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Whistler Collection (#8)

"Whistler: A Captivating Blend of Art, Adventure, and Natural Beauty" Immerse yourself in the enchanting world of Whistler

Background imageWhistler Collection: Maude, Seated, 19th century (1904). Artist: James Abbott McNeill Whistler

Maude, Seated, 19th century (1904). Artist: James Abbott McNeill Whistler
Maude, Seated, 19th century (1904). First state etching with full face. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Background imageWhistler Collection: Maude, Standing, 1873 (1904). Artist: James Abbott McNeill Whistler

Maude, Standing, 1873 (1904). Artist: James Abbott McNeill Whistler
Maude, Standing, 1873 (1904). Trial proof with light tippet. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Background imageWhistler Collection: The Velvet Dress, 1873 (1904). Artist: James Abbott McNeill Whistler

The Velvet Dress, 1873 (1904). Artist: James Abbott McNeill Whistler
The Velvet Dress, 1873 (1904). Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Background imageWhistler Collection: Whistlers Mother, 19th century (1904). Artist: James Abbott McNeill Whistler

Whistlers Mother, 19th century (1904). Artist: James Abbott McNeill Whistler
Whistlers Mother, 19th century (1904). Etching. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Background imageWhistler Collection: The Model Resting, 19th century (1904). Artist: James Abbott McNeill Whistler

The Model Resting, 19th century (1904). Artist: James Abbott McNeill Whistler
The Model Resting, 19th century (1904). Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Background imageWhistler Collection: Weary, 1863 (1904). Artist: James Abbott McNeill Whistler

Weary, 1863 (1904). Artist: James Abbott McNeill Whistler
Weary, 1863 (1904). Etching. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Background imageWhistler Collection: Amsterdam, 19th century (1904). Artist: James Abbott McNeill Whistler

Amsterdam, 19th century (1904). Artist: James Abbott McNeill Whistler
Amsterdam, 19th century (1904). Early state etching, drawn from the Tolhuis restaurant. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Background imageWhistler Collection: The Little Forge, c1860 (1904). Artist: James Abbott McNeill Whistler

The Little Forge, c1860 (1904). Artist: James Abbott McNeill Whistler
The Little Forge, c1860 (1904). Etching. An early proof before a monogram. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Background imageWhistler Collection: Millbank, c1860 (1904). Artist: James Abbott McNeill Whistler

Millbank, c1860 (1904). Artist: James Abbott McNeill Whistler
Millbank, c1860 (1904). Etching. A unique impression with the word not added. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Background imageWhistler Collection: The Forge, c1860 (1904). Artist: James Abbott McNeill Whistler

The Forge, c1860 (1904). Artist: James Abbott McNeill Whistler
The Forge, c1860 (1904). Etching Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Background imageWhistler Collection: Axenfeld, 1860 (1904). Artist: James Abbott McNeill Whistler

Axenfeld, 1860 (1904). Artist: James Abbott McNeill Whistler
Axenfeld, 1860 (1904). Etching Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Background imageWhistler Collection: Rotherhithe, 1860 (1904). Artist: James Abbott McNeill Whistler

Rotherhithe, 1860 (1904). Artist: James Abbott McNeill Whistler
Rotherhithe, 1860 (1904). Etching. Rotherhithe was drarn from the balcony of the Angel Inn at Rotherhithe, looking northwest toward the City

Background imageWhistler Collection: Mr Mann, 1860 (1904). Artist: James Abbott McNeill Whistler

Mr Mann, 1860 (1904). Artist: James Abbott McNeill Whistler
Mr Mann, 1860 (1904). Etching. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Background imageWhistler Collection: Under Old Battersea Bridge, 1879 (1904). Artist: James Abbott McNeill Whistler

Under Old Battersea Bridge, 1879 (1904). Artist: James Abbott McNeill Whistler
Under Old Battersea Bridge, 1879 (1904). Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Background imageWhistler Collection: Fumettes Bent Head, c1859 (1904). Artist: James Abbott McNeill Whistler

Fumettes Bent Head, c1859 (1904). Artist: James Abbott McNeill Whistler
Fumettes Bent Head, c1859 (1904). Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Background imageWhistler Collection: The Miser, c1851 (1904). Artist: James Abbott McNeill Whistler

The Miser, c1851 (1904). Artist: James Abbott McNeill Whistler
The Miser, c1851 (1904). Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Background imageWhistler Collection: Fumette, Standing 1859 (1904). Artist: James Abbott McNeill Whistler

