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Veneration Collection (#2)

Veneration, the act of showing deep respect and admiration, has been a central theme in various forms of art throughout history

Background imageVeneration Collection: Coronation Entry of John III (1629-96) into Poland, 1675 (engraving)

Coronation Entry of John III (1629-96) into Poland, 1675 (engraving)
CZA228787 Coronation Entry of John III (1629-96) into Poland, 1675 (engraving) by Hooghe, Romeyn de (d.1708); 47.7x70.5 cm; Czartoryski Museum, Cracow, Poland; Dutch, out of copyright

Background imageVeneration Collection: Vienna Print Cycle, Entry of Emperor Leopold (1640-1705) into the Tent of the Grand Vizier

Vienna Print Cycle, Entry of Emperor Leopold (1640-1705) into the Tent of the Grand Vizier
CZA228700 Vienna Print Cycle, Entry of Emperor Leopold (1640-1705) into the Tent of the Grand Vizier, 1683 (engraving) by Hooghe, Romeyn de (d.1708); 16.4x19.9 cm; Czartoryski Museum, Cracow

Background imageVeneration Collection: Abstract Head Pink-Light Blue 1929 oil cardboard

Abstract Head Pink-Light Blue 1929 oil cardboard
Abstract Head: Pink-Light Blue, 1929, oil on cardboard, 37 x 27 cm, signed and dated, l.: A. J. dated u. r.: 29, inscribed, dated and signed verso: Rosa-hellblau 1929 31. Mr

Background imageVeneration Collection: Offering to the Dead, 1880. Artist: Antique

Offering to the Dead, 1880. Artist: Antique
Offering to the Dead, 1880. The veneration of the dead, including ones ancestors, is based on love and respect for the deceased. From Stories from the Greek Tragedies by the Rev. Alfred J

Background imageVeneration Collection: Polychromed wooden reliquary. Container relics of saints. Di

Polychromed wooden reliquary. Container relics of saints. Di
Polychromed wooden reliquary. Container relics of san Ermengol and San Lazaro. From Sant Esteve de Pelagalls church. Diocesan Museum. La Seu d Urgell. Catalonia. Spain

Background imageVeneration Collection: Louis-Philippe (1773-1850). Last King of France

Louis-Philippe (1773-1850). Last King of France (1830-1848). Louis Philippe I and his ministers. Caricature by Grandville. Litography. FRANCE. Ό E-DE-FRANCE. Paris. National Library

Background imageVeneration Collection: Vase Veneration Bull 17th century late Engraving

Vase Veneration Bull 17th century late Engraving
Artokoloro

Background imageVeneration Collection: Lid Seated Male Figure 1st-2nd century Pakistan

Lid Seated Male Figure 1st-2nd century Pakistan
Artokoloro

Background imageVeneration Collection: Of disordred loue and veneryous, illustration from Alexander Barclays English

Of disordred loue and veneryous, illustration from Alexander Barclays English
XJF486405 Of disordred loue and veneryous, illustration from Alexander Barclays English translation of The Ship of Fools, from an edition published in 1874 (engraving) by German School

Background imageVeneration Collection: Benedetto Veli (Italian, 1564 - 1639), Veneration of St

Benedetto Veli (Italian, 1564 - 1639), Veneration of St. Attos Miraculously Preserved Body, pen and brown ink with brown wash over black chalk

Background imageVeneration Collection: The Miracle of the Liquefaction of the Blood of Saint Januarius, 5th May 1863 (w / c

The Miracle of the Liquefaction of the Blood of Saint Januarius, 5th May 1863 (w / c
XIR352326 The Miracle of the Liquefaction of the Blood of Saint Januarius, 5th May 1863 (w/c on paper) by Gigante, Giacinto (1806-76); Museo Nazionale di San Martino, Naples

Background imageVeneration Collection: Worship of the Golden Calf, c. 1530 (oil on panel)

