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Victorian Art Collection (#4)

Step back in time and immerse yourself in the enchanting world of Victorian art

Background imageVictorian Art Collection: The Finishing Touch, 1867 (oil on canvas)

The Finishing Touch, 1867 (oil on canvas)
658099 The Finishing Touch, 1867 (oil on canvas) by Nicol, Erskine (1825-1904); 101.6x81.3 cm; Private Collection; (add.info.: The Finishing Touch. Erskine Nichol (1825-1904). Oil on canvas

Background imageVictorian Art Collection: The Groves O Blarney, 1856 (oil on canvas)

The Groves O Blarney, 1856 (oil on canvas)
824272 The Groves O Blarney, 1856 (oil on canvas) by Nicol, Erskine (1825-1904); 33x26.6 cm; Private Collection; (add.info.: The Groves O Blarney. Erskine Nicol (1825-1904). Oil on canvas

Background imageVictorian Art Collection: Portrait of Jeremy Bentham (1742-1832), seated in a blue jacket

Portrait of Jeremy Bentham (1742-1832), seated in a blue jacket
824220 Portrait of Jeremy Bentham (1742-1832), seated in a blue jacket, black waistcoat and white shirt, beneath a tree, c.1837 (oil on canvas) by Watts

Background imageVictorian Art Collection: Portrait of Elizabeth Siddal, in Profile to the Right, (watercolour)

Portrait of Elizabeth Siddal, in Profile to the Right, (watercolour)
824048 Portrait of Elizabeth Siddal, in Profile to the Right, (watercolour) by Rossetti, Dante Gabriel Charles (1828-82); 18.1x16.1 cm; Private Collection; (add.info.: Portrait of Elizabeth Siddal)

Background imageVictorian Art Collection: Study of a Syrian Woman, 1876 (oil on canvas)

Study of a Syrian Woman, 1876 (oil on canvas)
652993 Study of a Syrian Woman, 1876 (oil on canvas) by Hunt, William Holman (1827-1910); 53.3x37 cm; Private Collection; (add.info.: Study of a Syrian Woman. William Holman Hunt (1827-1910)

Background imageVictorian Art Collection: Music at the Parsonage, (oil on canvas)

Music at the Parsonage, (oil on canvas)
652199 Music at the Parsonage, (oil on canvas) by Hardy, Frederick Daniel (1826-1911); 74.9x107.3 cm; Private Collection; (add.info.: Music at the Parsonage. Frederick Daniel Hardy (1826-1911)

Background imageVictorian Art Collection: A Farmyard with Horses and Ponies, Berkshire, Saddlebacks, Alderney Shorthorn Cattle

A Farmyard with Horses and Ponies, Berkshire, Saddlebacks, Alderney Shorthorn Cattle
652183 A Farmyard with Horses and Ponies, Berkshire, Saddlebacks, Alderney Shorthorn Cattle, Bantams, Mallard and Guinea Fowl, with a Country Mansion by a River in the Distance

Background imageVictorian Art Collection: Pharaohs Horses, 1848 (oil on canvas)

Pharaohs Horses, 1848 (oil on canvas)
652114 Pharaohs Horses, 1848 (oil on canvas) by Herring Snr, John Frederick (1795-1865); 78.8 diam cm; Private Collection; (add.info.: Pharaohs Horses. John Frederick Herring, Sr. (1795-1865)

Background imageVictorian Art Collection: Washing Day, (pencil and watercolour)

Washing Day, (pencil and watercolour)
652075 Washing Day, (pencil and watercolour) by Allingham, Helen (1848-1926); 24.1x18.7 cm; Private Collection; (add.info.: Washing Day. Helen Allingham (1848-1926). Pencil and watercolour

Background imageVictorian Art Collection: A Mute Appeal, (pencil and watercolour)

A Mute Appeal, (pencil and watercolour)
652018 A Mute Appeal, (pencil and watercolour) by Wilson, Charles Edward (1853-1941); 25.7x17.1 cm; Private Collection; (add.info.: A Mute Appeal. Charles Edward Wilson (1854-1941)

