Battle of Cadore, c1525, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937

Background imageVecellio Collection: Head of a Moor, c1525, (1937). Artist: Titian

Head of a Moor, c1525, (1937). Artist: Titian
Head of a Moor, c1525, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937. Found in the collection of the Uffizi Gallery, Florence

Background imageVecellio Collection: Landscape with Shepherd and Flock, c1520, (1937). Artist: Titian

Landscape with Shepherd and Flock, c1520, (1937). Artist: Titian
Landscape with Shepherd and Flock, c1520, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937

Background imageVecellio Collection: Landscape with Flock of Sheep, c1520, (1937). Artist: Titian

Landscape with Flock of Sheep, c1520, (1937). Artist: Titian
Landscape with Flock of Sheep, c1520, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937. Found in the collection of the Louvre, Paris, France

Background imageVecellio Collection: Landscape with Satyrs, c1530-1540, (1937). Artist: Titian

Landscape with Satyrs, c1530-1540, (1937). Artist: Titian
Landscape with Satyrs, c1530-1540, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937. Found in the collection of the Musee Bonnat, Bayonne

Background imageVecellio Collection: Sketch for the St Sebastian, c1518, (1937). Artist: Titian

Sketch for the St Sebastian, c1518, (1937). Artist: Titian
Sketch for the St Sebastian, c1518, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937

Background imageVecellio Collection: Forest Landscape, c1516-1518, (1937). Artist: Titian

Forest Landscape, c1516-1518, (1937). Artist: Titian
Forest Landscape, c1516-1518, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937. Found in the collection of The Metropolitan Museum, New York

Background imageVecellio Collection: The Triumph of Faith, 1510-1511, (1937). Artist: Titian

The Triumph of Faith, 1510-1511, (1937). Artist: Titian
The Triumph of Faith, 1510-1511, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937

Background imageVecellio Collection: Sketches for the St Sebastian in Brescia, c1518, (1937). Artist: Titian

Sketches for the St Sebastian in Brescia, c1518, (1937). Artist: Titian
Sketches for the St Sebastian in Brescia, c1518, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937

Background imageVecellio Collection: Polyphemus, c1515, (1937). Artist: Titian

Polyphemus, c1515, (1937). Artist: Titian
Polyphemus, c1515, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937. Found in the collection of the Musee Wicar, Lille

Background imageVecellio Collection: Group of Apostles, 1516-1518, (1937). Artist: Titian

Group of Apostles, 1516-1518, (1937). Artist: Titian
Group of Apostles, 1516-1518, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937. Found in the collection of the Louvre, Paris, France

Background imageVecellio Collection: Sketch for the Jealous Husband in the Scuola Del Santo, c1510, (1937). Artist: Titian

Sketch for the Jealous Husband in the Scuola Del Santo, c1510, (1937). Artist: Titian
Sketch for the Jealous Husband in the Scuola Del Santo, c1510, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937

Background imageVecellio Collection: Landscape with Satyrs, c1512, (1937). Artist: Titian

Landscape with Satyrs, c1512, (1937). Artist: Titian
Landscape with Satyrs, c1512, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937. From the collection of E & A Silberman Galleries, New York




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Vecellio, also known as Titian, was an Italian Renaissance painter who left a lasting impact on the art world. His works are diverse and captivating, showcasing his immense talent and skill. One of his most famous paintings is the Venus of Urbino, created in 1538. This masterpiece portrays a reclining nude woman with a sensuous gaze, symbolizing love and beauty. Another notable work is Noli Me Tangere from around 1514, depicting Christ after resurrection warning Mary Magdalene not to touch him. In Christ Carrying the Cross from the 1560s, Titian captures the emotional weight of Jesus' journey to crucifixion. The painting's dramatic composition and use of color evoke empathy in viewers. Titian himself is depicted in a lithograph from 1827 that showcases his iconic appearance during the Italian Renaissance period. He exudes confidence and creativity through this portrayal. The artist's versatility shines through in various other works such as Venus and the Lute Player (ca. 1565-70), which combines classical mythology with musical themes, creating an enchanting scene. A portrait titled We Named Lucrezia Crivelli and Titians Lady (c1910) by Harry Clarke pays homage to both Titian's subjects and his artistic legacy. Venus and Adonis (1553) presents another mythological tale where love meets tragedy while The Holy Family with a Shepherd (c1510) depicts religious devotion within a pastoral setting. Titian's influence extended beyond Italy; he even painted Charles V, Holy Roman Emperor (1500-1558). This portrait captures Charles V's powerful presence amidst opulent surroundings.