Vereschagin Collection

The Siege of the Trinity Sergius Lavra in Sergiev Posad, 1891. Artist: Vasily Vereshchagin
The Siege of the Trinity Sergius Lavra in Sergiev Posad, 1891. The Trinity Lavra of St Sergius was founded in Sergiyev Posad (Zagorsk), Russia, in 1345 by St Sergius of Radonezh

Skobelev on the Shipka, c1878, (1939). Creator: Vasily Vereshchagin
Skobelev on the Shipka, c1878, (1939). The scene after the taking of the Shipka Pass by Russian troops in the Russo-Turkish War of 1877-1878

Hemis Monastery in Ladakh, 1875, (1965). Creator: Vasily Vereshchagin
Hemis Monastery in Ladakh, 1875, (1965). Buddhist monastery at Hemis in the north of India, dating back before the 11th century. Painting in the State Tretyakov Gallery, Moscow

Kirghiz yourta by the River Chu, 1869-1870, (1965). Creator: Vasily Vereshchagin
Kirghiz yourta by the River Chu, 1869-1870, (1965). Yurts (or gers) in Central Asia. Painting, also known as Kirghiz Tents on the River Chu, in the State Tretyakov Gallery, Moscow

A Military Camp, late 19th century?, (1965). Creator: Vasily Vereshchagin
A Military Camp, late 19th century?, (1965). Russian soldiers eating in the open air. From " Russian Painting of the 18th and 19th Centuries" by Vladimir Fiala. [Artia, Czechoslovakia, 1965]

Mountain scenery, late 19th century, (1965). Creator: Vasily Vereshchagin
Mountain scenery, late 19th century, (1965). From " Russian Painting of the 18th and 19th Centuries" by Vladimir Fiala. [Artia, Czechoslovakia, 1965]

A Mohammedan Servant, c1874-1876, (1965). Creator: Vasily Vereshchagin
A Mohammedan Servant, c1874-1876, (1965). Portrait of an Indian man in a red turban. Bania, (also Baniya or Vanika), can be used to refer to a trader or merchant belonging to the Indian business

The Victors, 1899. From the painting by Vasily Vereshchagin. A print from The Magazine of Art, Cassell and Company, Limited, 1899

A Sudden Attack, 1871. Artist: Vasily Vereshchagin
A Sudden Attack, 1871. Found in the collection of the State Tretyakov Gallery, Moscow

Apotheosis of the War, 1871. Artist: Vasily Vereshchagin
Apotheosis of the War, 1871. Found in the collection of the State Tretyakov Gallery, Moscow

The Vanquished, Requiem, c1877-c1878. Artist: Vasily Vereshchagin
The Vanquished, Requiem, c1877-c1878. Found in the collection of the State Tretyakov Gallery, Moscow

Before the Offensive. Near Pleven, 1877-1878. Artist: Vasily Vereshchagin
Before the Offensive. Near Pleven, 1877-1878. Vereshchagin, Vasili Vasilyevich (1842-1904). Found in the collection of the State Tretyakov Gallery, Moscow

Vasily Vereshchagin, Russian artist, c1880s-c1890s. Artist: Andrei Osipovich Karelin
Vasily Vereshchagin, Russian artist, c1880s-c1890s. Vasily Vasilyevich Vereshchagin (1842-1904) was a noted Russian Realist painter of battle scenes

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Vasily Vereshchagin: Capturing the Essence of History and Culture Step into the world of Vasily Vereshchagin, a renowned Russian artist whose works transcend time and space. With his keen eye for detail and masterful brushstrokes, Vereshchagin brings historical events, landscapes, and cultural nuances to life. In "The Siege of the Trinity Sergius Lavra in Sergiev Posad, " painted in 1891, Vereshchagin depicts a pivotal moment in Russian history. The intensity on the faces of both attackers and defenders is palpable as they engage in a fierce battle for control. "Skobelev on the Shipka" transports us back to 1878 during the Russo-Turkish War. Vereshchagin captures General Skobelev's commanding presence amidst a backdrop of smoke-filled skies and crumbling fortifications. It serves as a testament to bravery amid chaos. Venturing beyond Russia's borders, we find ourselves at Hemis Monastery in Ladakh through Vereshchagin's eyes. Painted in 1875, this masterpiece showcases intricate architectural details against an awe-inspiring Himalayan landscape—a harmonious blend of man-made beauty with nature's grandeur. Vereshchagin also delves into everyday life with "Kirghiz yourta by the River Chu. " This painting from 1869-1870 offers glimpses into nomadic Kyrgyz culture—a serene scene where traditional yurts dotting the riverside create an idyllic setting that feels untouched by time. "A Military Camp" takes us behind-the-scenes late into the 19th century—an intimate portrayal of soldiers resting after battles fought or preparing for what lies ahead. Through meticulous attention to detail, Vereshchagin invites viewers to ponder upon war's toll on individuals caught up in its relentless cycle. Nature enthusiasts will be captivated by Vereshchagin's "Mountain scenery.