Background imageVictorian Art Collection: Thirlwall Castle, Northumberland, (pencil and watercolour heightened with white)

Thirlwall Castle, Northumberland, (pencil and watercolour heightened with white)
651982 Thirlwall Castle, Northumberland, (pencil and watercolour heightened with white) by Hine, Henry George (1811-95); 72.4x124.5 cm; Private Collection; (add.info.: Thirlwall Castle)

Background imageVictorian Art Collection: Sunday Morning, 1831 (watercolour)

Sunday Morning, 1831 (watercolour)
651971 Sunday Morning, 1831 (watercolour) by Hunt, William Henry (1790-1864); 21x20 cm; Private Collection; (add.info.: Sunday Morning. William Henry Hunt (1790-1864). Watercolour

Background imageVictorian Art Collection: Tithe in Kind, (watercolour)

Tithe in Kind, (watercolour)
651958 Tithe in Kind, (watercolour) by Hughes, Edward Robert (1851-1914); 47.3x27 cm; Private Collection; (add.info.: Tithe in Kind. Edward Robert Hughes (1851-1914). Watercolour

Background imageVictorian Art Collection: The Sierra Nevada from the Alhambra, (pencil and watercolour heightened with white)

The Sierra Nevada from the Alhambra, (pencil and watercolour heightened with white)
651955 The Sierra Nevada from the Alhambra, (pencil and watercolour heightened with white) by Foster, Myles Birket (1825-99); 25.4x38.4 cm; Private Collection; (add.info)

Background imageVictorian Art Collection: The Sermon (Durham Cathedral), (pencil, pen and black ink and watercolour)

The Sermon (Durham Cathedral), (pencil, pen and black ink and watercolour)
651941 The Sermon (Durham Cathedral), (pencil, pen and black ink and watercolour) by Goodwin, Albert (1845-1932); 26.7x36.8 cm; Private Collection; (add.info.: The Sermon (Durham Cathedral)

Background imageVictorian Art Collection: A Fishermans Wife - Fifeshire Interior, (watercolour heightened with white)

A Fishermans Wife - Fifeshire Interior, (watercolour heightened with white)
651892 A Fishermans Wife - Fifeshire Interior, (watercolour heightened with white) by Blacklock, William Kay (1872-1922); 22.2x29.9 cm; Private Collection; (add.info)

Background imageVictorian Art Collection: By the Duck Pond, (pencil, watercolour and bodycolour)

By the Duck Pond, (pencil, watercolour and bodycolour)
651867 By the Duck Pond, (pencil, watercolour and bodycolour) by Foster, Myles Birket (1825-99); 23.5x34.4 cm; Private Collection; (add.info.: By the Duck Pond. Myles Birket Foster (1825-1899)

Background imageVictorian Art Collection: Tells Son: A Portrait of the Artists Grandson, (oil on canvas)

Tells Son: A Portrait of the Artists Grandson, (oil on canvas)
651480 Tells Son: A Portrait of the Artists Grandson, (oil on canvas) by Brown, Ford Madox (1821-93); 40.7x36.8 cm; Private Collection; (add.info.: Tells Son: A Portrait of the Artists Grandson)

Background imageVictorian Art Collection: A Little Stage Fairy (oil on canvas)

A Little Stage Fairy (oil on canvas)
828490 A Little Stage Fairy (oil on canvas) by Patten, Alfred Fowler (1829-88); 76.2x50.8 cm; Private Collection; (add.info.: A Little Stage Fairy. Alfred Fowler Patten (1829-1888). Oil on canvas

Background imageVictorian Art Collection: Hope, (watercolour with bodycolour)

Hope, (watercolour with bodycolour)
828485 Hope, (watercolour with bodycolour) by Burne-Jones, Edward Coley (1833-98); 167.5x91.5 cm; Private Collection; (add.info.: Hope. Edward Burne-Jones (1833-1898). Watercolour with bodycolour

Background imageVictorian Art Collection: San Giorgio Maggiore from the Zattere, Venice, (pencil and watercolour)

