Vienna Secession Collection (#3)

Judith II (Salome) 1909 (oil on canvas)
BAL7030 Judith II (Salome) 1909 (oil on canvas) by Klimt, Gustav (1862-1918); 178x46 cm; Galleria Internazionale d Arte Moderna, Ca Pesaro, Venice, Italy

Seated Woman with Boa (Adele Bloch-Bauer), (pencil on paper) (b / w photo)
FFA145854 Seated Woman with Boa (Adele Bloch-Bauer), (pencil on paper) (b/w photo) by Klimt, Gustav (1862-1918); 44.5x30.5 cm; Private Collection

Design for a Dining Table and Small Table (w / c)
7130753 Design for a Dining Table and Small Table (w/c) by Mackintosh, Charles Rennie (1868-1928); Private Collection; Scottish, out of copyright

Design for a Barrel Chair, 1904 (pencil and w / c)
7085236 Design for a Barrel Chair, 1904 (pencil and w/c) by Mackintosh, Charles Rennie (1868-1928); Private Collection; Scottish, out of copyright

Cacao, 1900 (litho)
7076548 Cacao, 1900 (litho) by Privat-Livemont, Henri (1861-1936); 74x40.5 cm; Private Collection; Belgian, out of copyright

Comb in the Form of Two Dragonflies, c. 1904 (horn)
6620699 Comb in the Form of Two Dragonflies, c.1904 (horn) by Gaillard, Lucien (1861-1942); 11.2A--15.4 cm; Rijksmuseum, Amsterdam, The Netherlands; French, out of copyright

Kammer Castle on Lake Attersee II, 1909 (oil on canvas)
7085191 Kammer Castle on Lake Attersee II, 1909 (oil on canvas) by Klimt, Gustav (1862-1918); 110x110 cm; Private Collection; Austrian, out of copyright

Zodiac calendar for La Plume, 1896 (litho)
7085079 Zodiac calendar for La Plume, 1896 (litho) by Mucha, Alphonse Marie (1860-1939); 63x47 cm; Private Collection; (add.info.: Design for the Parisian art journal " La Plume".); Czech

HOHENSTEIN, Adolf (1854-1928). Iris. 1898. Poster advertising the opera "Iris"
CUL4857272 HOHENSTEIN, Adolf (1854-1928). Iris. 1898. Poster advertising the opera " Iris", with music by Pietro Mascagni and libretto by Luigi Illica. Art Nouveau

Fabric Design, 1916 (oil on tracing paper)
7085237 Fabric Design, 1916 (oil on tracing paper) by Mackintosh, Charles Rennie (1868-1928); Private Collection; Scottish, out of copyright

7085234

Venus and Cupid (oil on canvas)
417288 Venus and Cupid (oil on canvas) by Pellegrini, Giovanni Antonio (1675-1741); 103x126.5 cm; Private Collection; Italian, out of copyright

The Blood of Fish, published in Ver Sacrum magazine, 1898 (engraving)
XAM75365 The Blood of Fish, published in Ver Sacrum magazine, 1898 (engraving) by Klimt, Gustav (1862-1918); Private Collection; Austrian, out of copyright

Lovers, c. 1913 (pencil on paper) (b / w photo)
FFA145849 Lovers, c.1913 (pencil on paper) (b/w photo) by Klimt, Gustav (1862-1918); 37x56 cm; Private Collection; Austrian, out of copyright

Au Quartier Latin, 1898 (lithograph in colours)
1766961 Au Quartier Latin, 1898 (lithograph in colours) by Mucha, Alphonse Marie (1860-1939); 42x30 cm; Private Collection; (add.info.: Au Quartier Latin. Alphonse Mucha (1860-1939)

OLBRICH, Joseph Maria (1867-1908). Vienna Secession Building. 1898. AUSTRIA. Vienna
CUL4909104 OLBRICH, Joseph Maria (1867-1908). Vienna Secession Building. 1898. AUSTRIA. Vienna. Facade. Vienna Sezession. Architecture

Advertising for the "Compagnie francaise des chocolats et des teas"
LSE4091363 Advertising for the " Compagnie francaise des chocolats et des teas", by Steinlen, deb. 20th century by Steinlen

Baby (Cradle), 1917-18 (oil on canvas)
4073393 Baby (Cradle), 1917-18 (oil on canvas) by Klimt, Gustav (1862-1918); 110.9x110.4 cm; National Gallery of Art, Washington DC, USA; Austrian, out of copyright

Two Reclining Nudes, 1911 (watercolour and graphite on paper)
3704109 Two Reclining Nudes, 1911 (watercolour and graphite on paper) by Schiele, Egon (1890-1918); 56.5x36.8 cm; Metropolitan Museum of Art, New York, USA; Austrian, out of copyright

