William 1832 1898 Collection

The burning of the Public Library and the Tower of the Winds in Sevastopol, 1855-1856. Private Collection

A hot day in the batteries, 1855. Private Collection

Burning of the Government Buildings at Kertch, 1855. Private Collection

Balaklava. The Quays and the Shipping, 1855. Private Collection

Storm in the Balaklava Bay on 14th of November 1854, 1855. Artist: Simpson, William (1832-1898)
Storm in the Balaklava Bay on 14th of November 1854, 1855. Found in the collection of State Museum of Leo Tolstoy, Moscow

Balaclava. View onto the sea, 1855. Artist: Simpson, William (1832-1898)
Balaclava. View onto the sea, 1855. Found in the collection of State Museum of Leo Tolstoy, Moscow

The Admiralty, Sevastopol. Artist: Simpson, William (1832-1898)
The Admiralty, Sevastopol. Private Collection

The defence of Kars. Artist: Simpson, William (1832-1898)
The defence of Kars. Private Collection

The interior of the Redan taken from its left face, 1855. Artist: Simpson, William (1832-1898)
The interior of the Redan taken from its left face, 1855. Found in the collection of the State Museum of the Defence of Sevastopol 1854-1855, Sevastopol

One of the wards of the hospital at Scutari, 1855. Artist: Simpson, William (1832-1898)
One of the wards of the hospital at Scutari, 1855. Found in the collection of the State Museum of the Defence of Sevastopol 1854-1855, Sevastopol

The Bastion du Mat, Sevastopol, 1855. Artist: Simpson, William (1832-1898)
The Bastion du Mat, Sevastopol, 1855. Found in the collection of the State Museum of the Defence of Sevastopol 1854-1855, Sevastopol

Highland Brigade camp, 1855. Artist: Simpson, William (1832-1898)
Highland Brigade camp, 1855. Found in the collection of the State Museum of the Defence of Sevastopol 1854-1855, Sevastopol

Malakoff redoubt, battery gervais and rear of the redan, 1855. Artist: Simpson, William (1832-1898)
Malakoff redoubt, battery gervais and rear of the redan, 1855. Found in the collection of the State Museum of the Defence of Sevastopol 1854-1855, Sevastopol

Sevastopol from the 26 gun battery, 1855. Artist: Simpson, William (1832-1898)
Sevastopol from the 26 gun battery, 1855. Found in the collection of the State Museum of the Defence of Sevastopol 1854-1855, Sevastopol

View of the Vorontsovs Palace, 1855. Artist: Simpson, William (1832-1898)
View of the Vorontsovs Palace, 1855. Found in the collection of the State Museum of the Defence of Sevastopol 1854-1855, Sevastopol

British troops on the road to Sevastopol, 1855. Artist: Simpson, William (1832-1898)
British troops on the road to Sevastopol, 1855. From a private collection

After the Taking of Malakoff on 8 September 1855, 1855. Artist: Simpson, William (1832-1898)
After the Taking of Malakoff on 8 September 1855, 1855. Found in the collection of the State Museum of the Defence of Sevastopol 1854-1855, Sevastopol

The burial of Lord Raglan near Sevasopol, 1855. Artist: Simpson, William (1832-1898)
The burial of Lord Raglan near Sevasopol, 1855. Found in the collection of the State Museum of the Defence of Sevastopol 1854-1855, Sevastopol

View of Sevastopol from the sea, 1855. Artist: Simpson, William (1832-1898)
View of Sevastopol from the sea, 1855. Found in the collection of the State Museum of the Defence of Sevastopol 1854-1855, Sevastopol

A quiet night in the batteries, 1855. Artist: Simpson, William (1832-1898)
A quiet night in the batteries, 1855. Found in the collection of the State Museum of the Defence of Sevastopol 1854-1855, Sevastopol

The Embarkation of the sick at Balaklava, 1855. Artist: Simpson, William (1832-1898)
The Embarkation of the sick at Balaklava, 1855. Found in the collection of the State Museum of the Defence of Sevastopol 1854-1855, Sevastopol

Valley of Chernaya River. Artist: Simpson, William (1832-1898)
Valley of Chernaya River. Found in the collection of the State Museum of the Defence of Sevastopol 1854-1855, Sevastopol

The Battle of Balaclava on October 25, 1854. The Charge of the Light Brigade. Artist: Simpson, William (1832-1898)
The Battle of Balaclava on October 25, 1854. The Charge of the Light Brigade. Found in the collection of the State Museum of the Defence of Sevastopol 1854-1855, Sevastopol

The Redan and the British trenches. Artist: Simpson, William (1832-1898)
The Redan and the British trenches. Found in the collection of the State Museum of the Defence of Sevastopol 1854-1855, Sevastopol

Attack on the Malakoff redoubt on 7 September 1855, 1855. Artist: Simpson, William (1832-1898)
Attack on the Malakoff redoubt on 7 September 1855, 1855. Found in the collection of the State Museum of the Defence of Sevastopol 1854-1855, Sevastopol

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William (1832-1898) was a talented artist who captured the devastating events of the Crimean War through his powerful and detailed illustrations. His works depict the destruction caused by war, such as the burning of the Public Library and Tower of Winds in Sevastopol, which stand as haunting reminders of lost knowledge and culture. On a scorching day in 1855, William witnessed the harsh reality faced by soldiers stationed at batteries. The heat intensified their struggles, serving as a testament to their resilience amidst challenging conditions. The burning of Government Buildings at Kertch further showcases William's ability to convey destruction. Through his artistry, he immortalizes this tragic event that left behind ruins and shattered lives. In Balaklava, William captures both its bustling quays and shipping vessels against an idyllic sea view. These scenes offer glimpses into daily life during wartime when commerce continued despite surrounding chaos. A storm ravaged Balaklava Bay on November 14th, 1854 - an event that William skillfully portrays with dramatic flair. His artwork transports viewers to that fateful day when nature unleashed its fury upon those already embroiled in battle. The Admiralty in Sevastopol stands tall amidst the turmoil depicted in one of William's artworks. Its presence serves as a symbol of strength amid chaos—a beacon for those fighting for victory. William also documented moments of heroism during this tumultuous period. His depiction of "The Defence of Kars" immortalizes brave individuals who valiantly fought against overwhelming odds to protect their city from enemy forces. Within Scutari Hospital's wards lies another side to war—the wounded soldiers seeking solace and healing. In capturing this scene, William sheds light on the human cost paid during conflicts like these—reminding us all not only about battles but also about compassion and care required after them too.