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Waterhouse Collection (#2)

Waterhouse, the renowned artist of the late 19th and early 20th centuries, captivated audiences with his mesmerizing paintings

Background imageWaterhouse Collection: Head of a Girl, c. 1892-1900 (oil on canvas board)

Head of a Girl, c. 1892-1900 (oil on canvas board)
1199593 Head of a Girl, c. 1892-1900 (oil on canvas board) by Waterhouse, John William (1849-1917); 35.5x25.4 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageWaterhouse Collection: A Roman Offering (oil on canvas)

A Roman Offering (oil on canvas)
828433 A Roman Offering (oil on canvas) by Waterhouse, John William (1849-1917); 49.8x20.3 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageWaterhouse Collection: The Rose Bower, (oil on canvas)

The Rose Bower, (oil on canvas)
659840 The Rose Bower, (oil on canvas) by Waterhouse, John William (1849-1917); 41.9x36.2 cm; Private Collection; (add.info.: The Rose Bower. John William Waterhouse (1849-1917). Oil on canvas

Background imageWaterhouse Collection: Dinner in the Iguanodon model, Crystal Palace, Sydenham

Dinner in the Iguanodon model, Crystal Palace, Sydenham
Diners seated in a model of an Iguanodon at Crystal Palace, London. The Iguanodon was a creation of Mr. B. Waterhouse Hawkins who was constructing models of various dinosaurs in his studio at Crystal

Background imageWaterhouse Collection: CRYSTAL PALACE ANIMALS

CRYSTAL PALACE ANIMALS
The sculptures of prehistoric animals, created by Waterhouse Hawkins, are a notable feature of the Palace grounds. Date: circa 1854

Background imageWaterhouse Collection: Owens College, 1898. Creator: Unknown

Owens College, 1898. Creator: Unknown
Owens College, 1898. Owens College designed by Alfred Waterhouse and named after John Owens was founded in 1851 and became the Victoria University of Manchester in 1904

Background imageWaterhouse Collection: Natural History Museum, London, c1910. Creator: Unknown

Natural History Museum, London, c1910. Creator: Unknown
Natural History Museum, London, c1910. The museum building was designed by Sir Alfred Waterhouse and opened to the public in 1881

Background imageWaterhouse Collection: A Grecian Flower Market, c1880, (c1930). Creator: John William Waterhouse

A Grecian Flower Market, c1880, (c1930). Creator: John William Waterhouse
A Grecian Flower Market, c1880, (c1930). Scene in Ancient Greece: women at a stall selling flowers. Painting in the Laing Art Gallery, Newcastle upon Tyne, Tyne & Wear

Background imageWaterhouse Collection: Diogenes, 1882. Artist: Waterhouse, John William (1849-1917)

Diogenes, 1882. Artist: Waterhouse, John William (1849-1917)
Diogenes, 1882. Found in the collection of the Art Gallery of New South Wales

Background imageWaterhouse Collection: One of Londons Public Schools: St. Pauls from the Playing Fields, c1935. Creator

One of Londons Public Schools: St. Pauls from the Playing Fields, c1935. Creator
One of Londons Public Schools: St. Pauls from the Playing Fields, c1935. View of St Pauls School at Hammersmith in west London. The building, designed by Alfred Waterhouse, was completed in 1884

Background imageWaterhouse Collection: Romanesque Front of the Natural History Museum, c1935. Creator: Donald McLeish

Romanesque Front of the Natural History Museum, c1935. Creator: Donald McLeish
Romanesque Front of the Natural History Museum, c1935. The Natural History Museum in South Kensington, London, was designed by Francis Fowke and Alfred Waterhouse and opened in 1881

Background imageWaterhouse Collection: The Lady Of Shalott Looking At Lancelot, After The Painting By J. W. Waterhouse, 1894

The Lady Of Shalott Looking At Lancelot, After The Painting By J. W. Waterhouse, 1894. From Bibbys Annual, Published 1915

Background imageWaterhouse Collection: Manchester Town Hall, c1896. Artist: H Garside