Fumette, Standing 1859 (1904). Artist: James Abbott McNeill Whistler
Fumette, Standing 1859 (1904). Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Background imageWhistler Collection: Tyzac Whiteley and Co, 1859 (1904). Artist: James Abbott McNeill Whistler

Tyzac Whiteley and Co, 1859 (1904). Artist: James Abbott McNeill Whistler
Tyzac Whiteley and Co, 1859 (1904). Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Background imageWhistler Collection: Whistler, 1859 (1904). Artist: James Abbott McNeill Whistler

Whistler, 1859 (1904). Artist: James Abbott McNeill Whistler
Whistler, 1859 (1904). Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Background imageWhistler Collection: Limehouse, 19th century (1904). Artist: James Abbott McNeill Whistler

Limehouse, 19th century (1904). Artist: James Abbott McNeill Whistler
Limehouse, 19th century (1904). Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Background imageWhistler Collection: Thames Warehouse, 19th century (1904). Artist: James Abbott McNeill Whistler

Thames Warehouse, 19th century (1904). Artist: James Abbott McNeill Whistler
Thames Warehouse, 19th century (1904). Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Background imageWhistler Collection: A Bye Canal, Venice, 19th century, (1904). Artist: James Abbott McNeill Whistler

A Bye Canal, Venice, 19th century, (1904). Artist: James Abbott McNeill Whistler
A Bye Canal, Venice, 19th century, (1904). From a pastel. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Background imageWhistler Collection: Street at Saverne, 19th century (1904). Artist: James Abbott McNeill Whistler

Street at Saverne, 19th century (1904). Artist: James Abbott McNeill Whistler
Street at Saverne, 19th century (1904). Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)

Background imageWhistler Collection: The Wood, 19th century (1904). Artist: James Abbott McNeill Whistler

The Wood, 19th century (1904). Artist: James Abbott McNeill Whistler
The Wood, 19th century (1904). Signed by J M Whistler and Seymour Haden and done in collaboration. Plate taken from Whistler As I Knew Him, by Mortimer Menpes

Background imageWhistler Collection: The Convalescent, 19th century, (1933). Artist: James Abbott McNeill Whistler

The Convalescent, 19th century, (1933). Artist: James Abbott McNeill Whistler
The Convalescent, 19th century, (1933). Illustration from the Apollo Volume XVIII, no 106, (October 1933)

Background imageWhistler Collection: Mother and Child, 1925. Artist: Whistler

Mother and Child, 1925. Artist: Whistler
Mother and Child, 1925. Illustration from Apollo, A Journal of the Arts, (London 1925)

Background imageWhistler Collection: Thomas Carlyle, (1923). Artist: Medici Society Ltd

Thomas Carlyle, (1923). Artist: Medici Society Ltd
Thomas Carlyle, (1923). Published in The Outline of Literature, by John Drinkwater, London, 1923

Background imageWhistler Collection: Savoy Pigeons, 1896, (1898). Artist: James Abbott McNeill Whistler

Savoy Pigeons, 1896, (1898). Artist: James Abbott McNeill Whistler
Savoy Pigeons, 1896. After a lithograph by James Abbott McNeill Whistler (1834-1903). From The Studio, Volume Eight [London Offices of the Studio V, London, 1898]

Background imageWhistler Collection: Homes of famous painters, London, 1926-1927. Artist: Whiffin

Homes of famous painters, London, 1926-1927. Artist: Whiffin
Homes of famous painters, London, 1926-1927. Houses inhabited by Whistler (top left), and Turner (top right), in Cheyne Walk

Background imageWhistler Collection: Thomas Carlyle, Scottish essayist, satirist, and historian, c1873

Thomas Carlyle, Scottish essayist, satirist, and historian, c1873. Artist: James Abbott McNeill Whistler
Thomas Carlyle, Scottish essayist, satirist, and historian, c1873. Portrait of Carlyle (1795-1881)

Background imageWhistler Collection: Rainbow over the Olympic Ski Lift in Whistler, British Columbia, Canada, North America

Rainbow over the Olympic Ski Lift in Whistler, British Columbia, Canada, North America

Background imageWhistler Collection: Mist on Lost Lake, Ski Hill and surrounding forest, Whistler, British Columbia, Canada

Mist on Lost Lake, Ski Hill and surrounding forest, Whistler, British Columbia, Canada, North America

Background imageWhistler Collection: Watercolour by Harold Auerbach, boat on a river

Watercolour by Harold Auerbach, boat on a river at night, with two bridges. Date: circa 1910

Background imageWhistler Collection: Winter by Rex Whistler

Winter by Rex Whistler
An impression of winter by Rex Whistler showing a statue of old father Time in the foreground while beyond, skaters enjoy the delights of a frozen pond. Date: 1935

