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W Hogarth Collection (#6)

William Hogarth, a renowned artist of the 18th century, left an indelible mark on the art world with his captivating and thought-provoking works

Background imageW Hogarth Collection: Satan, Sin and Death (Paradise Lost, Book II), May 1, 1788. Creator: Samuel Ireland

Satan, Sin and Death (Paradise Lost, Book II), May 1, 1788. Creator: Samuel Ireland
Satan, Sin and Death (Paradise Lost, Book II), May 1, 1788. After Charles Townley. After William Hogarth

Background imageW Hogarth Collection: William Hogarth, Self-portrait, 1785. Creator: Samuel Ireland

William Hogarth, Self-portrait, 1785. Creator: Samuel Ireland
William Hogarth, Self-portrait, 1785

Background imageW Hogarth Collection: Benefit Ticket for Spiller, 1788. Creator: Samuel Ireland

Benefit Ticket for Spiller, 1788. Creator: Samuel Ireland
Benefit Ticket for Spiller, 1788

Background imageW Hogarth Collection: Some of the Principal Inhabitants of the Moon, as They Were Perfectly Discovered by

Some of the Principal Inhabitants of the Moon, as They Were Perfectly Discovered by a Telescope... May 1, 1788. After William Hogarth

Background imageW Hogarth Collection: The Complicated R_____n, 1794 (?). Creator: Probably etched by Richard Livesay (British

The Complicated R_____n, 1794 (?). Creator: Probably etched by Richard Livesay (British
The Complicated R_____n, 1794 (?). Mocking the preface of Jonathan Richardson Sr.s " Explanatory Notes and Remarks on Miltons Paradise Lost. After William Hogarth

Background imageW Hogarth Collection: A Parson Joining the Hands of Two People, October 1788. Creator: Richard Livesay

A Parson Joining the Hands of Two People, October 1788. Creator: Richard Livesay
A Parson Joining the Hands of Two People, October 1788. After William Hogarth

Background imageW Hogarth Collection: Surprised Woman from Hogarths 'Morning', October 1788

Surprised Woman from Hogarths "Morning", October 1788
Surprised Woman from Hogarths " Morning", October 1788

Background imageW Hogarth Collection: The Parsons Head, October 1788. Creator: Richard Livesay

The Parsons Head, October 1788. Creator: Richard Livesay
The Parsons Head, October 1788. After William Hogarth

Background imageW Hogarth Collection: Tail-Piece, November 27, 1781. Creator: Richard Livesay

Tail-Piece, November 27, 1781. Creator: Richard Livesay
Tail-Piece, November 27, 1781. After William Hogarth

Background imageW Hogarth Collection: From an Original Sketch of William Hogarths in the Collection of Mr

From an Original Sketch of William Hogarths in the Collection of Mr. Morrison, March 1, 1782

Background imageW Hogarth Collection: Mr. Ben: Read, A Member of Hogarths Club at the Bedford Arms Tavern, Drawn b

Mr. Ben: Read, A Member of Hogarths Club at the Bedford Arms Tavern, Drawn by him about the Year 1757, November 27, 1781. After William Hogarth

Background imageW Hogarth Collection: Frontispiece to 'The Jacobites Journal', November 27, 1781

Frontispiece to "The Jacobites Journal", November 27, 1781
Frontispiece to " The Jacobites Journal", November 27, 1781. After William Hogarth

Background imageW Hogarth Collection: The Charmers of the Age, March 1, 1782. Creator: Richard Livesay

The Charmers of the Age, March 1, 1782. Creator: Richard Livesay
The Charmers of the Age, March 1, 1782. Barbara Campanini and George Desnoyer. After William Hogarth

Background imageW Hogarth Collection: Boys Peeping at Nature, 1782. Creator: Richard Livesay

Boys Peeping at Nature, 1782. Creator: Richard Livesay
Boys Peeping at Nature, 1782. After William Hogarth

Background imageW Hogarth Collection: The March to Finchley-A Representation of the March of the Guards towards Scotla... June 12, 1761

The March to Finchley-A Representation of the March of the Guards towards Scotla... June 12, 1761
The March to Finchley-A Representation of the March of the Guards towards Scotland in the Year 1745, June 12, 1761

Background imageW Hogarth Collection: Paul Before Felix, February 5, 1752. Creator: Luke Sullivan

Paul Before Felix, February 5, 1752. Creator: Luke Sullivan
Paul Before Felix, February 5, 1752

Background imageW Hogarth Collection: Satire on False Perspective: Frontispiece to 'Kirbys Perspective'

