Visionary Collection (#3)

Preludium, plate 1 from America, a Prophecy, 1793
FIT109646 Preludium, plate 1 from America, a Prophecy, 1793 (relief etching & w/c on paper) by Blake, William (1757-1827); 24x17 cm; Fitzwilliam Museum, University of Cambridge

William Blake (1757-1827) Life Mask, 1823 (plaster)
FIT110158 William Blake (1757-1827) Life Mask, 1823 (plaster) by Deville, J.s (fl.1823); height: 29.3 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; English

The Book of Urizen, plate 2, 1794 (etching)
938612 The Book of Urizen, plate 2, 1794 (etching) by Blake, William (1757-1827); Private Collection; English, out of copyright

And the Thirty-Two Counties... plate 72 from Jerusalem
XYC151895 And the Thirty-Two Counties... plate 72 from Jerusalem (Bentley Copy E) 1804-20 (relief etching with pen and w/c on paper) by Blake

Portrait of Michel de Nostradame (1503-66) (engraving)
XIR170964 Portrait of Michel de Nostradame (1503-66) (engraving) by French School, (16th century); Bibliotheque Nationale, Paris, France; French, out of copyright

Teresa of Avilas Vision of a Dove, c. 1614 (oil on panel)
FIT156934 Teresa of Avilas Vision of a Dove, c.1614 (oil on panel) by Rubens, Peter Paul (1577-1640); 97x63 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; Flemish

The Opening of the Sixth Seal, Ezekiels Vision and The Last Judgement
NMG146018 The Opening of the Sixth Seal, Ezekiels Vision and The Last Judgement, 1584 (oil on panel) by Gdansk School, (16th century); 205x132 cm; Muzeum Narodowe, Gdansk

Joseph Smith (1805-44) prophet founder of the Mormon Religion in the USA (colour litho)
PNP251889 Joseph Smith (1805-44) prophet founder of the Mormon Religion in the USA (colour litho) by American School, (19th century); Private Collection; Peter Newark American Pictures; American

Chap. I, Lo, a shadow... plate 5 from The First Book of Urizen
XYC256357 Chap. I, Lo, a shadow... plate 5 from The First Book of Urizen, 1794 (colour-printed relief etching with ink and w/c) by Blake

St. Bridget of Sweden (c. 1302-73) illustration from a book on famous women of Sweden
CHT183730 St. Bridget of Sweden (c.1302-73) illustration from a book on famous women of Sweden, 1900 (colour litho) by Larsson

Portrait of William Blake, engraved by William Bell Scott (1811-90) (line engraving)
FIT277175 Portrait of William Blake, engraved by William Bell Scott (1811-90) (line engraving) by Phillips, Thomas (1770-1845) (after); Fitzwilliam Museum, University of Cambridge

The Ancient of Days, from Europe a Prophecy, 1793 (etching with pen & ink
STC247595 The Ancient of Days, from Europe a Prophecy, 1793 (etching with pen & ink, w/c and bodycolour on paper) by Blake

Stretch d for a work of eternity... plate 22 from
XYC256908 Stretch d for a work of eternity... plate 22 from The First Book of Urizen, 1794 (colour-printed relief etching with ink and w/c on paper) by Blake

Chap: IV, Ages on ages roll d over him
XYC256364 Chap: IV, Ages on ages roll d over him... plate 13 from The First Book of Urizen, 1794 (colour-printed relief etching with ink and w/c) by Blake

Los smitten with astonishment... plate 12 from
XYC256363 Los smitten with astonishment... plate 12 from The First Book of Urizen, 1794 (colour-printed relief etching with ink and w/c) by Blake

Ms 501 f. 30v The Vision of St. Aldegondius, from The Life and Miracles of St
XIR166081 Ms 501 f.30v The Vision of St. Aldegondius, from The Life and Miracles of St. Amand (vellum) by French School, (12th century); Bibliotheque Municipale, Valenciennes

A Thephilanthropist in robes
A Thephilanthropist, religious sect founded by the visionary Catherine Theot, Directory era, 1795-1799. Handcoloured lithograph from Le Bibliophile Jacob aka Paul Lacroixs Costumes Historiques de la

Saint Anthony of Padua with the Infant Jesus, 1767-69 (oil on canvas)
3701644 Saint Anthony of Padua with the Infant Jesus, 1767-69 (oil on canvas) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); 225x179 cm; Prado, Madrid