San Giorgio Maggiore from the Zattere, Venice, (pencil and watercolour)
828483 San Giorgio Maggiore from the Zattere, Venice, (pencil and watercolour) by Allingham, Helen (1848-1926); 37.2x27.3 cm; Private Collection; (add.info.: San Giorgio Maggiore from the Zattere)

Background imageVictorian Art Collection: May Day Garlands, (pencil and watercolour heightened with bodycolour)

May Day Garlands, (pencil and watercolour heightened with bodycolour)
828482 May Day Garlands, (pencil and watercolour heightened with bodycolour) by Foster, Myles Birket (1825-99); 34.6x71.4 cm; Private Collection; (add.info.: May Day Garlands)

Background imageVictorian Art Collection: The Harvesters, 1865 (bodycolour)

The Harvesters, 1865 (bodycolour)
828475 The Harvesters, 1865 (bodycolour) by Warren, Edmund George (1834-1909); 25.5x36. cm; Private Collection; (add.info.: The Harvesters. Edmund George Warren (1834-1909). Bodycolour

Background imageVictorian Art Collection: Our Lady of the Water Gate, (oil on canvas)

Our Lady of the Water Gate, (oil on canvas)
828473 Our Lady of the Water Gate, (oil on canvas) by Stanhope, John Roddam Spencer (1829-1908); 106.7x59.7 cm; Private Collection; (add.info.: Our Lady of the Water Gate)

Background imageVictorian Art Collection: The Lesson, 1892 (pencil and watercolour)

The Lesson, 1892 (pencil and watercolour)
828464 The Lesson, 1892 (pencil and watercolour) by Kilburne, George Goodwin (1839-1924); 36.8x50.2 cm; Private Collection; (add.info.: The Lesson. George Goodwin Kilburne (1839-1924)

Background imageVictorian Art Collection: At the Seaside, 1877 (oil on canvas)

At the Seaside, 1877 (oil on canvas)
828461 At the Seaside, 1877 (oil on canvas) by Marshall, Thomas Falcon (1818-78); 62.8x93.9 cm; Private Collection; (add.info.: At the Seaside. Thomas Falcon Marshall (1818-1878). Oil on canvas

Background imageVictorian Art Collection: Liverpool Docks, (oil on canvas)

Liverpool Docks, (oil on canvas)
828458 Liverpool Docks, (oil on canvas) by Grimshaw, John Atkinson (1836-93); 30.5x45.7 cm; Private Collection; (add.info.: Liverpool Docks. John Atkinson Grimshaw (1836-1893). Oil on canvas

Background imageVictorian Art Collection: Portrait of Lady Wolverton, nee Georgina Tufnell, (oil on panel)

Portrait of Lady Wolverton, nee Georgina Tufnell, (oil on panel)
828443 Portrait of Lady Wolverton, nee Georgina Tufnell, (oil on panel) by Watts, George Frederic (1817-1904); 61x50.8 cm; Private Collection; (add.info.: Portrait of Lady Wolverton)

Background imageVictorian Art Collection: Romeo and Juliet, 1886 (oil on canvas)

Romeo and Juliet, 1886 (oil on canvas)
828439 Romeo and Juliet, 1886 (oil on canvas) by Muschamp, Francis Sydney (1851-1929); 61.3x87.2 cm; Private Collection; (add.info.: Romeo and Juliet. Francis Sydney Muschamp (1851-1929)

Background imageVictorian Art Collection: Ganymede, 1888 (oil on canvas)

Ganymede, 1888 (oil on canvas)
828438 Ganymede, 1888 (oil on canvas) by Watts, George Frederic (1817-1904); 66x53.5 cm; Private Collection; (add.info.: Ganymede. George Frederic Watts (1817-1904). Oil on canvas

Background imageVictorian Art Collection: A Syrian Wife Unveiled, (coloured chalks on linen)

A Syrian Wife Unveiled, (coloured chalks on linen)
828411 A Syrian Wife Unveiled, (coloured chalks on linen) by Hunt, William Holman (1827-1910); 50.8x35.5 cm; Private Collection; (add.info.: A Syrian Wife Unveiled. William Holman Hunt (1827-1910)

