Westall Collection (#2)

Faust and Lilith, 1831. Found in the Collection of Royal Academy of Arts, London

Byron, c1800, (1911). Artist: Richard Westall
Byron, c1800, (1911). George Gordon Byron (1788-1824) commonly known as Lord Byron, was an English poet and a leading figure in the Romantic movement

Landscape with Women, Sheep and Dog, c1811, (1938). Artist: Richard Westall
Landscape with Women, Sheep and Dog, c1811, (1938). Painting held at the Birmingham Museums Trust, Birmingham. From A Catalogue of the Pictures

King Richard III. Act 3. Scene 4. A Room in the Tower - Gloucester, Buckingham, Stanley, Hastings & Artist: Anker Smith
King Richard III. Act 3. Scene 4. A Room in the Tower - Gloucester, Buckingham, Stanley, Hastings & c, 1799. After Richard Westall (1765-1836)

King Henry VIII. Act 3. Scene 2. Wolsey, Duke of Norfolk, Suffolk & c, 1796. Artist: WC Wilson
King Henry VIII. Act 3. Scene 2. Wolsey, Duke of Norfolk, Suffolk & c, 1796. After Richard Westall (1765-1836). From Shakespeare Gallery, Pall Mall, 1795, by John Boydell. [J. & J

Cymbeline. Act 2 Scene 2. A Bedchamber. Imogen in Bed. Jachimo, 1795. Artist: James Stow
Cymbeline. Act 2 Scene 2. A Bedchamber. Imogen in Bed. Jachimo, 1795. After Richard Westall (1765-1836). From Shakespeare Gallery, Pall Mall, 1795, by John Boydell. [J. & J. Boydell, London, 1795]

St Jamess Park, c1800. Artist: Richard Westall
St Jamess Park, c1800. From The Studio Volume 123 [The Studio Ltd, London & New York, 1942.]

A Ghost: L Apparition, 1798, (1905). Artist: Jacques Bonnefoy
A Ghost: L Apparition, 1798. After Richard Westall (1765-1836). From The Connoisseur Vol XL [Otto Limited, London, 1905.]

A Girl Gathering Mushrooms, 1800, (1917). Artist: Robert Mitchell Meadows
A Girl Gathering Mushrooms, 1800. After Richard Westall (1765-1836). From The Connoisseur Vol XLVIII [Otto Limited, London, 1917.]

Spring, c1747-1815, (1919). Artist: Francesco Bartolozzi
Spring. After Richard Westall (1765-1836). From The Connoisseur Volume LV [Otto Limited, London, 1919]

Autumn, c1947-1815, (1919). Artist: Francesco Bartolozzi
Autumn. After Richard Westall (1765-1836). From The Connoisseur Volume LV [Otto Limited, London, 1919]

Dover, from the Beach, 19th century. Artist: Francis
Dover, from the Beach, 19th century

Landing place, outer harbour, Dover, Kent, 19th century. Artist: E Finden
Landing place, outer harbour, Dover, Kent, 19th century

View on Hampstead Heath, London, 19th century. Artist: E Finden
View on Hampstead Heath, London, 19th century

Dover, Kent, 19th century. Artist: E Francis
Dover, Kent, 19th century

Launceston Castle, Cornwall, 19th century. Artist: E Francis
Launceston Castle, Cornwall, 19th century. Launceston Castle was originally built as a motte and bailey fortification by the Normans, possibly as early as 1067

Bradford on Avon, Wiltshire, 19th century. Artist: E Francis
Bradford on Avon, Wiltshire, 19th century. View showing the Town Bridge over the River Avon, with its domed lock-up, which was formerly a chapel

Abergavenny from the Usk Road, Wales, 19th century(?). Artist: E Francis
Abergavenny from the Usk Road, Wales, 19th century(?)

King Henry V (1387-14220), before Harfleur, 19th century. Artist: Richard Westall
King Henry V (1387-14220), before Harfleur, 19th century. Henry V reigned as King of England from 1413 to 1422. He was son of Henry of Bolingbroke, later Henry IV, and Mary de Bohun

King Henry VIII (1491-1547) and Thomas Cranmer (1489-1556), 1796. Artist: William Satchwell Leney
King Henry VIII (1491-1547) and Thomas Cranmer (1489-1556), 1796

Goree Buildings, Liverpool, 1828. Artist: William Westall
Goree Buildings, Liverpool, 1828

The San Nicolas and San Josef, carried by boarding, Battle of Cape St Vincent, 1797. Artist: R Golding
The San Nicolas and San Josef, carried by boarding, Battle of Cape St Vincent, 1797. At the Battle of Cape St Vincent, the British fleet under Admiral Sir John Jervis defeated the numerically

A Ghost, 1905. Artist: Henri-Arthur Bonnefoy
A Ghost, 1905. From The Connoisseur magazine (March 1905)