Manchester Town Hall, c1896. Artist: H Garside
Manchester Town Hall, c1896. From Pictorial England and Wales. [Cassell and Company, Limited, London, Paris & Melbourne, c1896]

Background imageWaterhouse Collection: Song of Spring

Song of Spring. Found in the Collection of Collection Perez Simon, Mexico

Background imageWaterhouse Collection: Ulysses and the Sirens

Ulysses and the Sirens. Found in the Collection of National Gallery of Victoria, Melbourne

Background imageWaterhouse Collection: Portrait of John William Waterhouse Artist: H. S. Mendelssohn Studio

Portrait of John William Waterhouse Artist: H. S. Mendelssohn Studio
Portrait of John William Waterhouse. Private Collection

Background imageWaterhouse Collection: Brighton Metropoles Palm Garden, 1912

Brighton Metropoles Palm Garden, 1912. Palm garden in Victorian seafront hotel in Brighton, East Sussex with architecture by Alfred Waterhouse. From The Connoisseur Vol XXXII

Background imageWaterhouse Collection: Study for Phyllis and Demophoon, c1907. Artist: John William Waterhouse

Study for Phyllis and Demophoon, c1907. Artist: John William Waterhouse
Study for Phyllis and Demophoon, c1907. From The Studio Volume 53. [London Offices of the Studio, London, 1911]

Background imageWaterhouse Collection: The Lady of Shalott, 1888 (1923). Artist: John William Waterhouse

The Lady of Shalott, 1888 (1923). Artist: John William Waterhouse
The Lady of Shalott, 1888 (1923). From The Outline of Literature, by John Drinkwater, London, 1923

Background imageWaterhouse Collection: Sanchi Tope Major General James Waterhouse English

Sanchi Tope Major General James Waterhouse English
The Sanchi Tope; Major General James Waterhouse (English, 1842 - 1922); London, England; 1869; Albumen silver print

Background imageWaterhouse Collection: Waterhouse 1665 Wenceslaus Hollar Bohemian 1607-1677

Waterhouse 1665 Wenceslaus Hollar Bohemian 1607-1677
The Waterhouse, 1665. Wenceslaus Hollar (Bohemian, 1607-1677). Etching; sheet: 10.1 x 14.1 cm (4 x 5 9/16 in.); platemark: 9.1 x 12.7 cm (3 9/16 x 5 in.)

Background imageWaterhouse Collection: Liverpool Seamens Orphanage Plan

Liverpool Seamens Orphanage Plan
Ground-floor plan of the Liverpool Seamens Orphanage, designed by Alfred Waterhouse. Date: 1872

Background imageWaterhouse Collection: ENGLAND: WITCH TRIAL, 1566. The first woman to be hanged as a witch in England

ENGLAND: WITCH TRIAL, 1566. The first woman to be hanged as a witch in England, Mother Agnes Waterhouse, who was tried and found guilty at Chelmsford, Essex, in 1566

Background imageWaterhouse Collection: The picnic area

The picnic area of the Natural History Museum, London

Background imageWaterhouse Collection: Designs for the Natural History Museum, by Alfred Waterhouse

Designs for the Natural History Museum, by Alfred Waterhouse
This album of 66 original drawings includes 10 illustrations made with terracotta wash indicating how Waterhouse intended the finished pieces to appear

Background imageWaterhouse Collection: The Dog: Collie sheepdog: Newfoundland for water rescue: Deerhound for hunting: St

The Dog: Collie sheepdog: Newfoundland for water rescue: Deerhound for hunting: St Bernard rescuing travellers in the snow: Husky pulling a sledge: Dog skin for boots: Guard dog to deter burglars

Background imageWaterhouse Collection: I am Half Sick of Shadows, said the Lady of Shalott (1915). Illustration of Tennyson s

I am Half Sick of Shadows, said the Lady of Shalott (1915). Illustration of Tennyson s
I am Half Sick of Shadows, said the Lady of Shalott (1915). Illustration of Tennysons poem of Arthurian legend showing the Lady of Shallot bored with her weaving

Background imageWaterhouse Collection: Interior of Cathedral, San Remo, c1870. Artist: Alfred Waterhouse