Worship of the Golden Calf, c. 1530 (oil on panel)
XOS2909717 Worship of the Golden Calf, c.1530 (oil on panel) by Leyden, Lucas van (c.1494-1533); 93.5u66.9 cm; Rijksmuseum, Amsterdam

Background imageVeneration Collection: Emblem with veneration of Saint Francis of Assisi who lived in virtue, Boetius Adamsz

Emblem with veneration of Saint Francis of Assisi who lived in virtue, Boetius Adamsz. Bolswert, Anonymous, Hendrik Aertssens, 1620 - 1623

Background imageVeneration Collection: The Procession of the Goddess of Reason, 10th November 1793, from Histoire de

The Procession of the Goddess of Reason, 10th November 1793, from Histoire de
KW245919 The Procession of the Goddess of Reason, 10th November 1793, from Histoire de la Revolution Francaise by Louis Blanc (1811-82) engraved by Meyer-Heine, 1847-62 (litho) by Renaud

Background imageVeneration Collection: Veneration of Mary with the Christ Child with St. Catherine of Alexandria and Barbara H

Veneration of Mary with the Christ Child with St. Catherine of Alexandria and Barbara H, Raphael Sadeler (I), 1591

Background imageVeneration Collection: Venus Honored by Nymphs and a Faun, Jan Harmensz

Venus Honored by Nymphs and a Faun, Jan Harmensz. Muller, Clement de Jonghe, Harmen Jansz Muller, 1640 - 1670

Background imageVeneration Collection: Two boys at statuette of Venus, Lodewijk de Deyster, 1666 - 1711

Two boys at statuette of Venus, Lodewijk de Deyster, 1666 - 1711

Background imageVeneration Collection: Ancestor worship in a Hanoi home

Ancestor worship in a Hanoi home

Background imageVeneration Collection: Elders altar

Elders altar. Tu An pagoda

Background imageVeneration Collection: Henri Murger Author 19C

Henri Murger Author 19C
HENRI MURGER French writer, author, depicted with characters from the opera by Puccini based on his Scenes de la Vie de Boheme Date: 1822 - 1861

Background imageVeneration Collection: Veneration of the Magi

Veneration of the Magi
The Three Kings lay their gifts of gold, frankincence and myrrh, before Jesus while the Star of Bethlehem shines down




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Veneration, the act of showing deep respect and admiration, has been a central theme in various forms of art throughout history. From religious figures to cultural symbols, these works evoke a sense of reverence and awe. In "The Lady of Montserrat" by Alonso Cano, we witness the veneration bestowed upon the Virgin Mary. Her serene expression and graceful posture invite us to join in her adoration. Similarly, in "Saint Charles Borromeo Venerating the Crucifix, " Lorenzo Tiepolo captures a moment of profound devotion as Saint Charles pays homage to the crucified Christ. Moving beyond religious contexts, veneration takes on different meanings. In a phrenological chart published in Life magazine in 1917, we see an attempt to understand human behavior through brain analysis. This scientific approach reflects society's veneration for knowledge and understanding. The Kushan period Buddha relics also inspire veneration. Created by an unknown artist during the 2nd or 3rd century, this artwork represents reverence towards Buddha's remains - objects believed to hold great spiritual power. Nature itself can be revered too; depicted in "Veneration of the Bodhi Tree. " The ancient tree symbolizes enlightenment and is honored with utmost respect by those seeking spiritual awakening. Even memorials like Stratford-on-Avon's American Memorial elicit feelings of veneration. Erected as a tribute to fallen soldiers during World War I, it stands as a reminder of sacrifice and valor that deserves our deepest respect. Artistic depictions continue this theme: "The Madonna del Bacio at San Marco" portrays tender affection between mother and child while inviting viewers' admiration for their bond. Meanwhile, "The Veneration of St Lambert" showcases communal worship where believers gather around their saintly figure with utmost devotion. Religious paintings like "Immaculate Conception" depict divine figures worthy of reverence due to their purity and holiness. Similarly, "The Madonna del Rosario with St.