Wilde Oscar Collection

Book cover for "Deux Contes", 1926. Creator: Paul Gruel. Book cover for "Deux Contes", 1926
Book cover for "Deux Contes", 1926. Francois-Louis Schmied (1873-1941) was a painter, illustrator, engraver, and bookbinder who, in the years following World War I

Enter Herodias, c1893. Creator: Aubrey Beardsley
Enter Herodias, c1893

Oscar Wilde and Whistler, 1894. Creator: Philip William May
Oscar Wilde and Whistler, 1894

The Climax, 1893. Creator: Aubrey Beardsley
The Climax, 1893. The floating figure of Salome holds the severed head of John the Baptist (Jokanaan). The head has writhing snake-like hair

A Platonic Lament, 1893. Creator: Aubrey Beardsley
A Platonic Lament, 1893. A caricature of Oscar Wilde appears in the sky above a nude figure mourning over the body of the Young Syrian. A jester-like figure crouches beneath

Salome on [a] Settle, 1893. Creator: Aubrey Beardsley
Salome on [a] Settle, 1893. Alternative title: Maitresse d Orchestre. Salome, in a lace-edged black robe with a tassel which trails on the floor, holds a slim pointed object like a conductors baton

The Dancers Reward, 1893. Creator: Aubrey Beardsley
The Dancers Reward, 1893. A horrified Salome, wearing a robe adorned with roses and with an elaborate curled hairstyle, beholds the severed and bloody head of John the Baptist (Jokanaan)

Tailpiece, 1893. Creator: Aubrey Beardsley
Tailpiece, 1893. Alternate title: The Burial of Salome. A Pierrot-like figure and a satyr lower the naked body of Salome into a coffin in the shape of a powder box

Frontispiece to "Plays"by John Davidson, 1893. Creator: Aubrey Beardsley
Frontispiece to " Plays" by John Davidson, 1893. Caricatures of notable figures of the day: Sir Augustus Harris (centre), the manager of the Covent Garden

Untitled (Portrait of Oscar Wilde as a young man), c. 1880. Creator: Unknown
Untitled (Portrait of Oscar Wilde as a young man), c. 1880. Albumen print

The Woman in the Moon, 1893. Creator: Aubrey Beardsley
The Woman in the Moon, 1893. From " The Best of Beardsley" edited by R. A. Walker, [The Bodley Head, London, 1948]

Wilde on Us. Something To "Live Up"To in America, June 10, 1882
Wilde on Us. Something To " Live Up" To in America, June 10, 1882

Oscar at the Sea-Shore, August 26, 1882. August 26, 1882. Creator: Thomas Nast
Oscar at the Sea-Shore, August 26, 1882

Oscar Wilde as Narcissus, ca. 1894. ca. 1894. Creator: Thomas Nast
Oscar Wilde as Narcissus, ca. 1894

Oscar Wilde, 1882. Creator: Napoleon Sarony
Oscar Wilde, 1882

Bluegate Fields, 1872. Creator: Gustave Doré
Bluegate Fields, 1872. Bluegate Fields was one of the worst slums during the Victorian era and geatured in The Picture of Dorian Gray by Oscar Wilde. From, " LONDON

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"Wilde Oscar: A Captivating Figure in Art and Literature" Oscar Wilde, the renowned Irish playwright and wit, captivated the artistic world with his flamboyant personality and sharp intellect. His influence extended beyond his literary works, as he became a muse for many talented artists of his time. In 1894, Philip William May immortalized the friendship between Wilde and James McNeill Whistler in a delightful illustration. The image captures their camaraderie, showcasing two brilliant minds engaged in lively conversation. Aubrey Beardsley, another artist enchanted by Wilde's allure, created several striking artworks inspired by him. "The Climax" (1893) portrays an intense moment filled with tension and intrigue. In "A Platonic Lament" (1893), Beardsley explores themes of love and desire through intricate lines and bold contrasts. Beardsley's fascination with Wilde is further evident in "Salome on [a] Settle" (1893). This provocative piece depicts Salome reclining sensually while exuding an air of mystery. Similarly captivating is "The Stomach Dance" (1893), where Beardsley skillfully captures the seductive movements of dancers. "The Dancers Reward" (1893) showcases Beardsley's unique style as he presents a scene filled with decadence and opulence. Meanwhile, his "Tailpiece" (1893) offers a glimpse into the darker side of society through its haunting imagery. As if to pay homage to Wilde's talent as a playwright, Beardsley created the frontispiece for John Davidson's play collection titled "Plays. " This intricate artwork sets the stage for dramatic narratives that unfold within its pages. An enigmatic portrait simply titled "Untitled (Portrait of Oscar Wilde as a young man)" transports us back to Wilde's early years when he was just beginning to make waves in literary circles. Its unknown creator captures the essence of Wilde's charm and charisma.