An Armchair from the Villa Friedman, c. 1898 (walnut)
3707600 An Armchair from the Villa Friedman, c.1898 (walnut) by Olbrich, Joseph Maria (1867-1908); height: 90 cm; Private Collection; Photo eChristies Images; Austrian, out of copyright

Portrait of Erich Lederer, 1912-13 (oil and gouache on canvas)
3597141 Portrait of Erich Lederer, 1912-13 (oil and gouache on canvas) by Schiele, Egon (1890-1918); 140x55.4 cm; Kunstmuseum, Basel

Entertainment. Dance. Cancan dancer. Poster by H. A. Thomas for a show at the Little
3434555 Entertainment. Dance. Cancan dancer. Poster by H.A. Thomas for a show at the Little Christopher Theatre, New York, USA, c.1895 (poster) by Thomas, H.A. (fl.1878); (add.info.: Spectacle)

Music. Ysaye Concerts in Bruxelles. Poster by H. Meunier, Belgium, 1896. (poster)
3434526 Music. Ysaye Concerts in Bruxelles. Poster by H. Meunier, Belgium, 1896. (poster) by Meunier, Henri Georges Jean Isidore (1873-1922); Photo eCCI; Belgian, out of copyright

Seated Couple, 1915 (mixed media)
3696960 Seated Couple, 1915 (mixed media) by Schiele, Egon (1890-1918); Graphische Sammlung Albertina, Vienna, Austria; (add.info.: Brush, watercolor, pencil, die stamp)

Am Steinhof (The church of St Leopold) - church dome, Vienna, Austria (photo)
GNG5247762 Am Steinhof (The church of St Leopold) - church dome, Vienna, Austria (photo) by Wagner, Otto (1841-1918); Godong; Austrian, out of copyright

After the rain, 1899 (oil on canvas)
6219397 After the rain, 1899 (oil on canvas) by Klimt, Gustav (1862-1918); 80x40 cm; Osterreichische Galerie Belvedere, Vienna, Austria; Austrian, out of copyright

Amalie Zuckerkandl, 1917-18 (oil on canvas)
6219394 Amalie Zuckerkandl, 1917-18 (oil on canvas) by Klimt, Gustav (1862-1918); 128x128 cm; Osterreichische Galerie Belvedere, Vienna, Austria; Austrian, out of copyright

Homo homini lupus, 1901 (w / c on paper)
5615374 Homo homini lupus, 1901 (w/c on paper) by Pirner, Max (1854-1929); 96x47.4 cm; Narodni Galerie, Prague, Czech Republic; (add.info.: Man is wolf to man)

Tsarevitch Ivan, the Fire Bird and the Gray Wolf, c. 1899 (lithograph)
2544035 Tsarevitch Ivan, the Fire Bird and the Gray Wolf, c.1899 (lithograph) by Bilibin, Ivan (1876-1942); (add.info.: Literature. Fairy Tales. Tsarevitch Ivan)

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The Vienna Secession: A Revolution in Art and Culture The Vienna Secession, a groundbreaking art movement that emerged in the late 19th century, marked a significant shift in the artistic landscape of Austria. This avant-garde group sought to break away from traditional academic styles and create a new visual language that reflected their progressive ideals. One of the most iconic images associated with the the title page of Puccini's opera Tosca. This vibrant lithograph, created around 1910, showcases the movement's commitment to embracing diverse art forms and pushing boundaries. In Hans Christian Andersen's fairy tale The Little Mermaid, we see another example of how the Vienna Secession influenced popular culture. An illustration depicts this beloved character before a statue submerged in the sea – an allegory for breaking free from societal constraints and exploring new realms of creativity. Gustav Klimt was one of the leading figures within this movement, known for his sensual and provocative works. His Seated Nude painting from 1901 exemplifies his fascination with female beauty and intricate patterns. Through these two studies on canvas, he challenges conventional notions of femininity while celebrating sensuality as an integral part of human existence. Another notable piece is Fairies by the Brook by unknown artist (1895). This oil painting captures ethereal beings immersed in nature's enchantment - reflecting both Klimt’s influence on fellow artists within this movement as well as their shared interest in mythology and fantasy. Klimt also explored darker themes through his artwork; Judith (1901) portrays a biblical figure who takes matters into her own hands to save her people. With its bold colors and expressive brushstrokes, it symbolizes rebellion against oppression – mirroring how members of the Vienna Secession aimed to challenge societal norms through their creations. Vassilisa The Beautiful is brought to life through vivid color lithography—an illustration style embraced by the Vienna Secession.