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Venetian Collection (#94)

"Venetian: A Journey Through Time and Art" Step into the captivating world history, art, and culture with these fascinating hints

Background imageVenetian Collection: Basilica di Santa Maria della Salute & St. Marks Square (San Marco) Venice, Italy

Basilica di Santa Maria della Salute & St. Marks Square (San Marco) Venice, Italy

Background imageVenetian Collection: Rio del Greci, Venice, Italy

Rio del Greci, Venice, Italy

Background imageVenetian Collection: Basilica di Santa Maria della Salute from the Bauer Palazzo hotel, Grand Canal, Venice

Basilica di Santa Maria della Salute from the Bauer Palazzo hotel, Grand Canal, Venice, Italy

Background imageVenetian Collection: Rio Tera San Leonardo, Venice, Italy

Rio Tera San Leonardo, Venice, Italy

Background imageVenetian Collection: Campanile, St. Marks Square (Piazza San Marco) Venice, Italy

Campanile, St. Marks Square (Piazza San Marco) Venice, Italy

Background imageVenetian Collection: Mercati di Rialto (Rialto market) & Grand Canal, Venice, Italy

Mercati di Rialto (Rialto market) & Grand Canal, Venice, Italy

Background imageVenetian Collection: Chiesa di San Giorgio Maggiore & St. Marks Square (Piazza San Marco) Venice, Italy

Chiesa di San Giorgio Maggiore & St. Marks Square (Piazza San Marco) Venice, Italy

Background imageVenetian Collection: Panoramic view of San Giorgio Maggiore with gondola in the foreground, Venice, Italy

Panoramic view of San Giorgio Maggiore with gondola in the foreground, Venice, Italy

Background imageVenetian Collection: Le feste o balli... ca. 1610. Creator: Giacomo Franco

Le feste o balli... ca. 1610. Creator: Giacomo Franco
Le feste o balli, che la Serenissima Repubblica suol fare di Gentildonne, de richissime gioie adornate, per honorar i Principi che a Venegia talor capitano, ca. 1610

Background imageVenetian Collection: Plate 91: View of the Mocenigo Palace in Campo San Stae, Venice, 1703

Plate 91: View of the Mocenigo Palace in Campo San Stae, Venice, 1703, from " The buildings and views of Venice" (Le fabriche e vedute di Venezia), 1703

Background imageVenetian Collection: Plate 38: View of the facade of the church of St. Roch and at left the facade of the

Plate 38: View of the facade of the church of St. Roch and at left the facade of the School of St. Roch, Venice, 1703, from " The buildings and views of Venice"

Background imageVenetian Collection: Plate 85: View of the Contarini Palace in Campo San Trovaso, Venice, 1703

Plate 85: View of the Contarini Palace in Campo San Trovaso, Venice, 1703, from " The buildings and views of Venice" (Le fabriche e vedute di Venezia), 1703

Background imageVenetian Collection: Plate 95: View of Campo Santo Stefano with the Loredan Palace and Morosini Palace, Venice

Plate 95: View of Campo Santo Stefano with the Loredan Palace and Morosini Palace, Venice, 1703, from " The buildings and views of Venice" (Le fabriche e vedute di Venezia), 1703

Background imageVenetian Collection: Plate 63: View of the gate of the shipyard and armory complex (Arsenale), Venice, 1703

Plate 63: View of the gate of the shipyard and armory complex (Arsenale), Venice, 1703, from " The buildings and views of Venice" (Le fabriche e vedute di Venezia), 1703

Background imageVenetian Collection: Plate 61: View of the customs house (Dogana da Mar) at the confluence of the Grand Canal

Plate 61: View of the customs house (Dogana da Mar) at the confluence of the Grand Canal and Giudecca Canal, Venice, 1703

Background imageVenetian Collection: Plate 37: Side view of the school of St. Roch at left and view of facade of the church of

Plate 37: Side view of the school of St. Roch at left and view of facade of the church of St. Roch, Venice, 1703 from the series The buildings and views of Venice (Le fabriche e vedute di Venezia)

Background imageVenetian Collection: Jupiter Hurling Thunderbolts at the Vices, 1554-1556 (1870). Artist: L Chapon

Jupiter Hurling Thunderbolts at the Vices, 1554-1556 (1870). Artist: L Chapon
Jupiter Hurling Thunderbolts at the Vices, 1554-1556 (1870). After the painting by Paolo Veonese in the collection of the Musee du Louvre, Paris

Background imageVenetian Collection: The Apparition of the Sibyl to Caesar Augustus, 1535. Artist: Paris Bordone

The Apparition of the Sibyl to Caesar Augustus, 1535. Artist: Paris Bordone
The Apparition of the Sibyl to Caesar Augustus, 1535. Augustus askingthe Sibyl whether he is to be worshipped as a god. Found in the collection of the State A Pushkin Museum of Fine Arts, Moscow

Background imageVenetian Collection: Diana and Callisto, 17th century. Artist: Pietro Liberi