Satire on False Perspective: Frontispiece to "Kirbys Perspective"
Satire on False Perspective: Frontispiece to " Kirbys Perspective", February 1754

Background imageW Hogarth Collection: Frontispiece to Molieres 'Sganarelle, ou le Cocu Imaginaire'

Frontispiece to Molieres "Sganarelle, ou le Cocu Imaginaire"
Frontispiece to Molieres " Sganarelle, ou le Cocu Imaginaire" (The Imaginary Cuckold), ca. 1732

Background imageW Hogarth Collection: Frontispiece to Molieres 'L Avare'(The Miser), 1732

Frontispiece to Molieres "L Avare"(The Miser), 1732
Frontispiece to Molieres " L Avare" (The Miser), 1732

Background imageW Hogarth Collection: The Politician, 1775. Creator: John Keyse Sherwin

The Politician, 1775. Creator: John Keyse Sherwin
The Politician, 1775

Background imageW Hogarth Collection: Orator Henley Christening a Child, 1794. Creator: Jane Ireland

Orator Henley Christening a Child, 1794. Creator: Jane Ireland
Orator Henley Christening a Child, 1794. After William Hogarth

Background imageW Hogarth Collection: Concert Ticket - Marys Chappel, Five at Night, May 1, 1799. Creator: Jane Ireland

Concert Ticket - Marys Chappel, Five at Night, May 1, 1799. Creator: Jane Ireland
Concert Ticket - Marys Chappel, Five at Night, May 1, 1799. After William Hogarth

Background imageW Hogarth Collection: Sigismunda, May 5, 1790. Creator: James Basire I

Sigismunda, May 5, 1790. Creator: James Basire I
Sigismunda, May 5, 1790. After William Hogarth

Background imageW Hogarth Collection: Thomas Morell, S. T. P. - S. S. A. February 1762. Creator: James Basire I

Thomas Morell, S. T. P. - S. S. A. February 1762. Creator: James Basire I
Thomas Morell, S.T.P.- S.S.A. February 1762. After William Hogarth

Background imageW Hogarth Collection: The Reward of Cruelty, 1790. Creator: J Bell

The Reward of Cruelty, 1790. Creator: J Bell
The Reward of Cruelty, 1790. After William Hogarth

Background imageW Hogarth Collection: Gulliver Presented to the Queen of Babilary, Frontispiece to 'The Travels of Mr

Gulliver Presented to the Queen of Babilary, Frontispiece to "The Travels of Mr
Gulliver Presented to the Queen of Babilary, Frontispiece to " The Travels of Mr. John Gulliver", February 1730. After William Hogarth

Background imageW Hogarth Collection: Marriage A-la-Mode, Plate I, April 1, 1745. Creator: Gerard Jean-Baptiste Scotin

Marriage A-la-Mode, Plate I, April 1, 1745. Creator: Gerard Jean-Baptiste Scotin
Marriage A-la-Mode, Plate I, April 1, 1745. After William Hogarth

Background imageW Hogarth Collection: Sitting Satyrs, after 1732. Creator: Unknown

Sitting Satyrs, after 1732. Creator: Unknown
Sitting Satyrs, after 1732. Illustration for A Harlots Progress

Background imageW Hogarth Collection: Shrimps!, [March 25, 1782], reissued 1790. Creator: Francesco Bartolozzi

Shrimps!, [March 25, 1782], reissued 1790. Creator: Francesco Bartolozzi
Shrimps!, [March 25, 1782], reissued 1790. After William Hogarth

Background imageW Hogarth Collection: Caricatures of Lord Melcombe and Lord Winchelsea, December 22, 1781

Caricatures of Lord Melcombe and Lord Winchelsea, December 22, 1781. After William Hogarth

Background imageW Hogarth Collection: The Half-Starved Boy, 1738-39. Creator: F Sykes

The Half-Starved Boy, 1738-39. Creator: F Sykes
The Half-Starved Boy, 1738-39. After William Hogarth

Background imageW Hogarth Collection: Tailpiece to the Catalogue of Pictures Exhibited in Spring Garden, May 7, 1761

Tailpiece to the Catalogue of Pictures Exhibited in Spring Garden, May 7, 1761

Background imageW Hogarth Collection: Frontispiece to the Catalogue of Pictures Exhibited in Spring Garden, May 7, 1761

Frontispiece to the Catalogue of Pictures Exhibited in Spring Garden, May 7, 1761. After William Hogarth

Background imageW Hogarth Collection: Marriage A-la-Mode, Plate II, April 1745. Creator: Bernard Baron

Marriage A-la-Mode, Plate II, April 1745. Creator: Bernard Baron
Marriage A-la-Mode, Plate II, April 1745. After William Hogarth