Interior of Cathedral, San Remo, c1870. Artist: Alfred Waterhouse
Interior of Cathedral, San Remo, c1870. From The Studio Volume 41. [London Offices of the Studio, London, 1907]

Background imageWaterhouse Collection: Santa Maria Degli Angeli, Rome, c1870. Artist: Alfred Waterhouse

Santa Maria Degli Angeli, Rome, c1870. Artist: Alfred Waterhouse
Santa Maria Degli Angeli, Rome, c1870. From The Studio Volume 41. [London Offices of the Studio, London, 1907]

Background imageWaterhouse Collection: Phyllis and Demophoon Study, c1897. Artist: John William Waterhouse

Phyllis and Demophoon Study, c1897. Artist: John William Waterhouse
Phyllis and Demophoon Study, c1897. A study for Phyllis. From The Studio Volume 41. [London Offices of the Studio, London, 1907]

Background imageWaterhouse Collection: Study for The Nymphs Finding the Head of Orpheus, c1899 Artist: John William Waterhouse

Study for The Nymphs Finding the Head of Orpheus, c1899 Artist: John William Waterhouse
Study for The Nymphs Finding the Head of Orpheus, c1899. A Pencil study in the sketch books held in the Victoria and Albert Museum, London. From The Studio Volume 71

Background imageWaterhouse Collection: Vanity, c1910. Artist: John William Waterhouse

Vanity, c1910. Artist: John William Waterhouse
Vanity, c1910. From The Studio Volume 71. [London Offices of the Studio, London, 1917]

Background imageWaterhouse Collection: From a study in sanguine, c1899. Artist: John William Waterhouse

From a study in sanguine, c1899. Artist: John William Waterhouse
From a study in sanguine, c1899. From The Studio Volume 44. [London Offices of the Studio, London, 1908]

Background imageWaterhouse Collection: Study of a Head, c1899. Artist: John William Waterhouse

Study of a Head, c1899. Artist: John William Waterhouse
Study of a Head, c1899. From The Studio Volume 18 by Ralph Nevill. [The Offices of the Studio, London, 1899-1900]

Background imageWaterhouse Collection: Whitehall Court, 1903. (1906-7). Artist: Joseph Pennell

Whitehall Court, 1903. (1906-7). Artist: Joseph Pennell
Whitehall Court, 1903. Whitehall Court, London, England, is one contiguous building but consists of two separate constructions

Background imageWaterhouse Collection: Ophelia, 1895. Artist: James Dobie

Ophelia, 1895. Artist: James Dobie
Ophelia, 1895. A print from The Magazine of Art, Cassell and Company, Limited, London, Paris and Melbourne, 1895

Background imageWaterhouse Collection: Study for the painting Hylas and the Nymphs, c1896. Artist: John William Waterhouse

Study for the painting Hylas and the Nymphs, c1896. Artist: John William Waterhouse
Study for the painting Hylas and the Nymphs, c1896. From The Studio Volume 10 [London Offices of the Studio, London, 1897]

Background imageWaterhouse Collection: Gr Waterhouse / Maguire

Gr Waterhouse / Maguire
GEORGE ROBERT WATERHOUSE English naturalist Date: 1810 - 1888

Background imageWaterhouse Collection: Liverpool Seamens Orphanage

Liverpool Seamens Orphanage
The Liverpool Seamens Orphanage, designed by Alfred Waterhouse. Date: 1872

Background imageWaterhouse Collection: William (Bill) Waterhouse Bassoonist

William (Bill) Waterhouse Bassoonist
Benjamin Britten rehearsing and working on his score in the Jubilee Hall. Aldeburgh Festival 1961. William (Bill) Waterhouse bassoonist. Date: 1961

Background imageWaterhouse Collection: Writtle Lodge, Essex, engraved by William Tombleson, 1832 (engraving)

Writtle Lodge, Essex, engraved by William Tombleson, 1832 (engraving)
XJF451307 Writtle Lodge, Essex, engraved by William Tombleson, 1832 (engraving) by Bartlett, William Henry (1809-54) (after); Private Collection; (add.info.: Writtle Lodge, of the Great Water House)