Background imageWhistler Collection: The Whistler and his Dog by David Duggin

The Whistler and his Dog by David Duggin
A little boy, dressed appealingly in shorts, braces and cap plays a penny whistle, much to the amusement of his attentive dog. Date: 1938

Background imageWhistler Collection: Carlyle (Whistler Col)

Carlyle (Whistler Col)
THOMAS CARLYLE Scottish philosopher and historian Date: 1795 - 1881

Background imageWhistler Collection: Whistler Self-Portrait

Whistler Self-Portrait
JAMES McNEILL WHISTLER American artist Date: 1834 - 1903

Background imageWhistler Collection: Whistler by Beardsley

Whistler by Beardsley
JAMES McNEILL WHISTLER American artist Date: 1834 - 1903

Background imageWhistler Collection: WHISTLER

WHISTLER
JAMES McNEILL WHISTLER American artist Date: 1834 - 1903

Background imageWhistler Collection: Drawings Prints, Print, Portrait, Whistler, Artist, Ernest Haskell, American, Woodstock

Drawings Prints, Print, Portrait, Whistler, Artist, Ernest Haskell, American, Woodstock
Drawings and Prints, Print, Portrait of Whistler, Artist, Ernest Haskell, American, Woodstock, Connecticut 1876-1925 West Point, Maine, Haskell, Ernest, American, 1876, 1925, 1898

Background imageWhistler Collection: View Bay Naples Vesuvius Smoking Distance Evening

View Bay Naples Vesuvius Smoking Distance Evening
Artokoloro

Background imageWhistler Collection: Rainy Night Charing Cross Shops 1903 Etching

Rainy Night Charing Cross Shops 1903 Etching
Artokoloro

Background imageWhistler Collection: Whistler Moulsey Molesey Lock 1861 Etching china paper

Whistler Moulsey Molesey Lock 1861 Etching china paper
Artokoloro

Background imageWhistler Collection: Weary 1863 Drypoint fourth state six Glasgow

Weary 1863 Drypoint fourth state six Glasgow
Artokoloro

Background imageWhistler Collection: Lime-Burner W Jones Thames Street 1859 Etching

Lime-Burner W Jones Thames Street 1859 Etching
Artokoloro

Background imageWhistler Collection: Greenwich Pensioner 1859 Etching second state

Greenwich Pensioner 1859 Etching second state
Artokoloro

Background imageWhistler Collection: Nocturne Palaces 1879-80 Etching drypoint printed

Nocturne Palaces 1879-80 Etching drypoint printed
Artokoloro

Background imageWhistler Collection: Nocturne 1879-80 Etching drypoint sixth state

Nocturne 1879-80 Etching drypoint sixth state
Artokoloro




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"Whistler: A Captivating Blend of Art, Adventure, and Natural Beauty" Immerse yourself in the enchanting world of Whistler, where artistry meets adrenaline and nature's splendor takes center stage. From the picturesque Vale of Aylesbury to the captivating works of Rex Whistler, this destination is a treasure trove for culture enthusiasts. Transport yourself back to 1933 as you admire Rex Whistler's masterpiece "The Vale of Aylesbury. " Let your imagination wander through this idyllic landscape that captures the essence of a bygone era. And don't miss his evocative painting "The Letter, " which invites you into an intimate moment frozen in time. But our journey doesn't end with paintings alone – we delve into another realm of artistic brilliance with James A. McNeill Whistler's etching "WHISTLER: WINE GLASS. " This exquisite piece transports us to a refined world where elegance dances on the rim of a wine glass. Venturing beyond canvas and ink, we encounter Cecil Beaton, Rex Whistler & Stephen Tennant at Cap Ferrat – an iconic photograph capturing three creative souls intertwined in friendship amidst stunning surroundings. Their presence reminds us that art can be found not only within frames but also in human connections. As we shift gears from artistic pursuits to thrilling adventures, we find ourselves standing before an Inuit Inukshuk stone statue at Whistler mountain resort – host venue for the unforgettable 2010 Winter Olympic Games. This symbol represents guidance and unity while reminding us that nature holds immense power and wisdom. Our gaze then ascends towards new heights aboard the awe-inspiring Whistler Blackcomb Peak 2 Peak Gondola – an engineering marvel offering breathtaking vistas over snow-covered peaks during those exhilarating winter games. Thrill-seekers take flight alongside daring snowboarders soaring through Telus Half Pipe competition, defying gravity and pushing the boundaries of what is possible.