Viole Collection

A Scene from La Joueur de Viole at the Opera Comique, Paris (1926) Date: 1926

The Student Prince of Denmark scene from Americana at the Belmont Theatre, New York (1926) Date: 1926

Ms Hunter 229 f. 21v Detail showing musicians, from the Hunterian Psalter, c. 1170 (pen & ink and tempera on vellum)
GUL174586 Ms Hunter 229 f.21v Detail showing musicians, from the Hunterian Psalter, c.1170 (pen & ink and tempera on vellum) by English School

The Concert at the Fountain, Loire workshop, c. 1570-80 (tapestry) (for detail see 87758
XIR87759 The Concert at the Fountain, Loire workshop, c.1570-80 (tapestry) (for detail see 87758, 19846) by French School, (15th century); 300x380 cm; Musee des Gobelins, Paris, France; French

St. Cecilia and Two Angels, 1870s (stained glass)
MOK120182 St. Cecilia and Two Angels, 1870s (stained glass) by Burne-Jones, Edward Coley (1833-98); Christ Church Cathedral, Oxford, UK; Martyn O Kelly Photography; English, out of copyright

Viole d Amour (engraving)
1606934 Viole d Amour (engraving) by Becker, Carl Ludwig Friedrich (1820-1900) (after); Private Collection; (add.info.: Viole d Amour. Illustration for The Illustrated London News, 20 August 1898)

Coronation of the Virgin, altarpiece with a predella panel depicting angels playing
AII79968 Coronation of the Virgin, altarpiece with a predella panel depicting angels playing musical instruments, Florentine (panel) by Italian School, (14th century); Museo Nazionale del Bargello

Angels playing musical instruments, detail from a predella panel of an altarpiece
AII86911 Angels playing musical instruments, detail from a predella panel of an altarpiece, Florentine (panel) (detail of 79968) by Italian School, (14th century); Museo Nazionale del Bargello

Femme jouant de la viole, d apres une gravure de Leblond, XVIIe siecle (engraving)
5215649 Femme jouant de la viole, d apres une gravure de Leblond, XVIIe siecle (engraving) by French School, (19th century); Private Collection; (add.info.: Femme jouant de la viole)

Virgin and Child Enthroned with Angels
BAL53560 Virgin and Child Enthroned with Angels by Jacopo di Cione, (fl.1368-94); Museum of Fine Arts (Szepmuveszeti) Budapest, Hungary; Italian, out of copyright

The Fountain of Grace, detail of three angel musicians (oil on panel)
XIR175105 The Fountain of Grace, detail of three angel musicians (oil on panel) by Eyck, Jan van (c.1390-1441) (attr. to); 181x116 cm; Prado, Madrid

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"Captivating Melodies: A Glimpse into the World of Viole" Step back in time to 1926, where the enchanting sounds filled opera houses and theaters. In Paris, at the Opera Comique, a scene from La Joueur de Viole transported audiences to another realm. The delicate strings resonated with emotion as talented musicians brought this timeless tale to life. Across the Atlantic, in New York's Belmont Theatre, Americana showcased "The Student Prince of Denmark" scene. The haunting melodies echoed through the theater walls, captivating hearts and minds alike. It was a performance that left an indelible mark on those fortunate enough to witness it. Travel even further back in history to c. 1170 when artists depicted musicians playing violes in intricate detail within the Hunterian Psalter. This pen and ink masterpiece on velum showcases not only their musical prowess but also their artistic skill. Fast forward a few centuries to c. 1570-80 when Loire workshop craftsmen wove tapestries depicting "The Concert at the Fountain. " Amongst these vibrant scenes were angelic figures gracefully strumming violes - a testament to both heavenly beauty and musical harmony. In stained glass artistry from various eras, angels are often portrayed playing this exquisite instrument. From St Cecilia surrounded by two angels in 1870s stained glass panels to an altarpiece predella panel showcasing angels serenading during Coronation of the Virgin ceremonies – each portrayal exudes ethereal charm. Even outside religious contexts, violes have been celebrated throughout history for their allure. An engraving titled "Femme jouant de la viole" captures a woman lost in her music during the seventeenth century while another engraving depicts an angel playing this beloved instrument as part of Surance's Stained Glass Project album number four.