Background imageVictorian Art Collection: The Bride of Bethlehem, 1884 (oil over tempera on canvas laid on panel)

The Bride of Bethlehem, 1884 (oil over tempera on canvas laid on panel)
828396 The Bride of Bethlehem, 1884 (oil over tempera on canvas laid on panel) by Hunt, William Holman (1827-1910); 50.8x41.3 cm; Private Collection; (add.info.: The Bride of Bethlehem)

Background imageVictorian Art Collection: Ariadne, (paster relief painted and gilt)

Ariadne, (paster relief painted and gilt)
828391 Ariadne, (paster relief painted and gilt) by Bell, Robert Anning (1863-1933); 62.2x36.2 cm; Private Collection; (add.info.: Ariadne. Robert Anning Bell (1863-1933)

Background imageVictorian Art Collection: Lost in the Storm, (oil on canvas)

Lost in the Storm, (oil on canvas)
827107 Lost in the Storm, (oil on canvas) by Ansdell, Richard (1815-85); 82x130.2 cm; Private Collection; (add.info.: Lost in the Storm. Richard Ansdell (1815-1885). Oil on canvas

Background imageVictorian Art Collection: The Priests House, West Hoathly (watercolour with scratching out)

The Priests House, West Hoathly (watercolour with scratching out)
1766741 The Priests House, West Hoathly (watercolour with scratching out) by Allingham, Helen (1848-1926); 34.3x27.7 cm; Private Collection; (add.info.: The Priests House, West Hoathly)

Background imageVictorian Art Collection: Going Shoppping (watercolour with scratching out)

Going Shoppping (watercolour with scratching out)
1766740 Going Shoppping (watercolour with scratching out) by Allingham, Helen (1848-1926); 16.5x11 cm; Private Collection; (add.info.: Going Shoppping. Helen Allingham (1848-1926)

Background imageVictorian Art Collection: Old Cottage at Freshwater, Isle of Wight (watercolour with scratching out)

Old Cottage at Freshwater, Isle of Wight (watercolour with scratching out)
1766734 Old Cottage at Freshwater, Isle of Wight (watercolour with scratching out) by Allingham, Helen (1848-1926); Private Collection; (add.info.: Old Cottage at Freshwater, Isle of Wight)

Background imageVictorian Art Collection: A Cottage at Haslemere (watercolour with scratching out)

A Cottage at Haslemere (watercolour with scratching out)
1766722 A Cottage at Haslemere (watercolour with scratching out) by Allingham, Helen (1848-1926); 24.5x38 cm; Private Collection; (add.info.: A Cottage at Haslemere. Helen Allingham (1848-1926)

Background imageVictorian Art Collection: Old Kentish Cottage (watercolour with scratching out)

Old Kentish Cottage (watercolour with scratching out)
1766720 Old Kentish Cottage (watercolour with scratching out) by Allingham, Helen (1848-1926); 25.5x34 cm; Private Collection; (add.info.: Old Kentish Cottage. Helen Allingham (1848-1926)

Background imageVictorian Art Collection: The Black Kitten (watercolour with scratching out)

The Black Kitten (watercolour with scratching out)
1766716 The Black Kitten (watercolour with scratching out) by Allingham, Helen (1848-1926); 32.5x25.1 cm; Private Collection; (add.info.: The Black Kitten. Helen Allingham (1848-1926)

Background imageVictorian Art Collection: A Kentish Cottage (watercolour with scratching out)

A Kentish Cottage (watercolour with scratching out)
1766713 A Kentish Cottage (watercolour with scratching out) by Allingham, Helen (1848-1926); Private Collection; (add.info.: A Kentish Cottage. Helen Allingham (1848-1926)

Background imageVictorian Art Collection: Old Surrey Cottage (watercolour with scratching out)

