Vernacular Collection (#3)

Study of Old Barn, West Campton, New Hampshire, 1865 (oil on canvas)
FIN161459 Study of Old Barn, West Campton, New Hampshire, 1865 (oil on canvas) by Brown, George Loring (1814-89); 36.8x26 cm; Private Collection; David Findlay Jr Fine Art, NYC, USA; American

Norway, Red Houses at Bjornegaard, 1895 (oil on canvas)
MMT170959 Norway, Red Houses at Bjornegaard, 1895 (oil on canvas) by Monet, Claude (1840-1926); 65x81 cm; Musee Marmottan Monet, Paris, France; (add.info.: Norvege)

Polly the Tailors shop, c. 1830 (gouache on paper)
PEM219460 Polly the Tailors shop, c.1830 (gouache on paper) by Chinese School (19th century); Peabody Essex Museum, Salem, Massachusetts

An old Hotel in the Town Square, Goslar, c. 1910 (b / w photo)
XIR215505 An old Hotel in the Town Square, Goslar, c.1910 (b/w photo) by Jousset, (fl.1910); Private Collection; French, out of copyright

Over London By Rail from London, a Pilgrimage
XEE3502617 Over London By Rail from London, a Pilgrimage, written by William Blanchard Jerrold (coloured engraving) by Dore

Cabaret des Assasins, le Cabaret du Lapin Agile, Rue des Saules (b / w photo)
LSE746614 Cabaret des Assasins, le Cabaret du Lapin Agile, Rue des Saules (b/w photo) by French Photographer; Private Collection; Photo eLeonard de Selva; out of copyright

A Venetian Canal Scene (oil on canvas)
474826 A Venetian Canal Scene (oil on canvas) by Thaulow, Fritz (1847-1906); 65.5x81.5 cm; Private Collection; Photo eChristies Images; Norwegian, out of copyright

The Daily Post (oil on canvas)
615726 The Daily Post (oil on canvas) by Kotschenreiter, Hugo (1854-1908); 48.2x24.8 cm; Private Collection; Photo eChristies Images; German, out of copyright

The Egg Dance (oil on panel)
1780705 The Egg Dance (oil on panel) by Brueghel, Pieter the Younger (c.1564-1638); 66.7x104.8 cm; Private Collection; Photo eChristies Images; Flemish, out of copyright

Pilgrimage to the temple of the Buddha Footprint at Saraburi (wall painting)
LIT389940 Pilgrimage to the temple of the Buddha Footprint at Saraburi (wall painting) by Krua Inkhong (fl. 19th century); Wat Mahasamanaram, Petchaburi

Corner of Fore Street and Milton Street, c. 1884 (b / w photo)
JHL394946 Corner of Fore Street and Milton Street, c.1884 (b/w photo) by Dixon, Henry (1820-92); Private Collection; (add.info)

The Sir Paul Pindar, Bishopsgate Street, c. 1878 (b / w photo)
JHL394921 The Sir Paul Pindar, Bishopsgate Street, c.1878 (b/w photo) by Bool, Alfred & Bool, John (fl.1870s); Private Collection; (add.info)

The Gatehouse, Inner Temple, c. 1885 (b / w photo)
JHL394947 The Gatehouse, Inner Temple, c.1885 (b/w photo) by Dixon, Henry (1820-92); Private Collection; (add.info.: Inscription Formerly the Palace of Henry VIII is inaccurate; from a series of 120)

89 Drury Lane, 1876 (b / w photo)
JHL394909 89 Drury Lane, 1876 (b/w photo) by Bool, Alfred & Bool, John (fl.1870s); Private Collection; (add.info.: From a series of 120 photographs by the Society for Photographing Relics of Old)

St. Bartholomews The Great and Cloth Fair, c. 1877 (b / w photo)
JHL394907 St. Bartholomews The Great and Cloth Fair, c.1877 (b/w photo) by Bool, Alfred & Bool, John (fl.1870s); Private Collection; (add.info)

An Enamelling Studio, 1810-40 (gouache on paper)
833708 An Enamelling Studio, 1810-40 (gouache on paper) by Chinese School (19th century); 52.8x38.9 cm; Peabody Essex Museum, Salem, Massachusetts, USA; ePeabody Essex Museum; Chinese

Town Crier on the High Street, 1926 (gelatin silver print)
619355 Town Crier on the High Street, 1926 (gelatin silver print) by American Photographer, (19th century); Free Library of Philadelphia; eFree Library of Philadelphia; Sesquicentennial Collection;

The Little Flower Girl (oil on canvas)
704153 The Little Flower Girl (oil on canvas) by Carcano, Filippo (1840-1914); Collezione Marzotto Alfonsi, Rome, Italy; Italian, out of copyright