Diana and Callisto, 17th century. Artist: Pietro Liberi
Diana and Callisto, 17th century. According to Ovid, Jupiter took the form of Diana in order to force himself on Callisto when she was separated from Diana

Background imageVenetian Collection: The Madonna of the Meadow, c1500. Artist: Giovanni Bellini

The Madonna of the Meadow, c1500. Artist: Giovanni Bellini
The Madonna of the Meadow, c1500. In the foreground the Virgin Mary in a blue cloak looks down on Jesus sleeping in her lap

Background imageVenetian Collection: Illustration to Venetian Air, a poem by Thomas Moore

Illustration to Venetian Air, a poem by Thomas Moore
Illustration to a poem, Venetian Air, by Thomas Moore -- dearest Ninetta... beneath thy mask shrouded, I ll know thee afar. From a publication entitled National Airs (6 volumes, 1818-1827)

Background imageVenetian Collection: Weapons. Halberds and spearhead. Colored engraving

Weapons. Halberds and spearhead. Colored engraving
Weapons. Swiss Halberd from 18th century, Swiss halberd from 15th century, German halberd from 16h century, French halberd from 16th century

Background imageVenetian Collection: Man in an office with an Exidy Sorcerer computer

Man in an office with an Exidy Sorcerer computer and word processor. Date: circa late 1970s

Background imageVenetian Collection: The Lido Lady by Ronald Jeans

The Lido Lady by Ronald Jeans
Promotional postcard for The Lido Lady by Ronald Jeans; Lyrics Lorenz Hart; music Richard Rodgers. First produced at the Alhambra, Bradford, 4th October and the Gaiety Theatre

Background imageVenetian Collection: VERONESE, Paolo Caliari, called Paolo (1528-1588)

VERONESE, Paolo Caliari, called Paolo (1528-1588). Arachne or Dialects. 1575 - 1577. ITALY. Venice. Ducal Palace. Ceiling decoration in the Sala del Collegio. Renaissance art. Cinquecento

Background imageVenetian Collection: TINTORETTO, Il. Battle of Zara

TINTORETTO, Il. Battle of Zara
TINTORETTO, Jacopo Robusti, called Il (1518-1594). Battle of Zara. 1582 - 1587. Victory of the Venetians over the Hungarians in the capture of the city in 1346. Central detail

Background imageVenetian Collection: GIORGIONE. Youth holding an Arrow 1505

GIORGIONE. Youth holding an Arrow 1505
GIORGIONE, Giorgio da Castelfranco, called (1477-1510). Youth holding an Arrow. 1505. Renaissance art. Cinquecento. Venetian school. Oil on canvas. AUSTRIA. VIENNA. Vienna

Background imageVenetian Collection: The Venetian party held by Mrs Keiller, July 1914

The Venetian party held by Mrs Keiller, July 1914
Page from The Sketch reporting on a lavish party hosted by Mrs Alexander Keiller, formerly Miss Doll Phil-Morris, the artist

Background imageVenetian Collection: Blue Venetian Masks Venice Italy Used since the 1200s for Carnival, which were celebrated

Blue Venetian Masks Venice Italy Used since the 1200s for Carnival, which were celebrated
Blue Venetian Masks, Venice, Italy Used since the 1200s for Carnival, which were celebrated just before Lent. In ancient times, Masks allowed the Venetians to do what was illegal, such as gambling

Background imageVenetian Collection: Colorful houses and canal, Burano, Veneto, Italy

Colorful houses and canal, Burano, Veneto, Italy

Background imageVenetian Collection: Carnival masks, Venice, Veneto, Italy

Carnival masks, Venice, Veneto, Italy

Background imageVenetian Collection: PAOLO LUCIO ANAFESTO, c1869. Speculative portrait of the traditional first Doge of Venice

PAOLO LUCIO ANAFESTO, c1869. Speculative portrait of the traditional first Doge of Venice. Engraving, c1869

Background imageVenetian Collection: ASTROLOGY BOOK, 1511. Woodcut from an edition of Johannes Lichtenbergers astrology

ASTROLOGY BOOK, 1511. Woodcut from an edition of Johannes Lichtenbergers astrology text Pronosticatio, Venice, 1511

Background imageVenetian Collection: ALLEGORY OF THE MOON, 1482. Allegorical representation of Luna, Roman goddess of the moon

ALLEGORY OF THE MOON, 1482. Allegorical representation of Luna, Roman goddess of the moon. Woodcut from Gaius Julius Hyginus Poeticon Astronomicon, Venice, Italy, 1482

Background imageVenetian Collection: Gondolas and San Giorgio Maggiore at back, from St. Marks Square, Venice, Venezien, Italy

Gondolas and San Giorgio Maggiore at back, from St. Marks Square, Venice, Venezien, Italy

Background imageVenetian Collection: CANALETTO: VENICE. Bucentaur returns to the pier in Venice on Ascension Day. Oil on canvas

CANALETTO: VENICE. Bucentaur returns to the pier in Venice on Ascension Day. Oil on canvas, c1729