Background imageW Hogarth Collection: Marriage A-la-Mode, Plate III, April 1745. Creator: Bernard Baron

Marriage A-la-Mode, Plate III, April 1745. Creator: Bernard Baron
Marriage A-la-Mode, Plate III, April 1745. After William Hogarth

Background imageW Hogarth Collection: Marriage A-la-Mode, Plate II, April 1, 1745. Creator: Bernard Baron

Marriage A-la-Mode, Plate II, April 1, 1745. Creator: Bernard Baron
Marriage A-la-Mode, Plate II, April 1, 1745. After William Hogarth

Background imageW Hogarth Collection: Jacobus Gibbs, Architectus, 1747. Creator: Bernard Baron

Jacobus Gibbs, Architectus, 1747. Creator: Bernard Baron
Jacobus Gibbs, Architectus, 1747. After William Hogarth

Background imageW Hogarth Collection: William Hogarth, June 7, 1795. Creator: Benjamin Smith

William Hogarth, June 7, 1795. Creator: Benjamin Smith
William Hogarth, June 7, 1795

Background imageW Hogarth Collection: House of Commons - Sir Robert Walpoles Administration, November 1, 1803

House of Commons - Sir Robert Walpoles Administration, November 1, 1803. After William Hogarth. After Sir James Thornhill

Background imageW Hogarth Collection: St. Peters Church at Walpole, 18th century. Creator: Unknown

St. Peters Church at Walpole, 18th century. Creator: Unknown
St. Peters Church at Walpole, 18th century

Background imageW Hogarth Collection: The Beggars Opera, 1728. Creator: Unknown

The Beggars Opera, 1728. Creator: Unknown
The Beggars Opera, 1728. Formerly attributed to William Hogarth

Background imageW Hogarth Collection: William Hog-garth Esq. Drawn from the Life, 1763. Creator: Unknown

William Hog-garth Esq. Drawn from the Life, 1763. Creator: Unknown
William Hog-garth Esq. Drawn from the Life, 1763

Background imageW Hogarth Collection: A Rakes Progress, Plate 4, ca. 1800. Creator: Dent

A Rakes Progress, Plate 4, ca. 1800. Creator: Dent
A Rakes Progress, Plate 4, ca. 1800

Background imageW Hogarth Collection: The Laughing Audience, ca. 1800. Creator: Dent

The Laughing Audience, ca. 1800. Creator: Dent
The Laughing Audience, ca. 1800

Background imageW Hogarth Collection: The Bruiser, ca. 1800. Creator: Dent

The Bruiser, ca. 1800. Creator: Dent
The Bruiser, ca. 1800

Background imageW Hogarth Collection: After, 1790-1810. Creator: Dent

After, 1790-1810. Creator: Dent
After, 1790-1810

Background imageW Hogarth Collection: The Enraged Musician, ca. 1800. Creator: Dent

The Enraged Musician, ca. 1800. Creator: Dent
The Enraged Musician, ca. 1800

Background imageW Hogarth Collection: Before, 1790-1810. Creator: Dent

Before, 1790-1810. Creator: Dent
Before, 1790-1810




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William Hogarth, a renowned artist of the 18th century, left an indelible mark on the art world with his captivating and thought-provoking works. One of his most iconic pieces is "Gin Lane, " created in 1751. This powerful image depicts the devastating consequences of excessive gin consumption during that time. In another masterpiece titled "Revelling with Harlots, " plate III of A Rakes Progress from 1735, Hogarth explores the downfall of a young man who indulges in a life filled with debauchery and immoral behavior. The series continues in Plate I, June 25, 1735, where we witness the protagonist's journey into ruin. Hogarth's social commentary extends to other aspects of society as well. In "The Bruiser" from August 1, 1763, he portrays a violent sport known as bare-knuckle boxing prevalent during that era. "The Stage Coach or Country Inn Yard" from 1747 captures the bustling atmosphere at an inn yard during coach travel days. It offers us a glimpse into daily life and transportation methods back then. Hogarth's keen eye for detail is evident in his work "View of David Loudons Bun House. " This painting showcases Pimlico Road in Chelsea, London—a snapshot frozen in time that allows us to envision what this area looked like centuries ago. "The Lord Mayors Procession" (1897) may not be directly attributed to Hogarth but serves as evidence that his influence transcended generations. Unknown artists were inspired by his style when creating this piece depicting an important event in London's history. In March 1738, Hogarth presented "Night, " one part of his series called The Four Times of Day. Through this artwork, he skillfully portrays various scenes set at different times—nighttime being particularly atmospheric and mysterious.