Songs of Innocence and of Experience: The Tyger, c. 1825
3493165 Songs of Innocence and of Experience: The Tyger, c.1825 (brown ink etching hand-coloured in watercolour) by Blake, William (1757-1827); 15.7x14.1 cm; Metropolitan Museum of Art, New York

"The Terror Answered", plate 8 from America, a Prophecy
XCF282076 " The Terror Answered", plate 8 from America, a Prophecy, 1793 (relief etching & w/c on paper) by Blake, William (1757-1827); The Morgan Library & Museum, New York, USA; English

Study of St. Joan of Arc (ink on paper)
AGN264337 Study of St. Joan of Arc (ink on paper) by Cosway, Richard (1742-1821); Private Collection; Photo eAgnew s, London; English, out of copyright

The Terror answered... plate 10 from America: A Prophecy
XYC285550 The Terror answered... plate 10 from America: A Prophecy, 1793 (relief etching printed in black with pen & ink and w/c) by Blake

Fiery Angels rose... plate 13 from America: A Prophecy
XYC285548 Fiery Angels rose... plate 13 from America: A Prophecy, 1793 (relief etching printed in blue with pen & ink and w/c) by Blake

The Blossom, plate 28 from Songs of Innocence
XYC257427 The Blossom, plate 28 from Songs of Innocence, 1789 (hand-coloured relief etching with w/c on paper) by Blake, William (1757-1827); 18.4x12.1 cm; Yale Center for British Art

A muscular, naked man, who seems to have floated down to rest on his hands
XYC256901 A muscular, naked man, who seems to have floated down to rest on his hands, head downwards, on rocks and clouds, plate 14 from The First Book of Urizen

As the stars are apart from the earth... plate 9 from
XYC256360 As the stars are apart from the earth... plate 9 from The First Book of Urizen, 1794 (colour-printed relief etching with ink and w/c) by Blake

Muster around the bleak desarts... plate 6 from
XYC256358 Muster around the bleak desarts... plate 6 from The First Book of Urizen, 1794 (colour-printed relief etching with ink and w/c) by Blake

Preludium to the Book of Urizen, plate 2 from The First Book of Urizen
XYC256354 Preludium to the Book of Urizen, plate 2 from The First Book of Urizen, 1794 (colour-printed relief etching with ink and w/c) by Blake

In thunders ends the voice... plate 9 from America: A Prophecy
XYC285565 In thunders ends the voice... plate 9 from America: A Prophecy, 1793 (relief etching printed in blue with pen & ink and w/c) by Blake

In the flames stood... plate 16 from America: A Prophecy
XYC285563 In the flames stood... plate 16 from America: A Prophecy, 1793 (relief etching printed in black with pen & ink and w/c) by Blake

A Prophecy, plate 5 from America: A Prophecy
XYC285552 A Prophecy, plate 5 from America: A Prophecy, 1793 (relief etching printed in blue with pen & ink and w/c) by Blake, William (1757-1827); 36.8x26.7 cm; Yale Center for British Art

The Blossom, plate 20 from Songs of Innocence and of Experience
XYC243176 The Blossom, plate 20 from Songs of Innocence and of Experience [Bentley 11] c.1789-94 (relief etching printed in brown with pen & ink and w/c) by Blake

Michel Nostradamus (1503-66) (coloured engraving)
CHT166654 Michel Nostradamus (1503-66) (coloured engraving) by French School, (19th century); Bibliotheque Nationale, Paris, France; eArchives Charmet; French, out of copyright

"The Morning Comes", plate 6 from America, a Prophecy
FIT109651 " The Morning Comes", plate 6 from America, a Prophecy, 1793 (relief etching & w/c on paper) by Blake, William (1757-1827); 24x17 cm; Fitzwilliam Museum, University of Cambridge

"Appears to the Americans", plate 4 from America, a Prophecy
FIT109649 " Appears to the Americans", plate 4 from America, a Prophecy, 1793 (relief etching & w/c on paper) by Blake, William (1757-1827); 24x17 cm; Fitzwilliam Museum

A rare International style gold figure of a Shaman, probably from Panama or Costa Rica, c
1767141 A rare International style gold figure of a Shaman, probably from Panama or Costa Rica, c.500-1000 (gold) by Pre-Columbian; 12 high cm; Private Collection; (add.info)