Background imageVenetian Collection: WAR OF THE CHIOGGIA, 1379. Naval battle between Venice and Genoa, as seen from Chioggia, 1379

WAR OF THE CHIOGGIA, 1379. Naval battle between Venice and Genoa, as seen from Chioggia, 1379. Undated painting

Background imageVenetian Collection: VENICE: BALL, 18th CENTURY. A masquerade ball in Venice, Italy. Painting by Gabriel Bella

VENICE: BALL, 18th CENTURY. A masquerade ball in Venice, Italy. Painting by Gabriel Bella, 18th century

Background imageVenetian Collection: JEWISH WEDDING, 1601. A Jewish wedding ceremony. Woodcut, Venice, 1601

JEWISH WEDDING, 1601. A Jewish wedding ceremony. Woodcut, Venice, 1601

Background imageVenetian Collection: Battle Of Lepanto

Battle Of Lepanto
The allied Papal, Spanish, Venetian and Genoese fleets, under Don John of Austria, stand victorious over the Turks at the Battle of Lepanto (Navpaktos) on the 7th October, 1571

Background imageVenetian Collection: VENICE: PIAZZA SAN MARCO. Piazza San Marco in Venice, Italy, looking towards the church of S

VENICE: PIAZZA SAN MARCO. Piazza San Marco in Venice, Italy, looking towards the church of S. Geminiano, since demolished. Engraving, 1735, by Antonio Visentini after Canaletto

Background imageVenetian Collection: VENICE: CAMPO SAN POLO. Campo San Polo in Venice, Italy, with Palazzo Corner Mocenigo

VENICE: CAMPO SAN POLO. Campo San Polo in Venice, Italy, with Palazzo Corner Mocenigo in the left background. Engraving, 1735, by Antonio Visentini after Canaletto

Background imageVenetian Collection: GALILEO GALILEI (1564-1642). Galileo demonstrating his telescopic discovery of the satellites of

GALILEO GALILEI (1564-1642). Galileo demonstrating his telescopic discovery of the satellites of Jupiter to the Doge and councillors of Venice on 25 August 1609. Colored French engraving, 19th century

Background imageVenetian Collection: Royal Wedding 1919 -- Princess Patricia of Connaught

Royal Wedding 1919 -- Princess Patricia of Connaught
Princess Patricia of Connaughts wedding dress (left), and the dresses of the elder and younger bridesmaids. She married Commander Alexander Ramsay RN on 27 February 1919

Background imageVenetian Collection: Venice, Italy - Pontoon bridge across the Venetian Lagoon

Venice, Italy - Pontoon bridge across the Venetian Lagoon to S. Michele Island. San Michele, nicknamed The Island of the Dead, is the cemetery island of Venice

Background imageVenetian Collection: Haci Ahmeds world map, 1560

Haci Ahmeds world map, 1560
Haci Ahmeds world map. This map, based on Oronce Fines cordiform (heart-shaped) map of 1534, was translated into Turkish in the Islamic year 967 (October 1559 to September 1560)

Background imageVenetian Collection: ABU MASHAR (787-886). Known as Albumazar: woodcut from his Introductorium in Astronomiam, Venice

ABU MASHAR (787-886). Known as Albumazar: woodcut from his Introductorium in Astronomiam, Venice, 1506

Background imageVenetian Collection: EXPL2A-00095

EXPL2A-00095
Marco Polo leading the Venetian ships at Korcula in the Adriatic Sea. Hand-colored woodcut




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"Venetian: A Journey Through Time and Art" Step into the captivating world history, art, and culture with these fascinating hints. From Dante's Inferno to Fra Mauro's intricate map, each piece tells a unique story about this enchanting city. Immerse yourself in the depths of literature as you explore Dante's Inferno through a woodcut from a Venetian edition of the Divine Comedy. The vivid imagery brings to life the poet's journey through hell, showcasing the artistic prowess that Venice has long been known for. Travel back to 1460 with the Fra Mauro Map, where South is at the top. This extraordinary cartographic masterpiece provides an intriguing insight into how Venice was perceived during that era - a testament to their navigational expertise and thirst for exploration. Witness Venice unfold before your eyes in Guiseppe Heintz's 17th-century map. Every street and canal intricately detailed, it serves as both a practical guide and an exquisite work of art capturing the essence of this floating city. Let your imagination soar with a vintage travel poster depicting Venice. Its vibrant colors and enticing visuals beckon you to embark on an adventure filled with gondola rides along picturesque canals and visits to magnificent palaces. Claude Monet takes us on his own artistic journey through time as he captures Palazzo Da Mula in 1908. His brushstrokes bring out every architectural detail while infusing his impressionistic style into this iconic Venetian landmark. Delve into linguistic history by exploring the development of the English alphabet influenced by Venetian script. Discover how this ancient writing system played its part in shaping our modern communication methods. Marvel at the grandeur of a Venetian galley from 1570 – an imposing vessel that once ruled over Mediterranean waters. Its elegant design showcases both military might and craftsmanship synonymous with Venetian naval power.