Old Surrey Cottage (watercolour with scratching out)
1766705 Old Surrey Cottage (watercolour with scratching out) by Allingham, Helen (1848-1926); 39.4x50.8 cm; Private Collection; (add.info.: Old Surrey Cottage. Helen Allingham (1848-1926)

Background imageVictorian Art Collection: Corcorus Japonica (watercolour with scratching out)

Corcorus Japonica (watercolour with scratching out)
1766702 Corcorus Japonica (watercolour with scratching out) by Allingham, Helen (1848-1926); 17.7x16.5 cm; Private Collection; (add.info.: Corcorus Japonica. Helen Allingham (1848-1926)

Background imageVictorian Art Collection: At the Cottage Gate (watercolour with scratching out)

At the Cottage Gate (watercolour with scratching out)
1766699 At the Cottage Gate (watercolour with scratching out) by Allingham, Helen (1848-1926); Private Collection; (add.info.: At the Cottage Gate. Helen Allingham (1848-1926)

Background imageVictorian Art Collection: The Old Fish Shop, Haslemere (watercolour)

The Old Fish Shop, Haslemere (watercolour)
1766691 The Old Fish Shop, Haslemere (watercolour) by Allingham, Helen (1848-1926); 33x29 cm; Private Collection; (add.info.: The Old Fish Shop, Haslemere. Helen Allingham (1848-1926). Watercolour

Background imageVictorian Art Collection: Royal, a Tri-Colour Working Springer Spaniel (oil on canvas)

Royal, a Tri-Colour Working Springer Spaniel (oil on canvas)
1766681 Royal, a Tri-Colour Working Springer Spaniel (oil on canvas) by Cheviot, Lilian (fl.1894-1930); Private Collection; (add.info.: Royal, a Tri-Colour Working Springer Spaniel)

Background imageVictorian Art Collection: Day (pencil and watercolour)

Day (pencil and watercolour)
1766638 Day (pencil and watercolour) by Hughes, Edward Robert (1851-1914); 25.5x18.5 cm; Private Collection; (add.info.: Day. Edward Robert Hughes (1851-1914). Pencil and watercolour

Background imageVictorian Art Collection: A Dance Round the Moon (pen and black ink and watercolour)

A Dance Round the Moon (pen and black ink and watercolour)
1766633 A Dance Round the Moon (pen and black ink and watercolour) by Doyle, Charles Altamont (1832-93); 24.7x38.7 cm; Private Collection; (add.info.: A Dance Round the Moon)




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Step back in time and immerse yourself in the enchanting world of Victorian art. From the grandeur of Orlando, a Bay Racehorse in a Loosebox, to the delicate strokes of The Milkmaid, this era captivates with its diverse range of artistic expressions. In 1845, Orlando takes center stage as his majestic presence is captured on an oil panel. The artist's attention to detail brings forth every muscle and sinew, showcasing the power and grace of this magnificent creature. Moving forward to 1902, we encounter The Milkmaid rendered through pencil and watercolor. This gentle portrayal evokes a sense of tranquility as she goes about her daily chores. The subtle hues create a soft ambiance that transports us to simpler times. The Wappenshaw: A Shooting Match invites us into an oil-painted paper scene filled with excitement and camaraderie. As participants take aim at their targets, we witness the thrill that comes from friendly competition amidst stunning landscapes. Shakespearean tales come alive through Victorian art as seen in The Wrestling Scene in As You Like It. Painted in 1854 on canvas, this masterpiece captures the intensity and athleticism displayed by actors portraying these iconic characters. Teatime offers a glimpse into domestic life during this period using pencil and watercolor heightened with white on card technique. Delicate teacups rest upon lace doilies while conversation flows freely among friends gathered around a table adorned with floral arrangements. The Fortune Teller enchants viewers with its vivid colors painted onto canvas in 1907. Mysterious figures gather under dim candlelight as secrets are whispered between fortune teller and client - an intriguing narrative unfolds before our eyes. A Stroll in the Garden showcases nature's beauty through skillful brushstrokes on canvas. Lush foliage surrounds elegantly dressed individuals who find solace within these serene surroundings - an escape from bustling city life.