Vernacular Architecture Collection (#4)

View of Arundel House, Strand, London, engraved by Adam Bierling, 1646 (etching)
GHL198593 View of Arundel House, Strand, London, engraved by Adam Bierling, 1646 (etching) by Hollar, Wenceslaus (1607-77) (after); London Metropolitan Archives

A Formal Water Garden with Terraces, Water Parterres and Parading Figures, c
CJP190700 A Formal Water Garden with Terraces, Water Parterres and Parading Figures, c.1730 (gouache on paper) by German School

The Cottage, from A Home series, c. 1895 (w / c on paper)
3086667 The Cottage, from A Home series, c.1895 (w/c on paper) by Larsson, Carl (1853-1919); 32x43 cm; National Museum, Stockholm

Remains of Kew Palace from the Gardens, plate 6 from Kew Gardens
XYC176331 Remains of Kew Palace from the Gardens, plate 6 from Kew Gardens: A Series of Twenty-Four Drawings on Stone, engraved by Charles Hullmandel (1789-1850) published 1820 (hand-coloured litho)

A man feeds a lamb outside the Oast House in Northiam, East Sussex. May 1952

Flatford Mill (oil on panel)
XYC158015 Flatford Mill (oil on panel) by Constable, John (1776-1837); 16.5x29.8 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright

The House of the Shogun (ink on silk)
XBP341861 The House of the Shogun (ink on silk) by Japanese School, (18th century); Private Collection; Photo eBoltin Picture Library; Japanese, out of copyright

View of Christchurch, 1810 (w / c on paper)
XCF306056 View of Christchurch, 1810 (w/c on paper) by Pearson, William (1772-1849); Private Collection; English, out of copyright

Spring, 1904 (oil on canvas)
XIR78974 Spring, 1904 (oil on canvas) by Malevich, Kazimir Severinovich (1878-1935); 44x65 cm; Tretyakov Gallery, Moscow, Russia; Russian, out of copyright

A Street in Florence with the Duomo and Campanile in the Background (w / c with pen
XYC288796 A Street in Florence with the Duomo and Campanile in the Background (w/c with pen & ink over graphite on paper) by Marlow, William (1740-1813); 36x47.3 cm; Yale Center for British Art

Fleet Bridge, London in the 17th century, from The National and Domestic History
KW329945 Fleet Bridge, London in the 17th century, from The National and Domestic History of England by William Hickman Smith Aubrey (1858-1916) published London, c.1890 (litho) by English School

View of Faversham, Kent, 1832 (engraving) (b / w photo)
XJF280599 View of Faversham, Kent, 1832 (engraving) (b/w photo) by Baynes, Thomas Mann (1794-1854) (after); Private Collection; English, out of copyright

South West View of Bethlem Hospital and London Wall, 1814 (etching)
XYC273627 South West View of Bethlem Hospital and London Wall, 1814 (etching) by Smith, John Thomas (1766-1833); Yale Center for British Art, Paul Mellon Collection

Houses lately standing on the North Side of Long Land, Smithfield, 1813 (etching)
XYC273624 Houses lately standing on the North Side of Long Land, Smithfield, 1813 (etching) by Smith, John Thomas (1766-1833); Yale Center for British Art, Paul Mellon Collection

The Village Well, 1864 (w / c & gouache on paper)
XYC281113 The Village Well, 1864 (w/c & gouache on paper) by Simpson, William Crimea (1823-99); 25.1x34.9 cm; Yale Center for British Art, Paul Mellon Collection, USA; Scottish, out of copyright

The Old Vine Inn, Aldersgate Street, 1855 (w / c on paper)
XCF267474 The Old Vine Inn, Aldersgate Street, 1855 (w/c on paper) by Shepherd, Thomas Hosmer (1792-1864); London Metropolitan Archives, City of London; English, out of copyright

The Holy Roman Emperor Maximilian I and his wife, Mary of Bugundy, with their First Born
KW270831 The Holy Roman Emperor Maximilian I and his wife, Mary of Bugundy, with their First Born, Philip of Ghent, illustration from The Outline of History by H.G