Lord Byron, Anglo-Scottish poet, c1813, (1831). Artist: H Robinson
Lord Byron, Anglo-Scottish poet, c1813, (1831). Portrait of George Gordon (Noel) Byron, 6th Baron Byron (1788-1824), a leading figure in Romanticism

The Wear above Sunderland Iron Bridge, c1829. Artist: R Francis
The Wear above Sunderland Iron Bridge, c1829. The Wear was an important waterway for exporting the coal and chemical and industrial products of the area

Stone arched bridge across the Tyne at Newcastle-upon-Tyne, England, c1830. Artist: R Francis
Stone arched bridge across the Tyne at Newcastle-upon-Tyne, England, c1830. Below the bridge is the harbour area and the masts of moored ships can be seen

Cowper / Westall / Golding
WILLIAM COWPER English poet contemplating his mothers picture: O that those lips had language! Date: 1731 - 1800

Sir John Floyd Horseback ca 1800-1814 Watercolor
Artokoloro

The Three Marys at the Sepulchre. Westall, Richard 1765 - 1836

Source Size = 2856 x 3952
Specimen of Wood Engraving, " imogene, " after Westall

Richard Westall (British, 1765 - 1836), The Reaper (The Harvest Moon), pen and gray ink with gray wash and watercolor over graphite on wove paper

The Georgian stone bridge across the Tyne at Newcastle-upon-Tyne, England. Opened in 1791, it was closed 1867 and replaced by Stephensons High Level bridge

The Wear Above Sunderland Iron Bridge, c1829. The Wear was an important waterway for the export of the coal, chemical and industrial products of the area

Blackfriars Bridge, Manchester, England, showing cotton mills and industrial buildings along the River Irwell. Illustration by William Westall (1781-1850)

Liverpool Docks, England. Goree Buildings, Georges Dock, Liverpool, pedestrian arcade with five levels of warehousing above. The buildings shown here are those constructed after the fire of 1802

INVOCATION TO MELANCHOLY. Aquatint, 1807, after Richard Westall, illustrating Henry Headleys poem An Invocation to Melancholy. A Fragment, 1785

THE SEASONS: WINTER, 1819. And down he sinks Beneath the shelter of the shapeless drift. Thinking o er all the bitterness of death

THE SEASONS: SUMMER, 1819. She with the sylvan pen Of rural lovers this confession carve d, Which soon her Damon kiss d with weeping joy

HOMER: THE ILIAD. The chariot of Nestor and Tydides (also known as Diomedes) thwarted in battle by Zeus lightning bolts. Steel engraving, English, c1830, after Richard Westall

THE SEASONS: SPRING, 1819. Together let us tread The morning dews, and gather in their prime Fresh-blooming flowers to grace thy braided hair

THE SEASONS: AUTUMN, 1819. By strong Necessitys supreme command, With smiling patience in her looks, she went To glean Palemons fields

THOMAS GRAY: BOOK ILLUSTRN. An 1819 engraving after Richard Westall for Thomas Grays An Elegy Wrote in a Country Church
THOMAS GRAY: BOOK ILLUSTRN. An 1819 engraving after Richard Westall for Thomas Grays " An Elegy Wrote in a Country Church Yard."

Byron (Westall)
GEORGE GORDON, lord BYRON at the age of 25

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"Exploring the Rich History of Westall: From Pynes House to Moor Park" Step back in time and immerse yourself in the captivating world of Westall, a name that resonates with historical significance. Let us take you on a journey through some remarkable landmarks and artworks associated with this illustrious name. Starting at Pynes House in Exeter, Devon, we find ourselves transported to 1825. This grand estate stands as a testament to architectural brilliance, showcasing the elegance and charm of its era. Moving northwards to Liverpool, we encounter the Town Hall and Mansion House from the 19th century. The artistic prowess of William Westall captures these magnificent structures in all their glory, preserving their beauty for generations to come. Delving deeper into English family life circa 1810, Richard Westall's steel engraving depicts a heartwarming scene by the fireside. It serves as a poignant reminder of cherished moments shared among loved ones during simpler times. A glimpse into Liverpool's past reveals St. Georges Church rising majestically from its docks around 1830. Edward Francis Finden masterfully immortalizes this architectural gem against an ever-changing backdrop of maritime activity. Venturing further across England brings us face-to-face with Aston Hall, an exquisite Jacobean house nestled in Birmingham's embrace since 1826. Its enchanting allure transports visitors back centuries while leaving them awe-inspired by its timeless beauty. Enmore Castle emerges next on our journey—a Somerset stronghold belonging to none other than the esteemed Earl of Egmont himself in 1825. This engraved depiction showcases both power and grace intertwined within its formidable walls. The historical narrative continues with Henry III engaging Archbishop Canterbury and Bishops Salisbury—an iconic moment captured forever through artistry that allows us insight into pivotal conversations shaping England's destiny. As we explore further architectural marvels associated with Westall's legacy, we discover an elevation plan for a hunting lodge and a verandah, showcasing the intricate craftsmanship that adorned these structures.