The Empress Dowager Cixi with attendants in front of Paiyunmen, Summer Palace, Beijing, c
700708 The Empress Dowager Cixi with attendants in front of Paiyunmen, Summer Palace, Beijing, c.1905 (b/w photo) by Xun Ling (c.1880-1943); Freer Gallery of Art and Arthur M

The Seeon Monastery in Oberbayern, 1892 (oil on paper mounted on card)
XKH150954 The Seeon Monastery in Oberbayern, 1892 (oil on paper mounted on card) by Truebner, Heinrich Wilhelm (1851-1917); 59x79 cm; Hamburger Kunsthalle, Hamburg, Germany; German, out of copyright

View of part of the Town of Timbuktoo taken from a hill to the east
CHT169396 View of part of the Town of Timbuktoo taken from a hill to the east, from Voyage a Tombouctou by Rene Caillie, published 1830 (engraving) (b/w photo) by French School

The House Where I Live by the Bridge in Vianden, 28th July 1871
XIR169654 The House Where I Live by the Bridge in Vianden, 28th July 1871 (pen & ink and wash on paper) by Hugo, Victor (1802-85); Maison de Victor Hugo, Paris

Windsor Castle from Eton Town, 1800 (w / c on paper)
FIT156937 Windsor Castle from Eton Town, 1800 (w/c on paper) by Rowlandson, Thomas (1756-1827); 51.9x38.3 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; English

Courtyard of a Forge (mixed media on paper)
KLN146843 Courtyard of a Forge (mixed media on paper) by Schiele, Egon (1890-1918); Stiftsmuseum, Klosterneuburg, Austria; eStiftmuseum Klosterneuburg; Austrian, out of copyright

View of Bedford Park, 1882 (colour litho)
STC190640 View of Bedford Park, 1882 (colour litho) by English School, (19th century); Private Collection; (add.info.: architects involved included E.A. Godwin, Norman Shaw and E.J)

The House of William Shakespeare (1564-1616) in Stratford-upon-Avon
CHT179960 The House of William Shakespeare (1564-1616) in Stratford-upon-Avon (pen & ink and wash on paper) by Hugo, Victor (1802-85); Musee de Victor Hugo, Hauteville House

A planters house, c. 1858 (colour litho)
PNP248887 A planters house, c.1858 (colour litho) by Palmer, Frances Flora Bond (Fanny) (c.1812-76); Private Collection; Peter Newark American Pictures; American, out of copyright

Town House of Italians in Paris, from Town and Country Houses Based on the Modern
STC255821 Town House of Italians in Paris, from Town and Country Houses Based on the Modern Houses of Paris, c.1864 (colour litho) by Isabey

Nahe Bridge, Bad Kreuznach, c. 1910 (b / w photo)
XIR215509 Nahe Bridge, Bad Kreuznach, c.1910 (b/w photo) by Jousset, (fl.1910); Private Collection; French, out of copyright

The Chateau de Vincennes (pen & ink with wash on paper)
449280 The Chateau de Vincennes (pen & ink with wash on paper) by Gasselin, Noel (fl.1677); 13.7x38.5 cm; eThe Devonshire Collections

Grammar School at Adderbury, Oxfordshire, 1827 (engraving)
3744590 Grammar School at Adderbury, Oxfordshire, 1827 (engraving) by Buckler, John Chessell (1793-1894); Private Collection; (add.info.: From Sixty Views of Endowed Grammar Schools)

Glasgow School of Art boardroom, now known as the Mackintosh Room (photo)
3740306 Glasgow School of Art boardroom, now known as the Mackintosh Room (photo) by Mackintosh, Charles Rennie (1868-1928); Glasgow School of Art, Scotland; (add.info.: Charles Rennie Mackintosh)

The Third Princess and Her Pet Cat, c. 1767 / 68 (colour woodblock print)
3504361 The Third Princess and Her Pet Cat, c.1767/68 (colour woodblock print) by Harunobu, Suzuki (1725-70); 27.2x20.8 cm; The Art Institute of Chicago, IL

Darvaze Dawlat, tiled city gate, Tehran, c. 1880 (b / w photo)
3504308 Darvaze Dawlat, tiled city gate, Tehran, c.1880 (b/w photo) by Sevruguin, Antoin (d.1933); Freer Gallery of Art, Smithsonian Institution, USA; Freer Gallery of Art

Old house, west side of Temple Street (124 Temple Street) (pencil & w / c on paper)
2831641 Old house, west side of Temple Street (124 Temple Street) (pencil & w/c on paper) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery, UK; eBristol Museums

Old House in Lewins Mead (pencil & w / c on paper)
2832292 Old House in Lewins Mead (pencil & w/c on paper) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery, UK; eBristol Museums