Street in Barcelona, illustration from Spanish Pictures by the Rev. Samuel Manning
KW268361 Street in Barcelona, illustration from Spanish Pictures by the Rev. Samuel Manning (engraving) by English School

Leaning Tower Saragossa, illustration from Spanish Pictures by the Rev
KW268356 Leaning Tower Saragossa, illustration from Spanish Pictures by the Rev. Samuel Manning (engraving) by English School

Bilbao, Spain, illustration from Spanish Pictures by the Rev. Samuel Manning
KW268354 Bilbao, Spain, illustration from Spanish Pictures by the Rev. Samuel Manning (engraving) by English School, (19th century); Private Collection; (add.info)

Remains of Parton Hall, Staffordshire, 1820 (w / c on paper)
XYC238474 Remains of Parton Hall, Staffordshire, 1820 (w/c on paper) by Varley, Cornelius (1781-1873); Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright

Hills of New England, c. 1870, from American Pictures, published by The
KW211626 Hills of New England, c.1870, from American Pictures, published by The Religious Tract Society, 1876 (engraving) by English School, (19th century); Private Collection; Ken Welsh; English

A View of the Village of Tenniken, 1846 (oil on canvas)
XKH146438 A View of the Village of Tenniken, 1846 (oil on canvas) by Bocklin, Arnold (1827-1901); 39.5x56.5 cm; Hamburger Kunsthalle, Hamburg, Germany; Swiss, out of copyright

General Blucher (1742-1819) with the Cossacks in Bautzen, 1885 (oil on canvas)
BAL241177 General Blucher (1742-1819) with the Cossacks in Bautzen, 1885 (oil on canvas) by Willewalde, Bogdan (1818-1903); 41.8x60.5 cm; Regional Art Museum

Utrecht Street Scene (oil on canvas)
XKH179524 Utrecht Street Scene (oil on canvas) by Dutch School, (18th century); 59.4x49.3 cm; Hamburger Kunsthalle, Hamburg, Germany; Dutch, out of copyright

View of the Courtyard of the House of the Archers of the St
XKH179515 View of the Courtyard of the House of the Archers of the St. Sebastian Guild on the Singel in Amsterdam (pencil & wash on paper) by Ruisdael, Jacob Isaaksz. or Isaacksz

The March Gate in Buxtehude, 1830 (oil on canvas)
XKH179513 The March Gate in Buxtehude, 1830 (oil on canvas) by Kiste, Adolph (1812-46); 46x56 cm; Hamburger Kunsthalle, Hamburg, Germany; German, out of copyright

Venetian View, 1817 (oil on panel)
XKH179030 Venetian View, 1817 (oil on panel) by Pian, Antonio (1784-1851); 52.5x36.5 cm; Hamburger Kunsthalle, Hamburg, Germany; Italian, out of copyright

View of the chateau and town of Joinville, from a painting of 1639 (litho) (b / w photo)
XIR177572 View of the chateau and town of Joinville, from a painting of 1639 (litho) (b/w photo) by French School, (19th century); Private Collection; French, out of copyright

Feeding the Chickens (oil on canvas)
BAL177085 Feeding the Chickens (oil on canvas) by Lund, Frederick Christian (1826-1901); 37x46 cm; Private Collection; Danish, out of copyright

Home of the historian, William H. Prescott, Pepperill, near Boston, in c
KW171054 Home of the historian, William H. Prescott, Pepperill, near Boston, in c.1870, from American Pictures published by the Religious Tract Society, 1876 (engraving) by English School

Street in Patna, c. 1825 (oil on canvas)
XYC169480 Street in Patna, c.1825 (oil on canvas) by D Oyly, Charles (1781-1845); 23.8x31.9 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright

Ruined House, c. 1807-10 (oil on millboard mounted on panel)
XYC165936 Ruined House, c.1807-10 (oil on millboard mounted on panel) by Cotman, John Sell (1782-1842); 40.9x34.9 cm; Yale Center for British Art, Paul Mellon Collection, USA; English