Background imageWaterhouse Collection: William, later Dr. Vyse Dr. Vyse Inscribed, upper left: William Vsfe Esq

William, later Dr. Vyse Dr. Vyse Inscribed, upper left: William Vsfe Esq
William, later Dr. Vyse Dr. Vyse Inscribed, upper left: " William Vsfe Esq. | [underlined:] Fellow of Allsouls College" Signed and dated, center right: " T

Background imageWaterhouse Collection: John Palmer, Barrister of the Inner Temple John Palmer Signed and dated in brown paint

John Palmer, Barrister of the Inner Temple John Palmer Signed and dated in brown paint, lower left: " W Hogarth pinx+ 1749" [1749 is painted in a different hand], William Hogarth

Background imageWaterhouse Collection: Mrs. Mary Chauncey a Young Woman Signed and dated in yellow, lower center: F

Mrs. Mary Chauncey a Young Woman Signed and dated in yellow, lower center: F
Mrs. Mary Chauncey a Young Woman Signed and dated in yellow, lower center: " F Hayman P. | 1748", Francis Hayman, 1707/8-1776, British

Background imageWaterhouse Collection: An Unknown Man Signed and dated by chisel on supporting column on back of bust: Turnerelli

An Unknown Man Signed and dated by chisel on supporting column on back of bust: Turnerelli
An Unknown Man Signed and dated by chisel on supporting column on back of bust: " Turnerelli | R | Sculp. 1821.", Peter Turnerelli, 1774-1839, British

Background imageWaterhouse Collection: Seal and Walrus used for: food and tents: clothing: canoes: fur: oil: glue: false teeth

Seal and Walrus used for: food and tents: clothing: canoes: fur: oil: glue: false teeth. Hand-coloured lithograph by Waterhouse Hawkins published London c1850

Background imageWaterhouse Collection: Cochineal and Lac Insects (Scale insects). Lacquer, varnish and scarlet dye derived from lac insect

Cochineal and Lac Insects (Scale insects). Lacquer, varnish and scarlet dye derived from lac insect: red colour used in cooking from cochineal

Background imageWaterhouse Collection: Dinner given by Waterhouse Hawkins (the maker) to celebrate the completion of two

Dinner given by Waterhouse Hawkins (the maker) to celebrate the completion of two Iguanadon statues to be put on display at the Crystal Palace, Sydenham, New Years Eve, 1853




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Waterhouse, the renowned artist of the late 19th and early 20th centuries, captivated audiences with his mesmerizing paintings. One of his most famous works is "Lady of Shalott" from 1888, which depicts a tragic figure trapped in her own world. The haunting beauty and intricate details in this masterpiece showcase Waterhouse's exceptional talent. In another notable piece titled "I am half sick of shadows, " created around 1911, Waterhouse explores themes of introspection and longing. The painting exudes a sense of melancholy as it portrays a woman lost in thought amidst an ethereal backdrop. Waterhouse's fascination with mythology is evident in his artwork as well. In "Circe Invidiosa" from 1892, he brings to life the enchantress Circe who holds a venomous snake while casting her spell. This captivating portrayal showcases Waterhouse's ability to capture both beauty and danger within one composition. The artist also delved into literature for inspiration, as seen in his depiction of Miranda from Shakespeare's play "The Tempest. " Painted in 1916, this piece captures the innocence and curiosity that define Miranda's character. Not limited to mythological or literary subjects, it also explored other themes such as mermaids. His painting simply titled "A Mermaid" showcases his mastery over capturing delicate features and creating an atmosphere filled with mystery. Narcissus and Echo are brought to life through Waterhouse's artistic interpretation as well. His rendition reflects Narcissus' self-absorption mirrored by Echo's unrequited love—a poignant representation of human emotions entwined with Greek mythology. Aside from John William Waterhouse’s artworks, it is important not to confuse him with Alfred Waterhouse—the architect responsible for designing London’s iconic Natural History Museum. This architectural marvel stands tall today thanks to Alfred’s vision and creativity. Even beyond artistry lies another connection to the Waterhouse name.