Verso Collection (#27)

Flight into Egypt, Jacob Cornelisz van Oostsanen, 1520 - 1521

Two boys at statuette of Venus, Lodewijk de Deyster, 1666 - 1711

Portrait of Menno Simons, Louis E. F. Garreau, Martinus Nieuwenhuyzen Cornelis Focking
Portrait of Menno Simons, Louis E.F. Garreau, Martinus Nieuwenhuyzen Cornelis Focking, 1788

Lock gate Inscribed in black ink, verso: Sketch from nature Signed in
Lock gate Inscribed in black ink, verso: " Sketch from nature" Signed in black ink, verso: " by W. Mulready", William Mulready, 1786-1863, Irish

Godstow Bridge near Oxford Inscribed, verso, upper center: Painted on the Spot
Godstow Bridge near Oxford Inscribed, verso, upper center: " Painted on the Spot | by me" Signed and dated, verso, upper center: " EW Cooke. Aug

Stoke Poges Church Verso: A Landscape Study, Thomas Churchyard, 1798-1865, British

Landscape with Trees and a Figure Verso: Cottages in a Landscape, Thomas Churchyard, 1798-1865, British

Margot Wheatley Inscribed on verso (of lining canvas): Margot Wheatley wife of
Margot Wheatley Inscribed on verso (of lining canvas): " Margot Wheatley wife of. William Wheatly Esq. age. 34 years." Signed and dated on verso of lining canvas: " Frs

Self-Portrait Inscribed VENEZIA in red, Monsieur Etty and 31 Lombard Street/London on the letter that the sitter has open before him Signed and dated verso

The Midday Meal Signed, verso, branded monogram: IW RA, James Ward, 1769-1859
The Midday Meal Signed, verso, branded monogram: " IW RA", James Ward, 1769-1859, British

Ravager, One of the Lambton Hounds A Foxhound in a Landscape Signed and dated in brown paint, lower right: " JWARD [monogram] RA | 1835" ; branded on verso: " IW RA", James Ward

A Harvest Scene with Workers Loading Hay on to a Farm Wagon Signed, branded on verso: " I W R A", James Ward, 1769-1859, British

Landscape near Swansea, South Wales Signed in verso, branded into wood: IW RA"
Landscape near Swansea, South Wales Signed in verso, branded into wood: " IW RA", James Ward, 1769-1859, British

Studies of Royal Horse Artillery Uniform, and of an A. D. C. to the Commander-in-Chief
Studies of Royal Horse Artillery Uniform, and of an A.D.C. to the Commander-in-Chief: a study for The Battle of Waterloo Signed and dated, verso: " Jones / 1815-", George Jones, 1786-1869

Portrait of a Young Man with Powdered Hair Possibly a self-portrait Signed, lower right: " TG" (G incomplete); on verso: " by T.Gainsborough his own portrait"

Hadleigh Castle Sketch of Hadleigh Castle Verso: Study of Five Horned Cattle, John Constable, 1776-1837, British

The Horse The Horse, from William Hayleys Ballads Verso
The Horse " The Horse", from " William Hayleys Ballads" Verso: [Engraved with foliage, grass, etc. practice strokes], William Blake, 1757-1827, British

At South Mickleham Inscribed in pencil, on verso, lower center: At South Mickleham"
At South Mickleham Inscribed in pencil, on verso, lower center: " At South Mickleham" Dated in pencil, on verso, lower center: " Feb. 1829", Frederick W. Watts, 1800-1862, British

George Stubbs Portrait of George Stubbs, A. R. A. Inscribed illegibly on verso Signed
George Stubbs Portrait of George Stubbs, A.R.A. Inscribed illegibly on verso Signed and dated, under mat?: " Wm. Craft./Fect 1779 b.c.r.", William H. Craft, active 1774-1805, British

Samuel Butler Signed in black paint on verso: Mr. Samuel Butler | [... ] Lely P
Samuel Butler Signed in black paint on verso: " Mr. Samuel Butler | [...] Lely P.", Gilbert Soest, ca. 1600-1681, Dutch

Sir Edward Hales, Baronet, of Hales Place, Hackington, Kent Sir Edward Hales Inscribed, verso: " Sir Edrd Hales 5th Bart / who built the present Mansion" Signed and dated in black paint

The Harbour of Pulo Condere The Harbour of Pulo Condore Inscribed in black paint, verso, center: " view in the Harbor of Pulo Condore" Signed and dated, verso

Studies of Jacky Turner and the Reverend Charles Hopes Gardener Signed in brown paint, lower left: " JW. RA" ; branded on verso: " IW RA", James Ward, 1769-1859, British

Arthur B. Davies, By the Caliban, American, 1862-1928, 1919-1920, softground etching with aquatint in black on laid paper with ruled lines on verso

Michelangelo (Italian, 1475-1564), Male Nude [verso], c. 1560, black chalk on laid paper

Johann Esaias Nilson (German, 1721-1788), Cartouches Modernes avec des Enfans qui representant les Modes d Augsbourg, counterproof of an etching with drawing in pen and black ink and gray wash

German 15th Century, Saint Agnes [verso], probably 1460-1480, woodcut

American Civil War: Taken On Battlefield Of Antietam Oct. 18 [... ] 1.geo. H. Bangs
American Civil War: Taken On Battlefield Of Antietam Oct. 18 [..] 1.geo. H. Bangs, 2. Wm. B. Moore, Private Secy Of [..] 3. Allan Pinkerton, 4. John C. Babcock, 5. A. K

Title page verso, including guide to characters, and first page of Old Testament in Irish.. From: Leabhuir na Seintiomna ar na ttarruing go Gaid[h]lig tre c[h]ram [agus] dhthra[chd] an Doctir Uilliam

Toyota Corolla Verso T3

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"Unveiling the Enigmatic Verso: A Glimpse into Art, Literature, and History" Step into a world where artistry intertwines with history, as we explore the captivating realm of "verso. " In this enigmatic journey, we encounter an array of intriguing elements that unlock tales from centuries past. At first glance, our eyes are drawn to the Madonna and Child, accompanied by Saint John the Baptist in the upper left corner. This delicate portrayal evokes a sense of divine serenity and maternal love. Adjacent to it lies a miniature silhouette of Captain Alfred Arnold Ernest Gyde—a mysterious figure whose story remains shrouded in secrecy. As we delve deeper into this mesmerizing collection, our gaze is captured by a lotus flower in full bloom—an emblem of purity and enlightenment. Its presence transports us to Mantova (Mantua), Italy—a place where beauty flourishes amidst historical grandeur. Scrolling floral vines gracefully dance across another fragmentary piece created by Fayzullah—an Indian artist who left his mark on 18th-century art. The intricate details speak volumes about his mastery and dedication to his craft. Amongst these artistic treasures lies an intriguing preface to Martial's Epigrammata written by Merula—an invitation into ancient Roman wit and satire. As if whispering secrets from distant times, this literary gem offers glimpses into society's humor during that era. A legal text emerges from fragments—its purpose once integral within judicial proceedings now reduced to mere remnants. Justinian's Codex appears before us like scattered puzzle pieces; Book V. XIII tantalizes with its hidden wisdom while Book IIII. XX teases us with its elusive contents. From literature to law, even Euripides' Medea makes her presence felt through fragmented lines—a haunting reminder of her tragic tale that continues to captivate audiences today. Amidst these fragments lie lists—perhaps inventories or records of a bygone era.