John Sidey and his Hounds at a Farmhouse near Hadleigh, Suffolk (oil on canvas)
XYC158780 John Sidey and his Hounds at a Farmhouse near Hadleigh, Suffolk (oil on canvas) by Dunthorne, James I (1730-1815); 90.2x137.2 cm; Yale Center for British Art, Paul Mellon Collection

Moonlit Scene of Indian Figures and Elephants among Banyan Trees, Upper India (probably Lucknow)
XYC158069 Moonlit Scene of Indian Figures and Elephants among Banyan Trees, Upper India (probably Lucknow) (oil on Indian hardwood panel) by Zoffany, Johann (1733-1810) (attr)

The Court Welcoming Emperor Jahangir (Shah Salim) (1569-1627) (gouache on paper)
XIR155570 The Court Welcoming Emperor Jahangir (Shah Salim) (1569-1627) (gouache on paper) by Mughal School, (17th century); Institute of Oriental Studies, St

Market Square, Germantown, Pennsylvania (oil on canvas)
XIR154105 Market Square, Germantown, Pennsylvania (oil on canvas) by Britton, William (fl.1815-25); 30x50 cm; National Gallery of Art, Washington DC, USA; American, out of copyright

Coming home from the war, 1859 (oil on panel)
XKH152279 Coming home from the war, 1859 (oil on panel) by Waldmuller, Ferdinand Georg (1793-1865); 41.9x52.7 cm; Hamburger Kunsthalle, Hamburg

Blaenavon, from An Historical Tour in Monmouthshire by William Coxe, published in 1801
XYC152735 Blaenavon, from An Historical Tour in Monmouthshire by William Coxe, published in 1801 (pen and brown ink and brown wash on graphite on paper) by Hoare

Mountainous Landscape with the Road to Emmaus, 1597 (oil on panel)
XKH152621 Mountainous Landscape with the Road to Emmaus, 1597 (oil on panel) by Valckenborch, Lucas van (c.1535-97); 26.7x35.8 cm; Hamburger Kunsthalle, Hamburg

Sunlit Day. A Small Village, 1898 (oil on canvas)
BAL134966 Sunlit Day. A Small Village, 1898 (oil on canvas) by Levitan, Isaak Ilyich (1860-1900); 14.5x23 cm; Tretyakov Gallery, Moscow, Russia; Russian, out of copyright

Tudor House, Petworth - 24 April 1948
View of a large rambling old stone and tile house. Large square clock tower in the background; area of garden in the foreground. George Garland Collection West Sussex Record Office Ref. No

Anne of Cleves house at Ditchling - about 1948
View of large timber framed daub and brink house. George Garland Collection West Sussex Record Office Ref. No. Garland N29612

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Vernacular architecture, a glimpse into the past. The Olden Time comes alive in this captivating engraving from Fores Coaching Recollections. A Plasterer's skillful hands bring c. 1807 to life on panel, showcasing the artistry of the era. El Bardo, Algeria stands tall and proud in a black and white photograph, telling tales of a rich history. Fountain court at Djenan-el-Mufti transports us to Algiers with its timeless charm captured in another monochromatic image. Traveling back to the 1880s, an old house whispers secrets as it stands proudly near East Looe, Cornwall. Churchtown in North Hill takes us on a journey through time with a snapshot from 1969 while West Castick freezes moments from 1964. Trebartha Barton invites us to explore its grandeur amidst the beauty of North Hill in Cornwall during 1964. Kennall Vale Mill tells stories of industry and hard work as it thrived in Stithians during 1966. Helstone enchants with its rustic allure nestled within Lanteglos by Camelford captured beautifully in 1965. Watergate beckons visitors to discover hidden treasures along the coast of Lanteglos by Camelford through an evocative photograph taken in 1971. Trewane paints a picture of tranquility amidst nature's embrace as we step into St Kew during 1957 - simplicity at its finest. Vernacular architecture speaks volumes about our heritage and roots; it is more than just buildings; it is our connection to history and culture that transcends time itself.