White Paint Collection

Practical protection in darkened streets, illustration from
STC405608 Practical protection in darkened streets, illustration from The Illustrated War News, January 1917 (b/w photo) by English Photographer

A Mursi man smears his body with a mixture of local chalk and water and then draws designs with his fingertips to enhance his physical appearance.The Mursi speak a Nilotic language

Mountain Landscape Figures first half 1600s Anton Mirou
Mountain Landscape with Figures, first half 1600s. Anton Mirou (Flemish, bef 1586-aft 1661). Pen and brown ink and brush and gray wash with blue and green watercolor, over traces of black chalk

Fashion Study designed Worth 1870 France 19th century
Fashion Study (designed for Worth), 1870. France, 19th century. Brush gray ink and watercolor heightened with white paint; sheet: 28.8 x 22.5 cm (11 5/16 x 8 7/8 in.)

Standing Male Figure 1610 13 Ludovico Cardi Cigoli
Standing Male Figure, c. 1610/13. Ludovico Cardi Cigoli (Italian, 1559-1613). Brush and brown ink, heightened with white paint; framing lines in brown ink; sheet

Presentation Temple 1770 Francois Boucher
The Presentation in the Temple, c. 1770. Francois Boucher (French, 1703-1770). Pen and brown ink, brush and brown wash, and black chalk, heightened with white paint

Hannibal Swearing Eternal Enmity Rome 1808 France
Hannibal Swearing Eternal Enmity toward Rome, c. 1808. France, 19th century. Pen and black and brown ink, brush and brown and gray wash

Cupid Psyche 1813 Jacques-Louis David French
Cupid and Psyche, 1813. Jacques-Louis David (French, 1748-1825). Gray wash and pen and black ink with white paint and traces of black chalk; sheet: 16.7 x 22.4 cm (6 9/16 x 8 13/16 in.)

Round Tower Castle Munoth Schafhausen Switzerland
Round Tower, Castle of Munoth, Schafhausen, Switzerland, 1842. John William Casilear (American, 1811-1893). Graphite and orange and yellow crayon

Hilly Landscape Hut Stream 1627 Van de Velde Esaias
Hilly Landscape with Hut Beside a Stream, 1627. Van de Velde Esaias (Dutch, 1587-1630). Black chalk and brush and gray and brown wash (addition, upper left)

Pastoral Scene Nomads Sheep Cattle 1609-64
Artokoloro

Pastoral Scene Shepherds Flock n. d Brush brown
Artokoloro

Two Seated Bearded Male Figures 1637-1713 Brush
Artokoloro

Lady Court Napole I 1804 Black crayon white paint
Artokoloro

Words and symbols in graffiti: Never Again and Bash, a Star of David and an unidentified symbol, Canterbury, Kent, England

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"White Paint: Practical Protection in Darkened Streets" In the midst of darkened streets, white paint emerges as a practical shield against the shadows. Just like an illustration from a captivating storybook, it illuminates our surroundings and brings clarity to our path. A Mursi man smears his body with a mixture of local ingredients, resembling the transformative power of white paint. It becomes his armor, blending tradition and modernity into one harmonious existence. Like a mountain landscape painting from the early 1600s by Anton Mirou, white paint creates an ethereal backdrop that showcases beauty in its purest form. It transcends time and captures the essence of serenity amidst chaos. Fashion study designed by Worth in 1870 France reflects how they are be both bold and elegant. It adorns individuals with grace and sophistication, leaving an indelible mark on history's canvas. Just as Ludovico Cardi Cigoli's standing male figure from 1610-13 commands attention through its strength and presence, so does white paint command respect through its ability to transform any surface into a masterpiece. Francois Boucher's presentation temple in 1770 exemplifies how white paint breathes life into architecture. Its purity enhances every detail, creating spaces that inspire awe and reverence for centuries to come. France's "Hannibal Swearing Eternal Enmity Rome" painted in 1808 depicts passion ignited by conflict - much like how white paint sparks creativity within artists' souls. It fuels their imagination to challenge conventions and leave lasting impressions on society. Jacques-Louis David's "Cupid Psyche" (1813) portrays love’s timeless allure – just as white paint evokes emotions of purity, innocence, and tenderness wherever it is applied. Its touch transforms ordinary objects into symbols of affectionate devotion. The Round Tower Castle Munoth in Schaffhausen Switzerland stands tall and proud, its white paint reflecting the sun's rays.