Frontispiece to Les Vrayes Centuries et Propheties de Maistre Michel Nostradamus
XIR164895 Frontispiece to Les Vrayes Centuries et Propheties de Maistre Michel Nostradamus, after the first editions of Avignon 1556 and Lyon 1558

Frontispiece to Les Propheties de M. Michel de Nostradamus (1503-66)
XIR164894 Frontispiece to Les Propheties de M. Michel de Nostradamus (1503-66), with a portrait of Nostradamus, published in Lyon 1568 (engraving) (b/w photo) by French School

"The Terror Answered", plate 8 from America, a Prophecy
FIT109653 " The Terror Answered", plate 8 from America, a Prophecy, 1793 (relief etching & w/c on paper) by Blake, William (1757-1827); 24x17 cm; Fitzwilliam Museum

"Albions Angel Stood Beside", plate 5 from America, a Prophecy
FIT109650 " Albions Angel Stood Beside", plate 5 from America, a Prophecy, 1793 (relief etching & w/c on paper) by Blake, William (1757-1827); 24x17 cm; Fitzwilliam Museum

Angel of the Divine Presence Bringing Eve to Adam, c. 1803 (w / c
3493159 Angel of the Divine Presence Bringing Eve to Adam, c.1803 (w/c, pen and black ink over graphite) by Blake, William (1757-1827); 41.6 A-- 33.2 cm; Metropolitan Museum of Art, New York

The Angel Appearing to Zacharias, 1799-1800 (pen, black ink and tempera on canvas)
3493144 The Angel Appearing to Zacharias, 1799-1800 (pen, black ink and tempera on canvas) by Blake, William (1757-1827); 26.7x38.1 cm; Metropolitan Museum of Art, New York

The Pilgrimage To Caravaggio, Diving In The Miraculous Pool (colour litho)
2798185 The Pilgrimage To Caravaggio, Diving In The Miraculous Pool (colour litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info.: The Pilgrimage To Caravaggio)

Henry Wentworth Monk, 1858 (oil on canvas)
NUL384725 Henry Wentworth Monk, 1858 (oil on canvas) by Hughes, Arthur (1832-1915); Private Collection; (add.info.: Henry Wentworth Monk (1827-96) Canadian Christian Zionist and mystic; ); English

Thus the Eternal Prophet was Divided... plate 13 form
XYC239821 Thus the Eternal Prophet was Divided... plate 13 form The First Book of Urizen, 1794 (colour-printed relief etching with watercolour) by Blake

Infant Joy, plate 27 from Songs of Innocence
XYC257426 Infant Joy, plate 27 from Songs of Innocence, 1789 (hand-coloured relief etching with w/c on paper) by Blake, William (1757-1827); 18.4x12.1 cm; Yale Center for British Art

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"Visionary: Embracing the Divine Guidance and Inspiring Change" In a world filled with ordinary sights, there are those who possess an extraordinary ability to see beyond what meets the eye. Bernadette, an anonymous photographer, captures moments that transcend reality, reminding us of the power of vision. Drawing inspiration from St. Bernadette of Lourdes, whose visions led to miraculous healing and spiritual enlightenment, we delve into the realm of possibilities. Like her namesake saint Catherine of Siena, whose visionary experiences shaped her role as a peacemaker and advocate for justice. Just as The Eden Project in Cornwall UK envisions a sustainable future through its breathtaking botanical gardens and eco-conscious initiatives, these visionaries challenge us to reimagine our relationship with nature and strive for harmony. St. Teresa holding the crucifix reminds us that true vision goes beyond physical sight; it encompasses profound insights into human existence and spirituality. Echoing this sentiment is St. Catherine of Siena's unwavering commitment to philosophical concepts that shape our understanding of life's complexities. From "The Fox" by Flippo Neri to "The Ancient of Days, " where Urizen measures out the material world—these artistic expressions invite us to explore new dimensions within ourselves through imagination and creativity. As we contemplate St. Teresa's encounter with the angelic embodiment of justice or witness her transformative journey towards divine union in Avila—their visionary experiences inspire us to seek deeper connections within ourselves and with others. These remarkable individuals remind us that being visionary is not confined by time or place—it transcends boundaries set by society or religion, and is about embracing a perspective that challenges norms while fostering compassion, empathy, and understanding. Let their stories ignite our own visions—to envision a world where love triumphs over hate; where unity prevails amidst diversity; where every individual embraces their unique purpose guided by faith in something greater than themselves.