Two old Houses on the North Side of Castle Street (pencil & w / c on paper)
2832605 Two old Houses on the North Side of Castle Street (pencil & w/c on paper) by Rowbotham, Thomas Leeson the Elder (1783-1853); Bristol Museum and Art Gallery, UK; eBristol Museums

52 Corn Street, 1823 (pencil on paper)
2832588 52 Corn Street, 1823 (pencil on paper) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery, UK; eBristol Museums, Galleries & Archives; Given by W. M

Carta Pisano, 1090 (ink on parchment)
3083348 Carta Pisano, 1090 (ink on parchment) by Italian School, (11th century); 28.7x19.6 cm; Free Library of Philadelphia; (add.info)

Via Strozzi, Florence, c. 1890 (b / w photo)
955477 Via Strozzi, Florence, c.1890 (b/w photo) by Brogi, Carlo (1850-1925); Private Collection; Alinari

View of Bell Tavern, Addle Hill, showing sign for Reid and Companys celebrated stout
2636766 View of Bell Tavern, Addle Hill, showing sign for Reid and Companys celebrated stout, and a kerb post, 1868 (w/c on paper) by Wilson, Joseph Thomas (attr)

Horokaku Mandara: The Buddha and attendant divinities, Heian Period
1065132 Horokaku Mandara: The Buddha and attendant divinities, Heian Period (colour & gold on silk panel) by Japanese School (12th century); 144.2x86.7 cm; Freer Gallery of Art

Market Street at 12th, 1912 (photographic print)
847460 Market Street at 12th, 1912 (photographic print) by Rau, William Herman (1855-1920); 19.6x22.4 cm; Free Library of Philadelphia; eFree Library of Philadelphia; American, out of copyright

A Venetian Canal Scene (oil on canvas)
488309 A Venetian Canal Scene (oil on canvas) by Rico y Ortega, Martin (1833-1908); 68.6x40.7 cm; Private Collection; Photo eChristies Images; Spanish, out of copyright

Beauty Teasing a Young Man Fishing, c. 1768 (colour woodblock print)
3504364 Beauty Teasing a Young Man Fishing, c. 1768 (colour woodblock print) by Harunobu, Suzuki (1725-70); 28.5x21.5 cm; The Art Institute of Chicago, IL

Gathering Lotus Flowers, 1765 (colour woodblock print)
3504355 Gathering Lotus Flowers, 1765 (colour woodblock print) by Harunobu, Suzuki (1725-70); 20.3x27.6 cm; The Art Institute of Chicago, IL, USA; Clarence Buckingham Collection; Japanese

Talar-i Muzeh, also called Talar-i Salam (Audience Hall), Gulistan Palace, Tehran
3504309 Talar-i Muzeh, also called Talar-i Salam (Audience Hall), Gulistan Palace, Tehran, 1880-90 (b/w photo) by Sevruguin, Antoin (d.1933); Freer Gallery of Art, Smithsonian Institution

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"Capturing Vernacular: A Glimpse into Architectural Diversity and Cultural Heritage" Step back in time to the Swedish School House, a charming relic from the Centennial Exposition held in Philadelphia in 1876. This silver albumen print transports us to an era when simplicity and functionality were celebrated. Traveling further back, we encounter the Grammar School at Dorchester, Oxfordshire, depicted in a delicate engraving dating back to 1827. Its elegant design reflects the architectural trends of that period while preserving its educational purpose. In contrast, a vibrant sketch of a gate in Kiev takes us on a visual journey through one of the Pictures at an Exhibition. The color litho medium adds depth and richness to this snapshot of Ukrainian vernacular artistry. The Chapel of Our Lady of the Crag beckons with its serene beauty captured flawlessly by DES01_01_0633. Nestled amidst nature's embrace, this architectural gem stands as a testament to faith and devotion. Venturing across borders, we stumble upon Little Thakeham in Horsham—a picturesque English village where time seems to stand still. Its quaint charm is immortalized on postcards like Danzig's litho masterpiece celebrating 12. 12—a delightful memento for collectors worldwide. Villefranche mesmerizes with its oil-painted allure from 1892—an artist's brushstrokes capturing French vernacular architecture against breathtaking landscapes. Each stroke tells stories untold yet felt deeply within our souls. Transported centuries ago, we find ourselves wandering down a street in Cologne with an unfinished cathedral dominating the center—an oil-on-panel masterpiece hailing from 1684 that encapsulates both history and human ambition frozen forever on canvas. Furstenburg whispers secrets through watercolors on paper—1817 revealing glimpses into German vernacular traditions alive during that era; each stroke evokes nostalgia for simpler times gone by.